Reads things. Writes things. Fluent in sarcasm. Willful optimist. Cat companion, chocolate connoisseur, coffee drinker. There are some who call me Mom.
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About Ghosts of Tupelo Landing Small towns have rules. One is, you got to stay who you are – no matter how many murders you solve.
When Miss Lana makes an Accidental Bid at the Tupelo auction and winds up the mortified owner of an old inn, she doesn’t realize there’s a ghost in the fine print. Naturally, Desperado Detective Agency (aka Mo and Dale) opens a paranormal division to solve the mystery of the ghost’s identity. They’ve got to figure out who the ghost is so they can interview it for their history assignment (extra credit). But Mo and Dale start to realize that the Inn isn’t the only haunted place in Tupelo Landing. People can also be haunted by their own past. As Mo and Dale handily track down the truth about the ghost (with some help from the new kid in town), they discover the truth about a great many other people, too.
My Review Three Times Lucky was one of my favorite books from my reading list last year, so as soon as I started listening to audiobooks (after my daughter was born at the end of the year), I knew I needed to get the sequel. While it’s packed with the same great characters as Three Times Lucky, I felt like the story didn’t have the same oomph. Maybe because I was already familiar with the town and people, so it didn’t have that same freshness as the first book. The ghost mystery didn’t have quite the same weight as a murder mystery, either, and it had some definite willing-suspension-of-disbelief requirements. Which is okay. It still had the same killer descriptions and hilarious antics and dialogue as well as a fantastic cast of characters.
I still enjoyed The Ghosts of Tupelo Landing a lot. I’m glad I read it—nothing wrong with more Mo and Dale in my reading. I would be interested in reading the third book. Fans of books like Because of Winn Dixie and Elsie Mae Has Something to Say will want to check out this series and won’t be able to help falling head over heels for Mo and Dale.
Recommended for Ages 8 to 12.
Cultural Elements
Takes place in a small southern town. I think all the characters were white.
Profanity/Crude Language Content
None.
Romance/Sexual Content Mo talks about her wish to marry Dale’s older brother someday.
Spiritual Content Mo and Dale meet a ghost living in the old inn. They decide to interview her for a school project and hope they can figure out what happened to her so she can be at peace. They have some other ghostly encounters, like seeing ghost cars in the middle of the night.
Violent Content None.
Drug Content
One of the men in Mo’s town is rumored to have a still where he brews alcohol.
Zélie Adebola remembers when the soil of Orïsha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zelie’s Reaper mother summoned forth souls.
But everything changed the night magic disappeared. Under the orders of a ruthless king, maji were targeted and killed, leaving Zélie without a mother and her people without hope.
Now, Zélie has one chance to bring back magic and strike against the monarchy. With the help of a rogue princess, Zélie must outwit and outrun the crown prince, who is hell-bent on eradicating magic for good.
Danger lurks in Orïsha, where snow leoponaires prowl and vengeful spirits wait in the waters. Yet the greatest danger may be Zélie herself as she struggles to control her powers—and her growing feelings for the enemy.
My Review
I have heard SO MUCH about CHILDREN OF BLOOD AND BONE and really looked forward to reading it. I love the story world. It felt really different than anything I’ve read before. Very fresh. I love the maji system even though it’s a little complex. Not too bad, though. I never felt lost in reading scenes.
Amari quickly became my favorite character. Her bravery and her love for her best friend totally endeared her to me right from the get-go. It took a little longer for me to warm up to the powerful Zélie who made some selfish choices at the beginning of the story. But as I got to know her true nature, I couldn’t help rooting for her and wanting her to succeed. I’m kind of wondering if there’s not a love triangle ahead for her? I felt some sparks between her and a pretty minor character who seems poised to have a larger role in the next book. We’ll see what happens!
Zélie wants freedom for her people more than anything, but she hesitates to use her power to fight at first and she has a strong moral sense of good and evil. Inan seems more mixed up. His need for his father’s approval made him a sympathetic character to me, but his relationship with violence and the lengths to which he was willing to go to get his father’s love were a challenge for me. He also seemed to flip flop a little quickly where one minute he’d be thinking he could disregard his goal and the next reversed his position.
On the whole, I loved the originality of the tale and both of the female leads. This is a rich, immersive story and a great start to a new fantasy series.
Content Notes
Recommended for Ages 14 up.
Representation Characters are brown-skinned.
Profanity/Crude Language Content Mild profanity used with moderate frequency.
Romance/Sexual Content Kissing between boy and girl. One romantic interlude progresses further and hints at sex. No graphic descriptions of it.
References to a relationship the king has with his mistress.
Spiritual Content Each god or goddess is connected to a type of magic. Zélie uses reaper magic which connects with dead spirits to create animated helpers that she controls. Inan’s magic shows him things about a person’s inner life, like memories and emotions.
Violent Content Lots of battles, sometimes involving civilians. Some pretty graphic descriptions of combat and death. Zélie worries about being placed in slavery, a common fate for a maji. Men sometimes threaten her with harm or make vulgar, suggestive comments about harming her sexually.
Inan especially seems to view violence through a kind of morally gray lens. He desperately wants his father’s approval and is willing to do almost anything to get it, including harming people he otherwise wants to protect. He’s also desperate to hide his magic, and willing to harm anyone who will out him.
At one point, Zélie and her crew end up fighting in a sort of gladiator arena style match where only the winners come out alive. They watch a match first and are horrified at the bloodshed, but still decide to enter.
Drug Content References to wine.
Note: I received a free copy of this book in exchange for my honest review. This post contains affiliate links which cost nothing for you to use, but which generate a small amount of support for this blog.
About Every Day Every day a different body. Every day a different life. Every day in love with the same girl.
There’s never any warning about where it will be or who it will be. A has made peace with that, even established guidelines by which to live: Never get too attached. Avoid being noticed. Do not interfere.
It’s all fine until the morning that A wakes up in the body of Justin and meets Justin’s girlfriend, Rhiannon. From that moment, the rules by which A has been living no longer apply. Because finally A has found someone he wants to be with—day in, day out, day after day.
My Review Conceptually, this is probably one of the most intriguing books I’ve read this year. It reminds me a tiny bit of the show Quantum Leap, except that we don’t ever learn why A travels from body to body. And of course, Every Day takes a lot more time for exploration of what this kind of existence would mean in terms of understanding gender and sexual orientation. On that topic, I felt like the story sometimes got a bit preachy.
I think my favorite character by far was Rhiannon. I liked that she’s obviously a good person even though she’s sort of blind to her boyfriend’s flaws and therefore flawed herself. She struggles to understand life around her and embrace the relationships in her life. I liked that.
A was tougher for me. I liked him a lot more at the beginning of the story than the end. At the beginning, he tries to be really respectful of the person’s life into which he’s trespassing. But as the story progresses and his obsession with Rhiannon grows, he takes bigger and bigger risks and soon pretty much hijacks the life he’s occupying in order to spend the time with her, regardless of the consequences to the other person. As the story resolves, A tries to be the bigger person and do what he sees as right, but even in that, I felt like he was a bit controlling. I don’t want to spoil the ending, so I don’t want to say more. I just felt like he again took the choice away from other people Even though it was well-meaning, it still felt selfish to me.
On the whole, Every Day is a truly unusual book that did make me think about relationships and the things in life we so easily take for granted, like actually being able to have relationships and even possessions from one day to the next. To be honest, I felt like while the story posed some interesting questions, the content and ideas might be confusing for younger teen readers. For me personally, this would be one to wait on introducing or to read together and discuss some of the ideas and what they mean in the context of faith. See below for more content information.
Recommended for Ages 14 up.
Cultural Elements
A has no body and therefore no gender, though he still falls in love—once with a boy, once with a girl. A experiences life as straight, gay, and transgender teens. Sometimes A is white, sometimes Asian, sometimes black or Latina. At one point A is an obese teenager, and makes some disparaging comments about the person’s character because of his weight.
Profanity/Crude Language Content
None.
Romance/Sexual Content A knows Rhiannon and her boyfriend have had sex. When A is Rhiannon’s boyfriend, they sit on the “make-out blanket” and kiss. Later, A and a girl plan to have sex, but A ends up feeling it’s not fair for him to take that experience from the person whose body he’s using. They do climb into bed naked and kiss one another. Some scenes show kisses between two boys or two girls or a boy and girl.
A believes gender is sort of meaningless and doesn’t understand why Rhiannon is more comfortable showing affection to boys than girls. The narrative occasionally gets a bit preachy about this.
Spiritual Content A has some really negative feelings about Evangelical Christians in particular. One person A “borrowed” later claims he was possessed by the devil for a day. A pastor supports his theory.
Because A has experienced life as a participant in many different religions, he feels they’re all the same and ultimately share the same goals. There’s a short passage in which the narrative focuses on this topic and emphasizes a belief that all religions are essentially equal.
Violent Content A boy punches another boy in a school gym.
Drug Content
A, as a sixteen-year-old girl, watches her brother smoke a joint in the car on the way to school. She helps him lie to their parents about his drug use so he doesn’t get into trouble.
Teens drink alcohol at a party. A doesn’t drink because the boy whose life he is in wouldn’t do so.
A boy makes a comment about how much he enjoys using his girlfriend’s mom’s pills.
About If You’re Gone Lillian White was planning for the perfect summer- spending every waking minute at the lake with her heartthrob boyfriend, Brad Lee. But her world is shattered when Brad mysteriously disappears the night of his graduation ceremony- the same night he tells her he loves her for the first time. After law enforcement dismisses the case, classifying Brad as voluntarily missing, Lillian becomes desperate to prove that he couldn’t have just walked away. Not from his family. Not from his friends. Not from her.
Heartbroken but determined to find answers, Lillian begins to uncover secrets from Brad’s past that force her to question everything she thought she knew about him and their relationship. Will the truth lead her to him? Or are Brad’s lies just the beginning of the mystery?
My Review
I liked that this story explores a different side of a missing person case. While Lil believes only something terrible would keep her boyfriend Brad from coming home, she can’t help but be concerned about the things he kept from her. She believes he must be out there somewhere, which only makes it harder for her to find her way through her grief process—something she struggles to communicate to her family and friends.
Her mom’s response to Brad’s disappearance frustrated me. I felt like there were several characters all hitting the same flat note where they had used up all their patience and compassion and sort of wanted Lil to snap out of her depression and worry. I’m sure that’s a realistic experience, but I guess some of the similarities in response made some of the scenes and characters feel repetitive or two-dimensional.
The end definitely wasn’t what I expected, which I also found appealing in concept. What was harder, though, was that there are several things that happen in close succession near the end which feel like sharp turns, and I felt like I didn’t always understand the abrupt changes in Lil or the people around her. It felt like there should have been more explanation or a slower progression or some additional development to better anchor those changes into the story.
Overall, though, If You’re Gone is a quick read with an unusual take on a popular YA theme. If you’re into missing person stories, put this one on your list.
Recommended for Ages 12 up.
Cultural Elements
Few race/cultural details. Most characters seem to be white.
Profanity/Crude Language Content
None.
Romance/Sexual Content Brief kissing between a boy and girl.
Spiritual Content Lil prays sometimes, usually in the desperate way of someone overwhelmed and longing for God to ease burdens. She and her family attend church regularly, and church values are a significant part of Lil’s life.
Violent Content None.
Drug Content
Lil celebrates with friends, sharing a bottle of champagne with them.
I liked the fast-paced storytelling and the way you could read this book without remembering what happened in (or without reading) the earlier books. I had some issues with the theology, which you can read about in my review.
I had a hard time following the story in this book. It’s got a wide cast of characters and a lot happening. If the story interests you, I’d recommend starting with the first book in the series instead of this one.
One of my favorite books of all time– though it’s out of print. I love the characters, and the story still feels fresh to me even after reading it easily a dozen times.
Gabrielle says: Overall, I give this book 4 stars. While not terribly life-altering (it leans more to the ‘fluff’ side than the profound), it was a delicious read, and as such, merits my approval. Fellow Janeites looking for a quick, easy read will enjoy this one.
I read this book because I so enjoyed Thomas’s other books about Moritz and Ollie. This one is very different, but I found the same compelling characters and great descriptions of emotion in here that made me fall in love with the other books.
This might be the best Christian dystopian book I’ve ever read. I really enjoyed reading it and liked that the story so seamlessly supported its Christian message.
I struggled with this book. While I found the story interesting, I feel like it was really issue-driven, to the point that everything else seemed to take a back seat to the issue of women’s sexual equality. It’s an important issue, for sure, but I felt like it dominated the story too much for my taste. If you like issue-based books, though, it might be a good one to check out. See the notes after the review for content information.
What did you read in February 2018?
What about you? Did you find any books you have to talk about or books you want to recommend? Leave a comment below sharing them with us.
Also, if you’ve read any of the books we reviewed, leave a comment telling us how you liked the book or what you thought about it!
About Tess of the Road
In the medieval kingdom of Goredd, women are expected to be ladies, men are their protectors, and dragons get to be whomever they want. Tess, stubbornly, is a troublemaker. You can’t make a scene at your sister’s wedding and break a relative’s nose with one punch (no matter how pompous he is) and not suffer the consequences. As her family plans to send her to a nunnery, Tess yanks on her boots and sets out on a journey across the Southlands, alone and pretending to be a boy.
Where Tess is headed is a mystery, even to her. So when she runs into an old friend, it’s a stroke of luck. This friend is a quigutl–a subspecies of dragon–who gives her both a purpose and protection on the road. But Tess is guarding a troubling secret. Her tumultuous past is a heavy burden to carry, and the memories she’s tried to forget threaten to expose her to the world in more ways than one.
My Review Since I enjoyed the books about Seraphina, Tess’s half-sister, I looked forward to revisiting the story world in Tess of the Road. I still enjoyed the complex and intricate setting with its cultural and spiritual elements. It took me a while to get into Tess’s character. At the beginning of the story, she’s bitter at the world and desperately trying to drown her sorrows and her self-pity in wine or spirits. At first I felt like she was self-focused and self-pitying. As the scenes revealed her backstory, I felt more sympathy for her.
Tess’s journey gave the story a bit more structure. I didn’t find her goal super compelling because it was really about helping her friend Pathka reach a goal he had set, and she still seemed to be floundering as far as her own goals and needs. The most dominant force in the story remained the politics of equality (or really, lack of it) in Tess’s world. Sometimes the narrative felt preachy and forced.
Once Tess began her interior journey of healing from past trauma, I began to like her a lot more. I liked her journey companion, Pathka, too. Overall, it might be cathartic for someone who has endured some past sexual trauma to make this journey with Tess toward healing and recovery. See below for content information, though. Tess of the Road contains some strong sexual content.
Recommended for Ages 16 up.
Cultural Elements
I don’t remember race descriptions of the characters. Tess’s cousin is gay. She meets another gay man on a job she works. She also meets a traveling prostitute who tells Tess she services both men and women.
Profanity/Crude Language Content
Mild profanity used infrequently. More often there are made up curses related to the saints in the story. My favorite is, “St. Daan in a pan!”
Romance/Sexual Content Tess has been curious about sex from a young age. At one point she made her sister and her cousin play wedding, and tried to get them to play wedding night by sending them to bed together, but they were little kids and none of them were sure what was supposed to happen. She remains ignorant, other than teachings from St. Vitt, whom her mom believes in. The teachings place a lot of shame and blame on women for any sexual acts, even if they didn’t wish to engage in them. The culture allows men freedom to sleep with whomever they choose, but a woman who becomes pregnant or is found to have had sexual partners is treated poorly.
Tess has had a sexual experience with a young man whom she admires. For most of the story, we don’t really know what happened other than that she got pregnant and he’s gone. It was an unhealthy relationship, clearly, but not until almost the end of the book do we learn what actually happened between them. See spoiler section below for more information and trigger warning.
Disguised as a man (she believes it would be too dangerous to travel as a woman unaccompanied), Tess meets a prostitute who will service both men and women. She does not sleep with the prostitute, but marvels that this woman seems content even happy about her choice of vocation. It flies in the face of everything she was taught to believe about women like this. The woman also challenges Tess by suggesting that women can enjoy sex as well, which Tess wasn’t raised to believe. Much later, Tess masturbates (it’s implied rather than described) and marvels again at how different the experience was from her previous sexual experience.
Eventually, Tess meets a man and develops feelings for him. He teaches her about herbs which prevent a woman getting pregnant and again suggests to Tess that she should enjoy sexual acts. She eventually becomes his lover and they sleep together. It’s not graphically described, but some details are mentioned.
Several people make comments about Seraphina’s relationship with the queen and her consort, implying that she has a sexual relationship with one or both of them.
Quigutls like Tess’s companion change gender several times in their lives. When Tess knew Pathka initially, she was female. Now he is male, though another character still refers to him as mother, since Pathka did lay the egg that hatched her.
Spiritual Content People worship various saints with various creeds on how to live life. The saints are actually people who are part dragon, like Tess’s half-sister Seraphina. When Seraphina gets pregnant without being married, Tess marvels that since her sister is a saint, no one can judge her the way they judged Tess.
Violent Content Tess punches a seminary student in the face for insulting her. Later, she smashes the back of her head into a man’s face when she feels threatened by him. Tess’s companion, Pathka, is a quigutl, a small reptilian creature, and in Pathka’s culture, problems are resolved by the offended party biting the other party. Pathka has several bite encounters with others in the story, some causing pretty severe injury.
Early in her journey, Tess steals food and supplies. She feels guilty, but doesn’t stop for a long time.
Drug Content
At the beginning of the story, Tess has a drinking problem. She gets drunk to avoid remembering the man with whom she got pregnant and to block out her mother’s harsh words. She gets drunk and spills a secret that hurts someone she loves. She also punches someone while drunk. She eventually wrestles with the problem and tries to give up drinking and learn other coping strategies.
SPOILER AND TRIGGER WARNING
Late in the story, Tess reveals what happened between her and her first lover. She tries to tell it as a funny story, but the truth is that he took advantage of her and raped her. There are some graphic details. Her attitude is more reflective rather than being caught in the trauma of the event, but still might trigger readers with past experiences.
Note: I received a free copy of this book in exchange for my honest review.
