Courtney Summers writes gripping stories that tend to stick with you long after the last page is closed. When I listened to her speak at YALLfest in 2016, her commitment to give girls a strong voice really stuck out to me. When I had the opportunity to participate in this blog tour with Wednesday Books, I jumped at the chance to talk more with Courtney Summers about her latest book, Sadie. I’ll introduce the book and then move straight into what I learned from the author.
Sadie hasn’t had an easy life. Growing up on her own, she’s been raising her sister Mattie in an isolated small town, trying her best to provide a normal life and keep their heads above water.
But when Mattie is found dead, Sadie’s entire world crumbles. After a somewhat botched police investigation, Sadie is determined to bring her sister’s killer to justice and hits the road following a few meagre clues to find him.
When West McCray—a radio personality working on a segment about small, forgotten towns in America—overhears Sadie’s story at a local gas station, he becomes obsessed with finding the missing girl. He starts his own podcast as he tracks Sadie’s journey, trying to figure out what happened, hoping to find her before it’s too late.
Q&A with Courtney Summers
Do you have a favorite scene, quote, or moment from Sadie?
My favorite scene is a spoiler, but my favorite quote is this: “I wish this was a love story.”
What gave you the idea for Sadie?
One of the things that inspired Sadie was the way we consume violence against women and girls as a form of entertainment. When we do that, we reduce its victims to objects, which suggests a level of disposability–that a girl’s pain is only valuable to us if we’re being entertained by it. What is our responsibility to us? I really wanted to explore that and the way we dismiss missing girls and what the cost of that ultimately is.
Can you talk a little bit about how you created the setting for Sadie?
Sadie is set in various fictional towns and cities across the state of Colorado and Sadie, as a character herself, was integral in creating those places. I had to make sure to put her in environments she could not only respond to, but would reveal her headspace and past to the reader.
What was the most surprising thing you learned in creating your characters?
When I first started Sadie, I was extremely skeptical of West– he had to prove himself to readers over the course of his narrative and given the nature of his job, I was curious to see where writing him would take me. I really loved the way his arc unfolded. I wasn’t necessarily surprised by it, but more gratified by it than I realized I would be.
What was the hardest part of the story to write?
There wasn’t a particular part that was harder to write than any others—writing a book like Sadie requires occupying a dark emotional headspace all the way through, so it was all a bit tough to write in that sense.
Sadie is told through two points of view: Sadie, as she looks for her sister, and West’s podcasts as he follows her story. Did you experience more difficulty writing one or the other, or did you like writing in one form more? How much of the novel did you write in chronological order, and how much did you jump around?
I enjoyed both of them. Writing Sadie’s perspective was very familiar to me because all of my books feature an intensely close first person, female point-of-view. Writing West’s perspective, the podcast format, proved a little more challenging. Not so much because of the way it was written (scripts) but because each episode had to propel Sadie’s narrative forward and give us a different way of looking at the things she went through.
So far, I’ve only ever been able to write in chronological order!
Was this how you always envisioned the book or did it change as you wrote it?
Regina Spektor said something really interesting about writing songs that I’ve always loved and related to as an author. She said, “[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it’s like a moment where, in that moment, you forget how it was and it’s this new way. And then when you make a record, even those ideas that you had, then those get all turned around and changed. So in the end, I think, it just becomes its own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it’s not like, this is how I planned it from the very beginning because I have no idea, I can’t remember.”
I feel something similar when writing– the heart of my idea remains intact, but the way it takes its ultimate form is always a little different (or even a lot different) than I might have been expecting, which makes it difficult to recall the starting point. But that’s okay as long as the heart is still there and you’re satisfied with and believe in what you’ve created.
Courtney Summers was born in Belleville, Ontario, 1986. At age 14, she dropped out of high school. At age 18, she wrote her first novel. Cracked Up to Be was published in 2008, when she was 22 and went on to win the 2009 CYBIL award in YA fiction. Since then, she’s published four more critically acclaimed books: Some Girls Are, Fall for Anything, This is Not a Test and All the Rage, as well as an e-novella, Please Remain Calm which is a sequel to This is Not a Test. Her new novel, Sadie, is available now wherever books are sold. #findsadie
In 2016, Courtney was named one of Flare Magazine’s 60 under 30.
I’m excited to share some questions and answers with Song of Blood and Stone author Leslye Penelope with you today. Let me first tell you a little bit about Song of Blood and Stone and then we’ll get to the Q&A.
Song of Blood and Stone
Leslye Penelope
St. Martin’s Press
Publishes May 1, 2018
About Song of Blood and Stone A treacherous, thrilling, epic fantasy about an outcast drawn into a war between two powerful rulers.
Orphaned and alone, Jasminda lives in a land where cold whispers of invasion and war linger on the wind. Jasminda herself is an outcast in her homeland of Elsira, where her gift of Earthsong is feared. When ruthless soldiers seek refuge in her isolated cabin, they bring with them a captive–an injured spy who threatens to steal her heart.
Jack’s mission behind enemy lines to prove that the Mantle between Elsira and Lagamiri is about to fall nearly cost him his life, but he is saved by the healing Song of a mysterious young woman. Now he must do whatever it takes to save Elsira and it’s people from the True Father and he needs Jasminda’s Earthsong to do it. They escape their ruthless captors and together they embark on a perilous journey to save Elsira and to uncover the secrets of The Queen Who Sleeps.
Thrust into a hostile society, Jasminda and Jack must rely on one another even as secrets jeopardize their bond. As an ancient evil gains power, Jasminda races to unlock a mystery that promises salvation.
The fates of two nations hang in the balance as Jasminda and Jack must choose between love and duty to fulfill their destinies and end the war.
Author Q&A with Leslye Penelope
What inspired you to write this series? What came first: The characters or the world? What was your inspiration for the magic of Earthsong? Were you inspired by other books? Movies?
When I first wrote this book, up until the time I gave it to my first editor, I thought it was going to be a novella. It was always meant to be a fairytale-esque story of a girl’s journey from the margins of society straight to its upper echelons. The characters Jack and Jasminda were there before the world was ever clear in my mind. The first scene I wrote was the one where they meet in front of her cabin. I knew they were from different, warring countries and they came from very different sorts of lives, but that was all. Through the magic of revision (lots and lots of revision) I discovered the journey that the characters would go on and all the conflicts they would face.
I love fantasy and there were so many inspiring series that I soaked in prior to writing the book, from Graceling by Kristin Cashore to Seraphina by Rachel Hartman. But I think this book owes its biggest inspiration to the Lumatere Chronicles by Melina Marchetta. Her fantasy world felt well realized and complex, filled with incredibly detailed characters, groups, nations, and settings. But I also wanted to write a kinder, gentler fantasy novel that wouldn’t double as a doorstopper. And mix in a really strong romance like some of my favorites Nalini Singh or Kresley Cole.
What were your favorite scenes to write for SONG OF BLOOD AND STONE? What was the hardest scene to write? Is there a scene or moment that really sticks with you?
Though Usher, Jack’s valet, spends relatively little time on the page, I loved writing the scenes with him and Jack. When two characters have known each other for a long time, it can be really fun to play with how to show their relationship. Usher has known Jack his entire life and so the way they interact is unique. I also loved writing the visions that Jasminda gets from the stone. They were in a different voice, from a totally different perspective and the peeked in on a vibrant, fully formed world that’s different to the one of the main story. Hardest to write were the ones where Jasminda is confronted with the racism and bias of Elsirans.
The scene that sticks with me is when Jack and Jasminda are in the army base and he sleeps on the ground beside her, holding her hand. I find it really sweet and romantic.
What advice would you give aspiring authors, especially authors or color, striving to have their stories and truths shared?
I would tell aspiring authors to really investigate your goals and be frank with yourself about why you want to do this. It’s a difficult path emotionally, creatively, and professionally and what will get you through the low points is being very clear about your “why”. It can also be incredibly rewarding, but knowing what you’re getting yourself into is key.
Writing and publishing are two different disciplines. Your “why” will inform whether you pursue traditional publishing or seek to self-publish. It will keep you going through rejections, delays, bad reviews, disappointment, and the imposter syndrome that we all go through.
The other very important thing is to have a community to fall back on. Whether that’s a chapter of a professional organization like RWA, SFWA, SCWBI, and others, or a Facebook group, critique group, or writer’s circle, having others to commiserate and celebrate with you makes the journey much easier.
Is there a character in SONG OF BLOOD & STONE that you most relate to? How do you select names of your characters?
I think Jasminda represents various aspects of myself both as I am and as I’d like to be. She’s definitely bolder than I am, but her struggle to feel a part of things is one that I understand.
As for naming my characters, for each nation, I asked questions about how the names should generally work. Things like: which prefixes and suffixes are common? Which letters and sounds are prevalent? Which letters or sounds either don’t exist or are more rare? So the Elsirans have a lot of double vowels in their names. Qs, Vs, and Zs are prominent, but there are no hard Cs.
Lagrimari names generally don’t use Js. I set up which suffixes were for men and women and the types of sounds the names would have. There are only 9 last names in Lagrimar, corresponding with the Houses. Jasminda as a name is an exception. Her parents didn’t follow the naming conventions of either country for her or her brothers. Because their interracial relationship was unique, they wanted their children’s names to be distinctive as well.
What do you most hope that readers take away from SONG OF BLOOD AND STONE?
I really just hope readers enjoy the story and the characters. Jasminda is a heroine that I had been longing to see, so I hope people get as much joy and heartache from her story as I did when I wrote it.
Can you tell us more about the next books in the series? What are you working on now?
Book 2, WHISPERS OF SHADOW & FLAME, follows a parallel timeline to SONG. It’s about Darvyn, a character we hear about in SONG who was the Earthsinger responsible for disguising Jack. The disguise’s failure gets Jack captured and he wonders what happened to Darvyn. So in WHISPERS, we find out. But it also pushes the story forward, showing what’s going on in Lagrimar in the days before the Mantle comes down and setting up the next challenge that Jack, Jasminda, and Darvyn will face.
Book 3, CRY OF METAL & BONE picks up the story of how Elsira and Lagrimar deal with the fall of the Mantle and the new threat facing the nations.
I’m also working on a brand-new series with dragons J.
What are your favorite books you would recommend to readers?
Among my favorites of all time are Wild Seed by Octavia Butler, The Sea of Tranquility by Katja Millay, Finnikin of the Rock by Melina Marchetta, Maybe Someday by Colleen Hoover, Daughter of Smoke & Bone by Laini Taylor and Sheltered by Charlotte Stein. I could go on and on, but I’ll leave it there.
If you could be any character in any book, who would you choose, and why?
That’s a tough one, because characters in good books really go through the ringer and I wouldn’t knowingly sign up for any of that. One of the characters I most admire is Evanjalin from Finnikin of the Rock by Melina Marchetta. She amazed me and I would at least like to be her friend and siphon some of her personal strength and adaptability, if not actually walk in her shoes.
Leslye Penelope has been writing since she could hold a pen and loves getting lost in the worlds in her head. She is an award-winning author of new adult, fantasy, and paranormal romance. She lives in Maryland with her husband and their furry dependents: an eighty-pound lap dog and an aspiring feral cat.
I’m super excited because today, as a part of the Wednesday Books Blog Tour, I get to share an interview with author Lily Anderson. You might have first fallen in reader love with her after reading her debut novel, The Only Thing Worse Than Me Is You, which probably won you over with its fabulous geek culture and unstoppable banter between characters. Lily’s back with her sophomore novel, inspired somewhat by The Importance of Being Earnest, about a girl who runs away from home to compete for a college scholarship.
Onto the questions and answers!
Author Interview with Lily Anderson
Do you have a favorite character (from either of your books)? Is there something about him/her which you love but just didn’t fit and didn’t get included in the story?
I love Ben West, the hero from THE ONLY THING WORSE THAN ME IS YOU. He’s the braying jackass that lives inside me. When I was originally drafting THE ONLY THING, Ben’s dad was a big part of the story. He was supposed to be a former Jeopardy champion who used his winnings to send Ben to the Mess and Trixie taunted Ben with the final question that finally got his dad off the show. It just never really fit with the book so it got cut pretty early on.
Awww – Ben is awesome! That would have been a super cool twist, but yeah, I can see how it didn’t fit the rest of the story. Such a fun idea, though!
One of my favorite things about THE ONLY THINK WORSE THAN ME IS YOU is all the Geekdom and witty banter. Are you a Whovian personally? Were you able to pull a lot of the trivia from things you already knew or were there things you researched for the characters?
I am a Whovian with super strong opinions (mostly about how much I hate Clara—bye forever, Impossible Girl!). For the geeky references in both of my books, I pulled from my own knowledge as much as possible, but I also researched some other fandoms that I’m not as involved with (mostly Supernatural, Game of Thrones, and comics in the Spider-Verse) when I realized which characters would be into things that I’m not. For NOT NOW, NOT EVER, I read a lot more sci-fi than I normally would and got weirdly into Frank Herbert’s Dune.
I have to say, I couldn’t tell where your personal knowledge ended and the research began. Also– right?! My husband got me hooked on DUNE while we were dating. Not my favorite storytelling style, but there’s something about it that won’t let me go.
The rivalry and banter, especially between Ben and Trixie made me laugh out loud so many times. Is there more of this sort of fun to look forward to in Not Now, Not Ever?
NOT NOW, NOT EVER is also full of rivalry and banter, although it’s not an enemies-to-lovers story like THE ONLY THING. Luckily, Ben and Trixie are minor characters in NOT NOW, so you’ll get to see what they’re up to now that they’re in college.
YAYYYY!!! I can’t wait to read it. It will be fun to get a glimpse of Ben and Trixie again, too. Totally looking forward to that.
What is one question about your books you are often asked by readers?
I think what I’m asked most is “what advice would you give to aspiring writers?” And my advice is this: not everything you write will—or SHOULD—get published. Some things will just be for you. Some things just won’t work out. Don’t ever stop. Read as much as you can.
Great advice! What do you most hope that readers take away from your novels (either or both)?
I want all my readers to take away a sense of happiness. NOT NOW, NOT EVER and its predecessor, THE ONLY THING WORSE THAN ME IS YOU, are fluff. Hopefully well crafted, artisanal and organic fluff but fluff nonetheless. NOT NOW is very much a story about choosing a path, but also realizing that the paths don’t close behind you. I want my readers to have hope for Elliot’s path and their own.
Hope and happiness are definitely worthy goals for a book. I know I felt both when I read THE ONLY THING WORSE THAN ME IS YOU.
LILY ANDERSON is an elementary school librarian and Melvil Dewey fangirl with an ever-growing collection of musical theater tattoos and Harry Potter ephemera. She lives in Northern California. She is also the author of The Only Thing Worse than Me Is You.
Elliot Gabaroche is very clear on what she isn’t going to do this summer.
She isn’t going to stay home in Sacramento, where she’d have to sit through her stepmother’s sixth community theater production of The Importance of Being Earnest.
She isn’t going to mock trial camp at UCLA.
And she certainly isn’t going to the Air Force summer program on her mom’s base in Colorado Springs. As cool as it would be to live-action-role-play Ender’s Game, Ellie’s seen three generations of her family go through USAF boot camp up close, and she knows that it’s much less Luke/Yoda/”feel the force,” and much more one hundred push-ups on three days of no sleep. And that just isn’t appealing, no matter how many Xenomorphs from Alien she’d be able to defeat afterwards.
What she is going to do is pack up her determination, her favorite Octavia Butler novels, and her Jordans, and go to summer camp. Specifically, a cutthroat academic-decathlon-like competition for a full scholarship to Rayevich College, the only college with a Science Fiction Literature program. And she’s going to start over as Ever Lawrence, on her own terms, without the shadow of all her family’s expectations. Because why do what’s expected of you when you can fight other genius nerds to the death for a shot at the dream you’re sure your family will consider a complete waste of time?
When I received an email asking if I’d like to participate in the blog tour for Life in a Fishbowl by Len Vlahos, I knew immediately I had to ask for an interview. Scar Boys by Len Vlahos caught my eye on one of those “Top YA Books You Must Read Like Right Now” lists probably on Buzzfeed or a site like that. I did read and love Scar Boys (yeah, he had me at punk boys in a band– my number one literary weakness.) and eventually got my hands on a review copy of Scar Girl, which was a fantastic follow up. So now, here I am, joined by the wonderful Len Vlahos for some chitchat about his latest novel, Life in a Fishbowl. Yay!
Author Interview with Len Vlahos
Can I sneak in a question about Scar Boys? What made you choose punk as the style of music for the band Harry and Johnny put together? Was it strictly based on your own experience or preferences or is there something more about that genre of music that particularly inspired the story? (Other than the sad truth that there are seriously not enough books about punk kids in bands. What’s up with that?)
I love this question. It was based on both my experience – Woofing Cookies, the band I played in when I was younger, was a punk-pop band – and on knowing first-hand that the punk world is more welcoming to those who don’t conform to standards or norms. It was a perfect fit for Harry.
Yes! Strangely, I hadn’t really thought about the misfit element of the punk scene as it would relate to Harry. But now that you say that, I’m like duh. Yes. Totally fits.
Do you listen to music while you write? Were there songs that most inspired your favorite moments in Life in a Fishbowl?
For the most part, I do not listen to music when I write. My preference is for ambient sound, and anonymity – meaning no family and friends. It’s why I wrote most of Life in a Fishbowl (and Scar Girl) on a commuter train from Connecticut to New York City, and why I do most of my writing now in coffee shops. (We moved to Colorado, so no more commuter train.)
However, I do listen to music when I’m editing, and when I’m writing for blogs. (I’m listening to Bob Marley’s Legend right now. It’s the really cool vinyl in the colors of the Jamaican flag.)
Ha! That’s a fun pick. So all that writing about music on a train with no music. Is there a music element to the story of Life in a Fishbowl?
Deliberately no. So much of The Scar Boys (and Scar Girl) was drawn from personal experience that I really wanted to step outside of my own sphere of knowledge and comfort zone. I wanted to write something cut from whole cloth; to prove to myself that I could really write.
Music won’t play a role in my next book either – can’t share any details about that just yet – but I would like to get back to it someday. (If for no other reason than I get to bring my guitar on book tour.)
A guitar and a book tour sound like a perfect match. I’ve been surprised at how different Life in a Fishbowl is from your other books– not in a bad way! How did the story Life in a Fishbowl come to you? Did the whole idea arrive fully formed, or did one particular element spark the story and gradually it took shape?
It was the latter. I read an online article about a man named Ian Usher who had put his life for sale – his house, his car, even his friends and his cat (if I remember correctly) – after going through a bitter divorce. It made me wonder, what would happen if someone put their actual life for sale on eBay? What would make them do it, and who would bid on it?
At the same time, I had seen a movie when I was younger called Whose Life Is It Anyway? (Not to be confused with Whose Line Is It Anyway?) It was the story a sculptor, who, after an accident and paralyzes him from the neck down, decides to end his life. The film tackles euthanasia head on, and I’ve been fascinated with that topic ever since.
Fishbowl grew out of the clash of those two ideas.
I like how the story explores both those ideas. What do you most hope readers take away from Life in a Fishbowl?
This is a tough question. I guess I hope people take some small amount of inspiration to question the validity and veracity of what we see in media. Just because it’s on a screen does not make it true. We have an obligation to seek and accept the truth when it’s presented.
That said, one of the most interesting and rewarding parts of writing is learning what readers see in your work that you never saw to begin with.
[SPOILER] For example, I had no idea Cheyenne was pregnant at the end of The Scar Boys – which is the set-up for Scar Girl – until a reader told me. Crazy, right?
That’s really awesome. What a cool thing for readers to know they can impact a story so deeply. I love that!
Looking beyond your novels, are there books you’ve read recently deserves a greater spotlight or changed your life in a meaningful way? What makes it so special?
You don’t have enough space for me to really answer this question, but here are a few that have had an impact:
All American Boys by Jason Reynolds and Brendan Kiely – An honest and difficult look at police treatment of African American men. If ever a book was a conversation starter, it was this one.
The Magus, by John Fowles – I hardly remember what this book is about – other than it was really trippy – but I read it in two days when I had the flu in the mid 1980s. It’s the book I credit with changing me from a casual to a voracious reader.
Ready Player One by Ernie Cline and The Hitchhiker’s Guide to the Galaxy series by Douglas Adams, because, well, because. (I’ve read and listened to both.)
The Story of Ferdinand by Munro Leaf – It’s the book my mom read to me every night when I was five, and I think it did a lot to shape who I am.
As for recently, I just read The Bombs That Brought Us Together by Brian Conaghan and listened to Because You’ll Never Meet Me by Leah Thomas, both of which were brilliant. Brilliant.
This is a great list, and I want to comment on so many of them. I loved Because You’ll Never Meet Me and JUST bought All American Boys with a Christmas gift card. I will have to check out some of the others you mentioned. Thanks so much for your time!
Fifteen-year-old Jackie Stone is a prisoner in her own house. Everything she says and does 24/7 is being taped and broadcast to every television in America. Why? Because her dad is dying of a brain tumor and he has auctioned his life on eBay to the highest bidder: a ruthless TV reality show executive at ATN.
Gone is her mom’s attention and cooking and parent-teacher conferences. Gone is her sister’s trust ever since she’s been dazzled by the cameras and new-found infamy. Gone is her privacy. Gone is the whole family’s dignity as ATN twists their words and makes a public mockery of their lives on Life and Death. But most of all, Jackie fears that one day very soon her father will just be . . . gone. Armed only with her ingenuity and the power of the internet, Jackie is determined to end the show and reclaim all of their lives, even in death.
I dropped out of NYU film school in the mid 80s to play guitar and write songs for Woofing Cookies. We were a punk-pop four piece — think R.E.M. meets the Ramones — that toured up and down the East Coast, and had two singles and one full-length LP on Midnight Records.
The band broke up in 1987 and I followed my other passion, books. I’ve worked in the book industry ever since. And, of course, I write. And I write, And I write, write, write.
My first novel, The Scar Boys — it’s labeled as Young Adult, but I’ve never really liked labels — published January 2014. It is, not surprisingly, a rock and roll coming of age story. No vampires or dystopian future, just a messed up boy and his guitar. (I have nothing against vampires or dystopian futures. I loved The Passage, The Hunger Games, and The Road.)
Today I have author Madeline Dyer here to talk about her Untamed Series, what inspired her to write such a dynamic post-apocalyptic story and what comes next.
Hi Madeline! When I think about stories, I’m always curious what inspired the author to create them. Was there a question that inspired you to write Untamed or Fragmented?
In writing Untamed, I wanted to get my readers to think about several things:
– If you could, would you choose to never feel anything negative?
– Do you need to experience negative emotions to truly be human?
– And what negative effects do you think choosing to only feel positive emotions would have on you as a person? But would you be aware of these negative effects if you could only feel positive things? If not, would that mean you were negatively effected at all—or would only others be able to see the bigger picture?
So, when I began writing the first draft, I had these questions written on the first page of my notebook. I really wanted to explore what it means to be human—and whether man’s quest to improve the human condition could do more damage than good in the end. But would we even realize the damage it’s doing?
For me, this is a fascinating topic, as quite often an individual cannot see a situation clearly and rationally if they are too involved. This is definitely evident in my novels, as the Enhanced Ones believe their lifestyle is better as they can only feel happiness and other positive emotions, but they don’t realize that they’ve sacrificed their humanity for it, and can’t see how robotic they’ve become. It’s only the Untamed who can see the full picture—yet the Enhanced are seeking out the Untamed in order to convert them, believing they’re doing the right thing by ‘saving’ them because the Untamed can’t see how they’re ‘suffering’ because of their negative emotions… and thus there’s the risk that everyone could lose their humanity.
The question that inspired me to write Fragmented, the sequel to Untamed, is a little different. I still wanted to look at the topic of human advancement and how ‘advancements’ could cause degeneration within—and the loss of—humanity, but I wanted to look at it from a different angle and focus more on the oppressed groups.
Whereas Untamed shows things from both the Enhanced Ones’ and the Untamed people’s points of view, Fragmented is much more focused on the oppressed group, and explores the lengths the Untamed have to go to in order to survive when the Enhanced are hunting them down.
Seven and Corin join the Zharat, one of the last surviving Untamed tribes, but their lifestyle comes as quite a shock. The Zharat are all about planning and sticking to rules—they have a very strict culture which they believe has allowed them to survive thus far—and their main goal is to expand their group, through reproduction, as quickly as possible, to increase their numbers.
So, I guess the questions in Fragmented are: How does an oppressed and ailing race fight back? And when your life is so focused on maintaining the survival of your people, are you really living at all?
The emotional aspects were some of my favorite parts of Untamed. I like how exploring those questions led to new questions in the sequel! Is there a scene or moment in one of your novels that really sticks with you? Can you tell us a little bit about it?
I think my favourite scene from book one is when Seven’s kidnapped at the beginning and brought back to the Enhanced Ones’ compound. Suddenly she’s bombarded by their way of life and can’t help comparing it to her own experiences as one of the oppressed Untamed. Yet, she’s also aware of the costs that the Enhanced lifestyle has on a person—on their soul, their humanity, their personality. She’s fighting to look at it all with a clear mind, yet knows that because she’s been force-fed some augmenters (artificial emotions) she can’t truly be looking at things in an objective way, no matter how much she thinks she is. And it’s this internal dilemma—and the conflict it instigates inside my main character as the novel progresses because she is unsure as to whether she can really trust that her thoughts and feelings are her own—that really fascinates me.
Definitely a fascinating concept. I love stuff like that. You also created a unique story world with some pretty intense challenges as well. What inspired the story world for Untamed and Fragmented? How did you go about creating that part of the story?
The idea for the world for my Untamed Series came to me when I was at my Nana’s house. The music channel was on TV and I looked up and saw the market scene from “La La La” by Naughty Boy, featuring Sam Smith. In this scene, what appears to be a human heart is being sold and that really stuck with me. I began thinking about what a human heart could represent—love, lust, etc—and then thought: What if someone could buy emotions, just as easily as they buy food and clothes? And thus the idea for the augmenters—the chemical, artificial emotions that the Enhanced Ones take in order to ensure they only feel positive things—was born.
At this point, I made many notes, and I soon realized I also wanted addiction to be a big part of this world too. Making the Enhanced Ones’ augmenters highly addictive (to the point where if you took one and became Enhanced, you couldn’t ever go back to a true Untamed state, as you were constantly craving the next fix, and had also associated the augmenters with safety) opened up a whole new level to the world—even more so when the addiction causes the Enhanced to want to ‘help’ the Untamed too, and spread their addiction, converting everyone.
Sounds like a really in-depth process. I love that. So now that you’re finished with the Untamed Series, what comes next for you? Your blog mentions a new project for spring of 2017 for Lift 4 Autism. Can you share how you got involved with the project?
Yes! My gothic fairy tale retelling, “The Curse of the Winged Wight”, will release on April 1, 2017 in Ever in the After: 13 Fantasy Tales, a print and ebook anthology where 100% of the proceeds will be donated to Lift 4 Autism. I’m so excited about this as I love writing fantasy stories.
I actually found out on October 11, 2016 that I had been selected to write for this anthology, which was a great message to receive… but it also meant I had to come up with a standalone short story pretty quickly! I’ve had 17 other short stories published before, but this one was the first one where I was contracted on proposal of an idea (before I’d actually written the piece)! I’m currently finishing up revisions to my story, and I’ve had a lot of fun working on it.
That’s really exciting! Congratulations on being selected. Writing is a lot of hard work. Is there something you most hope readers take away from your novels?
If readers feel they’ve been entertained by my writing, then I’m happy. Even better if they keep thinking about my world and my characters, and questioning what they themselves would do in the situations that my protagonist, Seven, goes through!
It’s a great sign when readers have your story stuck in their heads afterward. It’s been a long time since I read Untamedand there are still moments that stick in my head, too. I’m sure you hear the same from your readers. What is one question about your novel you are often asked by readers?
It’s a close call between, “When does the next book in the Untamed Series release?” and “How long does it take you to write a book?”
In answer to the first question, I haven’t yet got an official release date for Divided (Untamed #3) yet, as I’m still working on edits before I send the manuscript my publisher, but I’m hoping for a late 2017 release, with the final book of the series releasing in 2018.
And how long does it take me to write a book? Well, I tend to write fast first drafts. I can get a 90,000 word draft done in about four-to-six weeks. After that, I leave it for a few weeks, and then spend two-to-four months editing and rewriting it. When I’ve got a draft I’m happy with, my beta-readers review it for around a month, and tell me anything that confused them or didn’t seem quite right. Following that, I typically do another round of edits and proofread it before sending to my publisher.
But that’s only the start really! Once it’s contracted, we typically spend another three months editing it together in-house, until everyone is satisfied that it’s the best it possibly can be.
Sounds great. Thanks again for taking the time to share with us, Madeline!
Madeline Dyer lives in the southwest of England, and holds a BA honours degree in English from the University of Exeter. She has a strong love for anything dystopian, ghostly, or paranormal, and can frequently be found exploring wild places. At least one notebook is known to follow her wherever she goes. Her debut novel, Untamed (Prizm Books, May 2015), examines a world in which anyone who has negative emotions is hunted down, and a culture where addiction is encouraged. Her second novel, Fragmented, hits shelves in September 2016.
As one of the last Untamed humans left in the world, Seven’s life has always been controlled by tight rules. Stay away from the Enhanced. Don’t question your leader. And, most importantly, never switch sides–because once you’re Enhanced there’s no going back. Even if you have become the perfect human being.
But after a disastrous raid on an Enhanced city, Seven soon finds herself in her enemy’s power. Realizing it’s only a matter of time before she too develops a taste for the chemical augmenters responsible for the erosion of humanity, Seven knows she must act quickly if she’s to escape and save her family from the same fate.
Fragmented (Releases late January 2017)
After the terrible battle against the Enhanced Ones, Seven and Corin find themselves on the run. With the Enhanced closing in, Seven knows they need to find other people on their side. So, when the opportunity arises to join the Zharat, one of the last surviving Untamed tribes, it seems like the perfect solution.
But the Zharat lifestyle is a far cry from what Seven’s used to. With their customs dictating that she must marry into their tribe, and her relationship with Corin breaking down, Seven knows she has to do something before it’s too late. But that’s easier said than done in a tribe where going against the rules automatically results in death.
The amazing Monica Lee Kennedy joins me today to talk about her series The Parting Breath in which the land itself is sentient. Check out what inspired the story and its characters here in the interview and don’t miss out on your chance to win a copy of the series opener, The Land’s Whisper! Giveaway details will be at the end of this post.
Interview with Author Monica Lee Kennedy
I find that a story was often inspired by a question. Was there a question that inspired you to write The Parting Breath series?
It wasn’t a question that drew me to write this story, but more of a sense of dissatisfaction. I was displeased by all the novels laden with sex and unappealing heroes. I wanted to create something that could be fun for both adults and young adults, but without scandalizing.
That’s a great motivator, and I think you definitely succeeded. Do you have a favorite character from the series? Were there things about your favorite character which couldn’t be included in the books?
That is a tough question. I love so many of the characters. I think in the end though that Arman is my favorite. He is the guide, the mentor. He loves so tremendously, while remaining such a stoic and stable character. Arman is not perfect, but he is the perfect friend—especially to the person in a tight spot.
The main things I could not include in the series were stories from his long-held friendship with Arista. It just didn’t seem to work with driving the plot forward. Perhaps someday I will write about one of their adventures in a separate novel.
Arman was awesome! I loved him, too. I love the idea of learning more about his friendship with Arista. Might even make a great series of short stories maybe?? Is there a scene or moment in your novels that really sticks with you? Can you tell us a little bit about it?
The scene that sticks with me is a recurring one in the series. The characters come to the river and speak, letting out all their burdens. And because of the power of the water in Massada, they find healing. I think the reason why this resonates with me so much is that I find it truthful of so many wounds of the heart. When I bury my grief and pain, I end up losing myself. But when I grieve and speak about the difficulties I am facing, I find healing and freedom.
Yes! I’ve only read the first book in the series, but I found those images really powerful, and as a Christian, they definitely spoke to things from faith as well. Speaking of all the burdens characters carry, where did your ideas for your antagonist come from?
I have three major antagonists—Fingers (the memory-stealer), Jerome (the kidnapper and murderer), and Chaul (the demon). The ideas behind them stem from things that legitimately terrify me. Losing mental capacities, abduction, evil spirits, possession… these make for some nightmarish scenarios.
Makes a lot of sense! I found Fingers especially creepy– which he needed to be in the story. You created such a vivid world. One of the things I really enjoyed about The Land’s Whisper was the imaginative setting. Can you share a little about how you created the setting and incorporated it into the story?
Thanks! I got the inspiration—of a land that had traits and was alive—one night during a bout of insomnia. I had never heard of anything like it before, and the idea just seemed to grow and morph the longer I pondered it. I created a laughable map that looked like a toddler’s sketch and separately listed out the various traits of each land area so I could keep them straight. In the end, Robert Altbauer, a professional map maker drew up Massada for me.
It’s funny how sometimes the best ideas happen in the middle of the night. 🙂 It’s definitely a unique concept. I’ve never read anything like your books before. What do you most hope that readers take away from your stories?
Firstly, I want to encourage and foster a love of books because I think reading is fabulous. And secondly, I hope that readers can walk away inspired by goodness. That they can see heroic action and courage in the imperfect characters of Massada and find it all to be refreshing and moving. I remember the best books I read growing up were those that I witnessed virtue and true goodness. They made me want to live more fully and love more generously. I’d be so pleased if I could be the kind of author that inspired.
Really worthy goals. I agree with you– I think reading good books really can inspire us to live better and strive toward those heroic ideals. We need that, I think, now more than ever. Is there one question about your series you are often asked by readers?
“How did you ever have the time to write three books?”
It is true, I don’t have loads of free time. I am a stay at home mother of two small children and rarely get time to myself, but I have made a point to write daily. This usually means naptimes, but sometimes I get breaks in the evenings if my husband is on a business trip. I don’t always want to write, but even if I sit down for just twenty minutes, I find I am happier. So I keep doing it. I’ve discovered that having my own personal goals has helped me to be far more joyful and fulfilled.
Wow! Yes! Two little ones is a lot to manage. That’s awesome. I’m so glad you kept writing. Thanks so much for taking the time to share more about your books with me today.
Monica Lee Kennedy grew up in Colorado Springs, Colorado, as the middle child of three. She studied at Franciscan University in Ohio, where she met her husband. Since then, they have traveled across the United States and Europe, toting children on hips and scooters.
As a youngster, Kennedy dreamed of becoming an author, but it wasn’t until many years later (and much encouragement from her spouse) that she began to write in earnest. While pregnant with her first child, she daydreamed about a world where the land could speak, and Massada, the world of the Parting Breath series, surfaced.
Kennedy loves travel, wine, chocolate, siblings, and beach vacations. When she isn’t writing, she enjoys reading and playing board games. She greatly values her Catholic faith.
Kennedy currently resides in Germany with her husband and two children.
The land itself is alive. It sees, it thinks, it speaks.
For the few who can communicate with it, a phenomenal power is granted. They see as the land does, acquire abilities and skills effortlessly, and perceive unimaginable secrets. Yet this connection also consumes them—once they feel it, they would do anything to keep it.
Darse returns to his home world with his surrogate son, Brenol, to discover that the boy possesses this special union with the land. The two travel through the strange world on a mission to save a young girl in peril. But will Brenol’s newfound power destroy them all instead?
Beached corpses reek upon lapping shores. The once powerful lands—while still alive—are silent, as if asleep. Temperatures dip, and the world becomes steadily colder. The black fever spreads mysteriously, claiming lives in every corner of the land. There is great need in Massada.
Brenol, grown now to full manhood, returns to the land to discover it is faltering. Fate nips at his heels, and he must race to beat a poison uncovered far too late. Sorely tried in his oath of protection, Brenol realizes he must choose honor over his own pursuit of love if Massada is to be saved.
The once green world is turning to ice, while a book of startling prophesy raises terrifying questions about what the future might hold. A princess is beset with nightmares she knows reveal truth. A malicious demon runs rampant, killing without abandon. Where can hope be found?
Brenol and Arman throw themselves into a daring hunt to destroy the murderous spirit, and Colette seeks assistance out in the desert of ice, but the future of Massada remains bleak as death and deceit thrive. All things good and true stand in peril—even love.
Enter to Win a Copy of The Land’s Whisper by Monica Lee Kennedy (US Only)
