Category Archives: Young Adult/Teen 12-18

Book Review: Delirium by Lauren Oliver

Book Review and Content, Dystopian or Post-Apocalyptic, Young Adult/Teen 12-18, , ,

Delirium
Lauren Oliver
HarperCollins
Published February 3, 2011

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In a world with closely controlled borders, seventeen-year-old Lena counts down the days until she receives the cure for what her government labels, “the deadliest of all deadly things,” or Love. Lena can’t wait to finally be cured, to know she’s safe from this vile and unpredictable thing. Then she meets Alex, and everything goes sideways. She isn’t sure what to think about the disease or the rumored uncured people living outside the safe borders of the town or Portland. And Alex is different. Special. Before she can stop it, her attraction toward him blossoms into something deep and forbidden, and for once, dutiful Lena doesn’t care if she’s breaking all the rules. How could anyone not break rules when they feel so wonderful?

But her procedure date approaches, and once it arrives, her feelings for Alex will be gone. Alex knows how to live away from town, but leaving means walking away from her family and her best friend Hannah. How can Lena do that? With time quickly running out and enforcers so close to discovering her secret relationship, Lena must decide what to do and find a way to escape before it’s too late.

Since her stunning debut Before I Fall, Oliver has delivered sharply brilliant prose framed around powerful characters and themes. Her exploration of love rockets readers through a dangerous world in which love is a disease scientists are now able to cure. Lena’s roller coaster ride of emotions becomes a little difficult to believe at times, as she both carefully controls her stoic public face and privately reels from the wild emotional highs and lows of her infatuation with Alex. Her best friend’s perfect understanding and lack of jealousy at being ditched for the boyfriend also felt a little hollow. Despite this, the story is intense and its narrative finely honed. Lena’s recollections of her mother and the descriptions of the Wilds beyond Portland are deeply captivating.

Profanity/Crude Language Content
Infrequent but severe.

Sexual Content
Whether or not Lena and Alex engage in sex is left pretty vague. Lena describes her feelings at allowing Alex to see her without a shirt, and how before that moment she felt awkwardly put together, but his opinion of her as beautiful changes Lena’s perception of herself. The couple frequently kiss one another.

Spiritual Content
Some biblical characters and references are altered, as if they’ve been rewritten by a government with an agenda against love. Deeper spiritual pursuits are not really explored.

Violence
Police with weapons and dogs surround a house filled with people listening to forbidden music. They attack the party-goers, attempting to punish and subdue them. Some details are intense and a little grisly. A girl infected with “the Deliria” is bound to her bed until she can receive surgery to cure her from the disease of love. Later, police chase down a young couple trying to escape and attempt to shoot them.

Drug Content
Lena’s sister gives her a tranquilizer pill to calm her. Lana believes it is ibuprofen.

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Sneak Peek: Goddess Tithe by Anne Elisabeth Stengl

Book Review and Content, Clean Fiction, Fantasy, News and Fun, Young Adult/Teen 12-18, , , ,

Yesterday we had the pleasure of seeing the next lovely cover in the Tales of Goldstone Wood series. (Click here to see reviews and other earlier posts about the series.) Today I’m pleased to bring you an excerpt from the novella itself, with an opening description by the author, Anne Elisabeth Stengl. Enjoy!

***

Here is an excerpt from the middle of the story. In this scene, Munny has been ordered to Captain Sunan’s cabin to clear away his breakfast . . . an unexpected task, for a lowly cabin boy would not ordinarily dare enter his captain’s private quarters! Munny hopes to slip in and out quietly without attracting the captain’s notice. But his hopes are dashed when Sunan addresses him, asking how their strange, foreign stowaway is faring:

__________

“And what do you make of him yourself?”
Munny dared glance his captain’s way and was relieved when his eyes met only a stern and rigid back. “I’m not sure, Captain,” he said. “I think he’s afraid. But not of . . .”
“Not of the goddess?” the Captain finished for him. And with these words he turned upon Munny, his eyes so full of secrets it was nearly overwhelming. Munny froze, his fingers just touching but not daring to take up a small teapot of fragile work.
The Captain looked at him, studying his small frame up and down. “No,” he said, “I believe you are right. Leonard the Clown does not fear Risafeth. I believe he is unaware of his near peril at her will, suffering as he does under a peril nearer still.”
Munny made neither answer nor any move.
“We will bring him safely to Lunthea Maly, won’t we, Munny?” the Captain said. But he did not speak as though he expected an answer, so again Munny offered none. “We will bring him safely to Lunthea Maly and there let him choose his own dark future.”
“I hope—” Munny began.
But he was interrupted by a sudden commotion on deck. First a rising murmur of voices, then many shouts, inarticulate in cacophony. But a pounding at the cabin door accompanied Sur Agung’s voice bellowing, “Captain, you’d best come see this!”
The Captain’s eyes widened a moment and still did not break gaze with Munny’s. “We’ll keep him safe,” he repeated. Then he turned and was gone, leaving the door open.
Munny put down the pot he held and scurried after. The deck was alive with hands, even those who were off watch, crawling up from the hatches and crowding the rails on the port side. They parted way for the Captain to pass through, but when Munny tried to follow, they closed in again, blocking him as solidly as a brick wall.
“Look! Look!” Munny heard voices crying.
“It’s a sign!”
“She’s warning us!”
“It’s a sign, I tell you!”
Fearing he knew not what, Munny ran for the center mast and climbed partway up, using the handholds and footholds with unconscious confidence. Soon he was high enough to see over the heads of the gathered crew, out into the blue waters of the ocean. And he saw them.
They were water birds. Big white albatrosses, smaller seagulls, heavy cormorants, even deep-throated pelicans and sleek, black-faced terns. These and many more, hundreds of them, none of which should be seen this far out to sea.
They were all dead. Floating in a great mass.
Munny clung to the mast, pressing his cheek against its wood. The shouts of the frightened sailors below faded away, drowned out by the desolation of that sight. Death, reeking death, a sad flotilla upon the waves.
“I’ve never seen anything like that.”
Munny looked down to where Leonard clung to the mast just beneath him, staring wide-eyed out at the waves. “How could this have happened? Were they sick? Caught in a sudden gale? Are they tangled in fishing nets?”
There was no fear in his voice. Not like in the voices of the sailors. He did not understand. He did not realize. It wasn’t his fault, Munny told himself.
But it was.

About the Author

Anne Elisabeth Stengl makes her home in Raleigh, North Carolina, where she lives with her husband, Rohan, a kindle of kitties, and one long-suffering dog. When she’s not writing, she enjoys Shakespeare, opera, and tea, and practices piano, painting, and pastry baking. She studied illustration at Grace College and English literature at Campbell University. She is the author of the Tales of Goldstone Wood, including Heartless, Veiled Rose, Moonblood, Starflower, and Dragonwitch. Heartless and Veiled Rose have each been honored with a Christy Award, and Starflower was voted winner of the 2013 Clive Staples Award.

Giveaway:

Visit Anne Elisabeth Stengl’s blog to enter for a chance to win one of two proof copies of Goddess Tithe! U.S. and Canada only, please.

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Cover Reveal: Goddess Tithe by Anne Elisabeth Stengl

Book Review and Content, Christian World-View, Clean Fiction, Fantasy, Young Adult/Teen 12-18, , , , ,

Here’s a peek at the gorgeous cover of the next book in the wonderful Tales of Goldstone Wood series by Anne Elisabeth Stengl. The cover image is accompanied by the back cover copy below:

The Vengeful Goddess

Demands Her Tithe

When a stowaway is discovered aboard the merchant ship Kulap Kanya, Munny, a cabin boy on his first voyage, knows what must be done. All stowaways are sacrificed to Risafeth, the evil goddess of the sea. Such is her right, and the Kulap Kanya’s only hope to return safely home.

Yet, to the horror of his crew, Captain Sunan vows to protect the stowaway, a foreigner in clown’s garb. A curse falls upon the ship and all who sail with her, for Risafeth will stop at nothing to claim her tithe.

Will Munny find the courage to trust his captain and to protect the strange clown who has become his friend?

Anne Elisabeth Stengl talks about the beautiful cover:

I had the fun of designing this cover—finding reference photos, inventing the composition, applying the text, etc.—but the actual artistic work was done by talented cover artist Phatpuppy (www.phatpuppyart.com), whose work I have admired for many years. It was such a thrill for me to contact and commission this artist to create a look for Goddess Tithe that is reminiscent of the original novels but has a style and drama all its own.

The boy on the front was quite a find. I hunted high and low for an image of a boy the right age, the right look, with the right expression on his face. Phatpuppy and I worked with a different model through most of the cover development stage. But then I happened upon this image, and both she and I were delighted with his blend of youth, stubbornness, and strength of character! It wasn’t difficult to switch the original boy for this young man. He simply is Munny, and this cover is a perfect window into the world of my story.

You can’t see it here, but the wrap-around back cover for the print copy contains some of the prettiest work . . . including quite a scary sea monster! Possibly my favorite detail is the inclusion of the ghostly white flowers framing the outer edge. These are an important symbol in the story itself, and when Phatpuppy sent me the first mock-up cover with these included, I nearly jumped out of my skin with excitement!

Goddess Tithe Illustration by Anne Elisabeth Stengl

About the Illustration by Anne Elisabeth Stengl

There are eight full-page illustrations in Goddess Tithe featuring various characters and events from the story. This is the first one in the book. I decided to share it with all of you since it depicts my young hero, Munny the cabin boy, under the watchful eye of his mentor, the old sailor Tu Pich. Munny is on his first voyage, and he is determined to learn all there is to know about a life at sea as quickly as possible. Thus we see him utterly intent upon the knot he is learning to tie. Tu Pich is old enough to know that no sailor will ever learn all there is to know about the sea. Thus he looks on, grave, caring, and perhaps a little sad. He might be looking upon his own younger self of many years ago, fumbling through the hundreds of difficult knots his fingers must learn to tie with unconscious ease.
I enjoyed creating all the illustrations for Goddess Tithe, but this one was my favorite. I love the contrasts of light and dark, the contrasts of young and old . . . youthful intensity versus the perspective of age.

About the Author

Anne Elisabeth Stengl makes her home in Raleigh, North Carolina, where she lives with her husband, Rohan, a kindle of kitties, and one long-suffering dog. When she’s not writing, she enjoys Shakespeare, opera, and tea, and practices piano, painting, and pastry baking. She studied illustration at Grace College and English literature at Campbell University. She is the author of the Tales of Goldstone Wood, including Heartless, Veiled Rose, Moonblood, Starflower, and Dragonwitch. Heartless and Veiled Rose have each been honored with a Christy Award, and Starflower was voted winner of the 2013 Clive Staples Award.

Giveaway:

Visit Anne Elisabeth Stengl’s blog to enter for a chance to win one of two proof copies of Goddess Tithe! U.S. and Canada only, please.

Review: The Raven Boys by Maggie Stiefvater

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The Raven Boys
Maggie Stiefvater
Scholastic, Inc
Published September 8, 2012

Amazon | Barnes & Noble | Goodreads

Premonitions and warnings about the future have always been a part of Blue Sargent’s life in her small home shared by several psychic women. It’s why she stays away from boys: the first boy she kisses will die, according to the predictions of the clairvoyant group.

Staying away from them has never been difficult for Blue. Especially staying away from the over-privileged boys of the Aglionby school. That is, until an unexpected vision on St. Mark’s Eve and a forgotten journal pull Blue into a dangerous and mesmerizing quest led by one of Aglionby’s finest students.

Though she is at first repelled by Gansey’s flippant attitude about money, something deeper flashes beneath the carelessness and bravado, and Blue can’t help but be captivated by that Gansey.

If only she can find a way to keep him from dying.

Filled with memorable characters and fresh wit, The Raven Boys is a wild ride from start to finish. Readers familiar with Stiefvater’s Shiver will find this a much more highly developed work. When I read Shiver, the repetitive use of the phrase, “for a long moment,” bothered me. I hadn’t read anything by Maggie Stiefvater between reading Shiver and The Raven Boys, so I was sort of braced for those words to appear everywhere. (Which now seems pretty ridiculous, when I think about it.) Despite this, it’s difficult to imagine readers beginning this series and not eagerly anticipating the second book, Dream Thieves, which came out in September 2013.

I’ve read this novel more than once, which in itself is a testament to how great the writing is. I don’t get to reread books much anymore, because my list of new books to read is always so long!

I always feel torn about falling in love with this series because of the prominent presence of the psychic characters. Usually it’s a subject that I’d probably avoid in literature, largely due to disinterest, but also for spiritual reasons.

Despite that, I can’t help really getting lost in the beautiful Virginia landscape Stiefvater creates. I love the way the boys relate to each other. Their deep friendship and the complicated history that simultaneously drives them apart and binds them together is absolutely captivating. The fact that Blue has this huge, ominous prediction hanging over her head really kept the tension high throughout the whole story. It’s not the only instance of foreshadowing, either. I love that each character has not only a complex history that creates powerful drive but also some kind of dangerous ability or prediction that haunts their steps. It’s the kind of stuff that keeps you turning pages long after bed time.

Profanity/Crude Language Content
Sparse but severe profanity.

Sexual Content
None.

Spiritual Content
Blue’s mother and her friends use psychic ability to make their living and to predict what will happen in Blue’s life and the lives of her friends. Much of the story centers around belief in these abilities and in magic, spirits and rituals. Blue and her friends befriend a ghost and help him maintain a presence. Blue is gifted with the ability to strengthen psychic energy.

Violence
Two brothers engage in a brief fist-fight. One boy suffers physical abuse at the hands of his father, and another boy defends him. The scene is brief. A man is trampled to death, but no details are given of the event. A woman plans to murder a man as part of a ritual. Characters fight over possession of a gun in two different scenes.

Drug Content
One of the boys has a tendency to drink alcohol and get into trouble. It’s not featured much (one night he gets drunk because he’s having trouble sleeping), but not condemned as a behavior, either.

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Review: The Fault In Our Stars by John Green

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The Fault in Our Stars
John Green
Dutton Books
Published January 10, 2012

Amazon | Barnes & Noble | Goodreads

Sixteen-year-old Hazel has lived the roller coaster ride of a terminal cancer diagnosis for the last three years. Now, each breath comes with a price, and she cannot go anywhere without a small portable oxygen tank in tow. Meds prevent the tumors from growing, for now.

At a weekly support group, she listens to tales of other teens fiercely battling cancer. Listens but remains apart, until the unexpected entrance of Augustus Waters.

Augustus draws Hazel out of her self-imposed seclusion with his unflappable visionary nature. He is in many ways the opposite of the quiet, brooding Hazel, and her perfect foil. As the two begin to know each other, they swap favorite novels, and Augustus falls headfirst in love with Hazel’s pick, a novel about cancer called An Imperial Affliction. As the two discuss the book, its philosophical brilliance and painfully tantalizing unanswered questions, their bond deepens.

Terrified of causing the destructive grief that must result from falling in love with someone with a terminal diagnosis, Hazel pulls away from Augustus. He pursues her relentlessly, even spending his wish from a cancer organization to take Hazel to Amsterdam to meet the author of her favorite novel (seriously, what literary lover can resist this kind of wooing? Talk about big guns.)

Amsterdam is everything and nothing Hazel could have hoped for: her dreams dashed and come true at the same time. In response, she must decide how to live her life and what she believes about herself, others, and eternity in the face of faithlessness on the part of humanity and the universe.

John Green has proved his valor as a writer worthy of tackling the deep emotional and cosmic issues with earlier novels, but this novel may yet be his most incredible work. This novel tackles the big human questions about life, love, and loss, exploring at once what they mean and how one responds to them. All this and yet the story remains poignant and breathtaking and sometimes quite hilarious. And tragic. This is another one to read with tissues handy.

Also worthy of note: The Fault in Our Stars the movie will hit the big screen in 2014.

Profanity/Crude Language Content
Infrequent but extreme.

Sexual Content
Main characters watch a young couple kiss and briefly fondle over clothing. One scene (without graphic detail) implies that the characters have sex.

Spiritual Content
As the characters face the reality of their diagnoses, they wonder about and discuss what happens after death. Hazel does not believe in God or heaven. Augustus believes in a more nebulous Something beyond.

Violence
While this isn’t violent content, it is only fair to mention that there are some heavy descriptions of different medical treatments and their side effects as well as the dying process. These are critical elements to the story, but some sensitive readers may find them too intense.

Drug Content
Augustus has an unusual habit of hanging a cigarette from his mouth which he never lights, but instead revels in the metaphoric significance of this action. Gus and Hazel sip champagne over a fancy dinner. Hazel and Augustus undergo various cancer treatments involving different types of medications.

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Review: Glass Girl by Laura Anderson Kurk

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Glass Girl
Laura Anderson Kurk
Playlist Young Adult Fiction
Published December 5, 2013

Amazon | Barnes & Noble | Goodreads

About Glass Girl

On a day that began like any other, Meg’s brother Wyatt dies. Suddenly. Violently. Leaving Meg and her parents to creep around the shrapnel and gaping wounds of their grief. In a pitch to create some space for healing, Meg’s dad moves them all from their Pittsburgh home to the wilds of Chapin, Wyoming. In a new home scrubbed of memories, Meg tries to create a new life, one that does not include the story of her brother’s death and the pity which must come as a response. She lands a new part time job and falls in with new friends. When a rugged, handsome cowboy begins to pursue her, Meg puts on her best face, burying her tragic past and her mother’s spiraling depression beneath a determined exterior.

Henry is patient, but he senses something isn’t right and urges Meg to open up to him. But how can a perfect boy from a perfect family understand what Meg and her parents are going through? Meg’s parents’ marriage crumbles around her, but she fights to keep a brave face, biting back the angry words she wants to shout at her mother and keeping even Henry at a distance. Rumors about a relationship between Henry and a blond girl swirl through town, and dark-haired Meg isn’t sure what to think. As she wrestles with her grief and whether to trust Henry, more rumors swirl, and Meg must face her town and her sadness anew as word about Wyatt’s death spreads across Chapin.

My Review

GLASS GIRL is a beautiful story of a girl who has lost not only her brother but faces the terrible toll grief has taken on her family. Meg’s emotions are vivid and gripping, as are the relationships she has with each of her parents and friends. The rugged Wyoming countryside provides the perfect backdrop for both the tumultuous feel of the emotional story and the golden-hearted cowboy who teaches Meg about courage, compassion and mercy. This is a novel that demands to be finished once it is begun. Tissues are a must.

Content Notes for Glass Girl

Profanity/Crude Language Content
None.

Sexual Content
References to teen couples making out. Main characters treat each other with honor and respect, but there’s definitely some high romantic tension.

Spiritual Content
After her brother’s unexpected death, Meg can’t follow a life of faith any longer. She can’t understand how God could exist and allow terrible things to happen. It is less painful to choose to believe He does not exist. Henry’s faith is fervent and rock-solid, though his actions often speak of his values and beliefs much more than his words could.

Violence
Meg’s brother Wyatt was violently killed. Meg suffers brief flashbacks to the event, but no gory details are given, though the scenes are intense.

Drug Content
Some teens indulge in alcoholic beverages at a party. Others smoke pot. Main characters do not condone or participate in these behaviors.

Note: I received a free copy of this book in exchange for my honest review.

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