Review: We Are All So Good at Smiling by Amber McBride

We Are All So Good at Smiling
Amber McBride
Feiwel & Friends
Published January 10, 2023

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About We Are All So Good at Smiling

They Both Die at the End meets The Bell Jar in this haunting, beautiful young adult novel-in-verse about clinical depression and healing from trauma, from National Book Award Finalist Amber McBride.

Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.

They are both terrified of the forest at the end of Marsh Creek Lane.

The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for 11 years.

My Review

I don’t know if there’s anyone else in the world who writes quite like Amber McBride. We Are All So Good at Smiling came out at a time when I was bogged down with other reading projects, but it’s been high on my reading list since it was released, and my expectations were high.

They were met, if not exceeded. How often does that happen?

This is a weird book. It mixes fairytales and a magical landscape into a contemporary setting, almost like Rochelle Hassan does in “The Buried and the Bound” series. Somehow, telling the story in verse seems to make it even more ethereal. It reminded me a little bit of The Ghosts of Rose Hill by R. M. Romero.

Some of the references feel pretty on the nose, such as a fairy boy named Faerry. There are so many layers to the story, though, so don’t be tempted to take things too much at face value.

I loved the creepy forest and the way that Whimsy and Faerry’s journey unfolded in connection with it. The way the fairytale characters appeared and how they changed depending on what was happening was really fascinating. I also thought exploring fairytales alongside mental health made for an interesting juxtaposition. It made me think of some of the moments in the book Disfigured: On Fairytales, Disability, and Making Space by Amanda Leduc.

All that to say that I very much got swept away in this remarkable, immersive story. Amber McBride is quickly climbing my list of auto-buy authors because she always delivers such rich, thought-provoking stories. If you haven’t read any of her books, this is a great one to start with. If you like fairytales and/or novels in verse, definitely put this one on your list!

Content Notes

Depression, suicidal thoughts, loss of a close family member, bullying.

Recommended for Ages 14 up.

Representation
Whimsy and Faerry are Black and have depression.

Profanity/Crude Language Content
None.

Romance/Sexual Content
None.

Spiritual Content
Whimsy practices Hoodoo, as passed down to her by her grandmother. Her family are conjures. Faerry is a fairy with wings few people can see. The story contains magic as well as fairytale and folktale references and characters.

Violent Content
Situations of peril. Bullies call Whimsy names and hold her underwater. Other characters harm Whimsy and Faerry, causing cuts to open on their bodies. References to Whimsy being suicidal at the beginning of the story and in the past.

Drug Content
None.

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