Reads things. Writes things. Fluent in sarcasm. Willful optimist. Cat companion, chocolate connoisseur, coffee drinker. There are some who call me Mom.
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Caitlyn and Cassie may look exactly the same, but inside they’re as different as two people can be. On this they agree: the tiny town of Aura, Texas is the last place they want to live. Caitlyn, ever the optimist, tries to make the best of the move. Cassie hatches plot after plot to convince Mom to return to San Antonio. Strange visions begin clouding the twins’ sight. To Cassie, this could turn into an opportunity to get in with the cool kids. Caitlyn, however, is convinced they should use their gift to help others. The last person they expected turns out to need their help most of all.
Twins themselves, the authors know a lot about issues faced by identical siblings. Cassie and Caitlyn have two distinct personalities and two very different ideas on how to solve problems. Both struggle to craft unique identities to avoid being mistaken for one another in a way that any reader with siblings can easily understand. Told with a mixture of sass and poise, this story touches on the difficulties of finding new friends in a small town. It reminds readers that ultimately, power should be used for the good of others, and that even moms need a little help sometimes.
Language Content
No profanity.
Sexual Content None.
Spiritual Content Cassie and Caitlyn begin having visions foretelling future events. They research ESP for more information, but uncover little that is helpful, other than a reference to another case similar to theirs.
On the last night of her senior year, Lucy and her best friend set out on an adventure. The girls plan to track down Shadow and Poet, a secretive duo who pepper the city with brilliant graffiti and gut-wrenching poetry. Ed, Lucy’s sort-of-ex-boyfriend, wishes she’d see past her prejudices and assumptions. Her obsession with Shadow is sure to lead to disappointment, but it’s like a train wreck from which he can’t look away. As the night progresses, Lucy draws nearer to uncovering the identity of the elusive Shadow, but the closer she gets, the less he seems like the hero she’s built him up to be. Maybe what she’s really wanted has been right in front of her all the time.
Three points-of-view relay the story of a chaotic night: Lucy, Ed, and Poet. Each has a unique voice and identity and bring an essential piece of the story to the stage. Lucy and Ed’s backstory definitely adds emotional depth. Her fondness for classic stories adds a nice flair, since there are definitely some parallels between her story and that of the famed Elizabeth Bennet from Pride and Prejudice. Lucy is learning to do some glass blowing. This unusual hobby and the graffiti art add some fresh descriptions and a glimpse into a world of art not often explored within young adult fiction. Lucy and Ed are strong in their own ways. Each brings to the story some biases about the other, which the conflicts in the story begin to unravel. Too often in YA the hero and heroine are not well-matched. Crowley, however, has this one all figured out. Ed and Lucy will have readers rooting for them from beginning to end.
Language Content
Extreme profanity used with moderate frequency.
Sexual Content Lucy talks about wanting to have sex with boys, but it’s clear she has high standards of behavior (she breaks a guy’s nose for grabbing her rear on their first date.) She appears to have very limited experience with boys, though her friends try to convince her she’s being a prude. She stands her ground in the face of their pressure.
Spiritual Content None.
Violence Lucy broke a guy’s nose while they were on a date. (She elbowed him in the face.) She uses the same move on a thug who tries to hurt her and Ed later. The thug first threatens to pierce Lucy’s nipple, but instead pierces Ed’s ear as a threat.
Drug Content
Lucy, Ed and their friends go to a party. The friends drink alcohol, but Lucy and Ed don’t stay long.
Unusual circumstances lead two remarkably different boys to become pen pals. They’ll never meet, as Ollie is severely allergic to electricity and Moritz relies on his pacemaker to keep his weak heart pumping. Ollie lives in an isolated cabin deep in the woods, longing for people and things he can never have. Moritz lives in a crowded city and longs for nothing more than solitude. As they compose autobiographical letters to one another, each discovers that what he needs most is a true friend.
Don’t be fooled by the mild-mannered premise. This book explodes with sci-fi-esque drama as the boys explore the secret genetic experiments which connect them. Bring your willing-suspension-of-disbelief and be prepared for the reward of a wild ride. What tops the story, though, are its central characters. Thomas has created a distinct voice for each boy. As the letters progress, each boy grows. They challenge one another. They wrestle with the obstacles and losses that life throws at them. They draw us in and move our hearts.
I read somewhere recently that one of the benefits of reading for children (indeed for us all) is that it inspires us to have empathy for those different from ourselves. Thomas succeeds in this venture. Through her words, we share in and sympathize with Ollie’s desperate optimism and Moritz’s fragile first rays of hope. We find ourselves reminded about the power of honesty between friends, about the vital truth that we are all valuable, all human. It’s a powerful, ultimately inspiring story.
Language Content
Profanity used with moderate frequency.
Sexual Content Brief kissing – boy/girl and once boy/boy.
Spiritual Content None.
Violence Moritz and another boy suffer at the hands of a bully. Descriptions are short but disturbing. The bully ends up severely injured later.
Drug Content
None.
Soundclip from Audiobook (available at Audible.com)
Andriana and her knight, Ronan, join a team of others set on rescuing the emperor’s twin brother from exile. A surprise attack places Andriana in the hands of her enemies: Sethos, a powerful sorcerer and Keallach, the emperor responsible for imprisoning the man Dri intends to rescue. When Dri witnesses Keallach’s powerful gift and his hunger for companionship with others of her kind, she becomes convinced he can be saved. She blames Sethos’ vile influence for Keallach’s treacherous actions and begins using her abilities as an empath to draw him toward the Maker and the Ailith ways. Her attempt risks everything. To underestimate Keallach could leave Andriana lost to her people forever.
Christian values and beliefs run clearly throughout this tale. Dri agonizes over instances in which her own desires appear to conflict with the Maker’s plans. She receives counsel and prayer from mentors when her thoughts and motives become clouded by anger and frustration.
She and Ronan continue to explore their feelings for one another, but they aren’t able to spend much time together as story events keep them often apart. The rest of the team does discover the relationship and react with fierce condemnation that isn’t really well-resolved. At first the other Ailith and knights are upset and then the issue largely gets forgotten. Other than that, the romantic thread definitely pulls readers through the story. Ronan’s chapters read less smoothly than Andriana’s sections, but the tension between Dri and Keallach will definitely keep readers turning pages.
Though this is the second book in the Remnants series, new readers should be able to follow this story with little trouble. Bergren does a great job filling readers in on past events without slowing the story down too much. Fans of Jill Williamson’s Safe Lands series will enjoy the fast-paced action and revolutionary themes of Bergren’s story.
Language Content
No profanity.
Sexual Content Keallach uses his ability to manipulate Andrianna into kissing him. It’s clear there’s a strong pull between them that’s got some darkness to it. At one point he seems like he might take advantage of her, but nothing beyond kissing happens.
Spiritual Content Andrianna and her friends are part of an elite group called Ailith. Each bears a birthmark and a unique gift bestowed on them by the Maker (God.) Characters pray throughout the story, for protection, guidance, etc. Andrianna learns she can’t depend on her own strength in battle, but that when she calls upon the Maker, she’s protected from sorcery and dark powers of her enemies, the Sheolites.
Violence Battle scenes. Some detailed descriptions of battle injuries.
Drug Content
Keallach gives Andrianna alcoholic drinks that incapacitate her.
Locomotion Jacqueline Woodson
Speak, Penguin Group
Lonnie Collins Motion learns to pour out memories and feelings in a poetry journal. He writes about the night his parents died. About his little sister, Lili. About his foster mom. About the teacher he admires who doesn’t understand what his life is really like. His story unfolds, poem by poem, packed with emotion and insight.
One of the most powerful things about a novel-in-poetry is the power of each line. The narrative has been distilled down to just a few words, yet it’s enough to paint a complete picture of what Lonnie sees and experiences. There are simply not enough stories like this one, both in its approach to storytelling and in the story itself. Lonnie is easy to love – his desire to protect and stay in touch with his younger sister is moving, and it’s easy to sense his longing for young men he can look up to. This would make a great addition to classroom study or a great independent read for late elementary-aged children. I highly recommend it.
Language Content
No profanity.
Sexual Content None.
Spiritual Content Lonnie’s little sister asks him if he has “found God yet?” He responds, saying he wasn’t looking for Him. But for her sake, so her foster family will like him more and allow him more time with her, he begins going to some church events and trying to read the Bible.
Violence Lonnie’s parents were killed in a fire long before his story begins. He remembers their deaths, but no gory details are related.
Grave Mercy Robin LaFevers
HMH Books for Young Readers
A strange birthmark spares Ismae from an arranged marriage with a cruel man, but thrusts her into the power of the sisters at the convent of St. Mortain. There, Ismae discovers she’s been gifted with great power. To understand her potential, she must embrace the training offered by the mysterious sisters. If Ismae agrees, they will teach her the arts of murder and seduction, so that she can be sent out into the world to bring the justice of an old god: Mortain, the god of death. When an opportunity arrives for Ismae to serve the young duchess of Brittany who faces an arranged marriage of her own, Ismae can’t help but accept, remembering her own past.
Determined to prove herself through this important assignment, Ismae soon finds herself overwhelmed by a court steeped in plots and betrayal. Unexpected feelings for her prime suspect complicate matters further. But more than Ismae’s devotion to her god is at stake. If she chooses the wrong allies, her mission will fail, and the young duchess will die.
I read this book without really knowing much about it. Marissa Meyer recommended it, and I love her books (Cinder, Scarlet and Cress) so I decided to give it a go. I spent most of the first part of the story waiting for the shoe to drop and for the god of Death to turn out to be evil, since that’s usually the way things seem to go. Instead, and I’ll try not to give too much away, Ismae learns that her understanding of the god’s will is not always perfect, but that he does indeed have a just plan for humanity.
The romance thread was nicely done. I found it refreshing that Gavriel was not the bad-boy-with-a-heart-of-gold type that’s so prevalent in current fiction, but that he was a gentleman who resents the implications about his relationship with Ismae and doesn’t take advantage of her or attempt to seduce her himself. That respect for her totally won me over.
Packed with intrigue, the plot really takes some big twists and turns. I love that it’s based on historical events. LaFevers definitely stirred my curiosity about Brittany and the young duchess and the real story of how the events unfolded.
Because I’ve read a little bit about the other books in the series now, I can see how this first story set the stage for the second and third ones. I’m curious enough about Sybella’s (one of Ismae’s fellow assassins-in-training) story to consider continuing the series, but it’s not sitting at the top of my list. I think I expected to like it as much as I loved Cinder, which admittedly isn’t fair to the author, and while I enjoyed it, I just have a hard time really getting into the whole “god of death as a good guy” type of story. It may be that the topic of corruption within the religious organization simply hits too close to home for me as I wrestle with some of my own issues about my own recent church experiences.
Language Content
Mild profanity used infrequently.
Sexual Content Ismae’s new husband treats her roughly and makes it clear that their marriage bed will be one in which he treats her like an object. His behavior is ugly, but he’s stopped before having sex with her.
The servants of the convent of St. Mortain are taught all the ways of seduction, but readers are left to fill in the blanks on all that entails. Ismae’s past experience with men leaves her mistrustful and loathe to give herself to a man, even in service of her god. She makes a couple of brief suggestive comments. She lies naked against a man at one point, but not in the interest of having sex with him.
Spiritual Content During the time period of the story, the Christian church had replaced many of the older traditions and belief systems in Brittany and referred to the old gods as saints. (There is apparently a lot of historical truth to this – I’ve not researched it myself, but you can read the author’s notes on the topic here.) Mortain, one of the old gods (a fictional one), still maintains a following largely through a convent of servants, trained as assassins and sent out to do his will, i.e., kill those the god has marked for death.
Ismae struggles with the morality of her tasks. What if someone has committed some wrong that earns Mortain’s judgement, but repents of the evil and finds a way to atone for it? Is there an alternate path for her to take rather than simply being an assassin? Ultimately she earns the god’s blessing for her mercy.
Violence Several people fall victim to assassins, through means like poison, falling from a height, small arrows, etc. Brief battle scenes are described. Ismae walks through a field of dead soldiers looking for survivors. Descriptions are not overly detailed.
Drug Content
Characters drink alcohol – mead, wine, etc – at parties and taverns.
