Category Archives: Contemporary

Poetry and Friendship: Every Last Word by Tamara Ireland Stone

Every Last Word by Tamara Ireland StoneEvery Last Word by Tamara Ireland Stone
Disney-Hyperion

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She might look just like another one of the popular girls, but Samantha has a secret not even her best friends can know: she suffers from OCD. She needs weekly visits to a psychiatrist and prescription meds to keep her anxieties at bay.

As her friendships with the top girls becomes more and more toxic, Samantha desperately wants an outlet. Her search leads her to Caroline, a carefree, fashion-less girl whose frankness and kindness may be just the right rescue. She introduces Sam to Poet’s Corner, a place where students gather to share poems about anything from chicken nuggets to the loss of a parent.

Through the healing experience of writing and sharing her own work, Samantha discovers a whole different side of friendship and love. But just when she feels she’s finally making real progress in leaving her OCD behind, new symptoms emerge that could destroy the new connections she’s made. She has to face the devastating possibility that she could be getting worse, not better.

While I loved that her love interest had his own baggage and even had that past connection with her and her friends, I wasn’t totally sold on the relationship. (Moral soap boxes aside…) The scene in which they have sex was sweet in that it’s obvious he cares so much for her, but it felt like, “and here’s the obligatory scene in which the teen couple has sex because that’s what teen couples do.” It didn’t feel necessary. It kind of struck a nerve with me that really doesn’t have anything to do with the story itself.

I think my favorite thing about this book is Samantha’s journey trying to “fix” herself and her OCD. She wants so badly to leave her anxiety behind and be a carefree, “normal” girl. There’s no quick-fix for her in this story. Poetry doesn’t magically cure her. What it does do, though, is allow her opportunities to better understand herself and the world around her. It provides an opportunity for her to see her current friendships in a different light, and to see friendship itself in a different light. She has a chance to evaluate what kinds of relationships she’d like to have and what qualities make a real friend. Those are such powerful moments in the story. She’s also challenged by the openness and acceptance in the Poet’s Corner group. She’s been hiding her own struggles, and they become a barrier to having real friendships.

The poetry was a great addition to the story, too. Some were funny and clever while others were deeply moving. They added balance and depth to a lot of the more minor characters as well as allowing a larger window into Sam, too.

I felt like all those relationship issues were so relevant and well-described. It was impossible not to root for Sam and to want her to ditch the nasty girls and have those friends who valued her the way she deserved. I wish the boyfriend stuff had been handled differently, but I really enjoyed the other elements of the story.

Language Content
Extreme profanity used with moderate frequency.

Sexual Content
Sam briefly relates that she’s still a virgin. Her friends have had experience with boys, but no real details are given. She engages in a long, steamy kissing session in a swimming pool alone with a boy. Later, she has sex with her boyfriend. It’s a fairly long scene that focuses more on the togetherness and kissing than the actual sex. Though it’s not described in a graphic way, we know what’s going on, so it’s pretty intense.

Spiritual Content
None.

Violence
None.

Drug Content
References to teen drinking. Samantha takes medication for anxiety and OCD. She stops taking her sleep aid and has to have words with her therapist about it. I like that her meds or the fact that she’s taking them isn’t really villainized here. It’s not like she discovers a passion for poetry and that somehow cures her, and she has to find balance and face that there’s no easy fix for her. It reads like reality to me.

Review: Those Girls by Lauren Saft

Those Girls by Lauren Saft
Little, Brown Books for Young Readers

Alex and Mollie have been best friends since kindergarten. Veronica, whose promiscuous reputation is her claim to fame, has recently joined their ranks. At the start of their junior year, each girl has an agenda.

V longs to turn over a new leaf and be the kind of girl a boy wants to keep around for more than an hour. Her good intentions are pretty constantly foiled by her revealing outfits and her drunken escapades.

Mollie wants to bring romance back into her relationship with her hot-and-popular boyfriend, Sam. She’s willing to do just about anything to keep him.

Alex needs a change. Mollie’s Sam obsession left a hole in her life that she’s ready to fill. A garage band might be exactly the change she needs. The change she doesn’t need? Her best friend (and secret love) Drew going after Veronica.

The drama does not stop, from page one all the way to the end. Rotating narrators (all three girls take turns spilling their guts) keep the story flying forward and reveal what each girl really thinks as events unfold. It’s nonstop gossip, parties, social disaster, love, and heartbreak.

Despite the quick pace and the celebration of friendship between girls, I had a hard time connecting with Mollie. She’s selfish, vindictive and extremely negative. I couldn’t really get why the other two valued her as a friend. I found Alex to be much more palatable, but ultimately disappointing. I had the most sympathy for Veronica. In a home with absent parents, it made perfect sense that she had little sense of social cues and relied on her body to form connections with people, then felt depressed when a one night stand didn’t result in a relationship.

The story definitely captures the catty spirit that sometimes plagues high school girls. While Alex and Veronica seem to have learned some hard lessons and grown personally by the end of the story, there were some elements of the resolution that were not believable. (See spoiler section below.)

Language Content
Extreme profanity and crude language used really frequently.

Sexual Content
Several explicit scenes depicting sexual encounters (one in which two girls make out, another involving two girls and a boy) as well as crude references to sexual situations and encounters.

Mollie’s boyfriend is all about the sexual pressure. Gross.

Spiritual Content
The girls go to a Catholic school. Mollie’s mother is very religious and forces Mollie to attend extra church services and say extra prayers when she misbehaves. (These efforts don’t appear to affect Mollie’s personal beliefs or her behavior.) At one point, Mollie commits to sabotage a fellow student and claims she has Jesus on her side. (I think she was aiming for funny, but because of the nature of her intentions, it fell pretty flat for me.)

Alex’s family is Jewish. She laments not being invited to celebrate Christmas with her friends and being bored around that holiday.

Violence
None.

Drug Content
Lots of scenes in which teens drink alcohol or smoke pot. Someone slips a roofie into a girl’s drink.

Spoiler
Mollie’s boyfriend (total schmuck) cheats on her with Veronica. Alex has sex with Veronica’s boyfriend. These are pretty serious betrayals. Yet, just a few weeks later, they’re all happy and friends again. Totally did not buy that. Did not seem possible, especially for someone as image-conscious as Mollie. Drew’s reaction to the whole thing was a lot more my speed. He pretty much up and headed for the hills. Too much drama. Bravo, dude.

Review: The Truth Commission by Susan Juby

The Truth Commission
by Susan Juby
Viking/Penguin Group

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Normandy Pale and her two best friends Dusk and Neil embark on a mission to strip away the insulation around fellow students and teachers’ lives and expose the truth. Rumors abound in their small school of the arts, and the three self-appointed members of the Truth Commission want to get to the bottom of each one. At first, the mission seems pure and helpful, but consequences grow with each truth exposed. Then one confronted student suggests Normandy examine her own life for hidden truths. Normandy reluctantly begins a quest for truth that could tear her fragile family apart, and will force each Truth Commissioner to reevaluate whether uncovering the truth is always worth its price.

In the beginning of the story, some elements felt too immature for the ages of the characters. For instance, they “smoke” candy cigarettes, which seemed far too juvenile for high school juniors. In the end, it seemed to work because the characters (Dusk, Neil and Normandy) are all so off-beat and unusual themselves. The power of the story comes through its careful exploration of exposing truth and its outcomes.

As Normandy narrates via “nonfiction narrative,” the truth exploration becomes much more complicated. She wonders whether she and her friends have a right to demand truth from anyone else, and if there are truths best left unspoken. Overall, a complex story with a fascinating cast of characters. Fans of Sarah Mlynowski’s Don’t Even Think About It will enjoy Juby’s novel.

Language Content
Strong profanity used with moderate frequency.

Sexual Content
Normandy and her friends confront a girl whose sister was rumored to bare her body on a web cam. There’s a discussion about how modesty is essentially a bad thing and no one should be judged for what they wear (or don’t wear.) The conversation sparks a school-wide parade in which students undress down to undergarments and label themselves using some derogatory terms. Students are pretty charged up about it, but later the girl who started the parade appears troubled and admits that her sister may not have been the innocent victim that she presented her to be. The bullying that happened around the time of the web cam incident may have had more to do with the fact that the sister was engaging in some risky behavior involving “the wrong crowd” and another girl’s boyfriend. There’s not a lot of judgement passed on these situations, in particular whether the parade was helpful or misguided. Normandy does appear to have very mixed feelings.

Brief discussion about a girl who appears to have two boyfriends. (Vague speculation about threesomes, but no details.) Brief kissing. Brief reference to a girl who was raped. No details.

Spiritual Content
None.

Violence
Normandy sees artwork depicting a man being pushed from a cliff.

Drug Content
The Truth Commission confronts a boy with a reputation for drug use. Normandy finds an assortment of prescription drugs in an empty apartment. No scenes depicting drug use.

Review: Where You End by Anna Pellicioli

Where You End
Anna Pellicioli
Flux

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For some, grief is a quiet void carefully tiptoed around. For Miriam, it is a raging storm that wakes her in the night, chews through her ability to reason. The hungry, empty space inside her where Elliot used to be. Seeing him with another girl sends her over the edge. Almost before she realizes what she’s done, a priceless statue lies on the ground at her feet. Panicked, Miriam flees the scene. There’s just one problem: a girl as mixed up as she is. One who saw what Miriam did. One who wants something in exchange for her silence.

Miriam’s emotional journey is the real force behind the story. Her life spins hopelessly out of control following her breakup with Elliot. She withdraws, experiences depression, makes poor decisions, lies to her parents – all things largely outside her normal character. We watch her struggle to recover, to find her way through those dark moments. To find her courage. The journey is both empowering and refreshingly honest.

In a culture that desperately wants to believe that sex—particularly teen sex—doesn’t matter and is all about living large and having fun, Pellicioli dares to deliver a story with a very different message. Miriam has given herself, heart and body, to a boy and the unthinkable happened: they broke up. He’s moved on to another girl. She’s devastated, possibly pregnant. Pellicioli excels at relating the unbalanced heartbreak that drives Miriam to destroy something that would otherwise be precious to her.

There are lots of books about sexually active teens. There are not a lot of books that tackle the heartbreak that can come along with those decisions as boldly and powerfully as Where You End.

Language Content
Extreme profanity used with moderate frequency.

Sexual Content
Miriam had been having sex with her now ex-boyfriend Elliot. She gives some details about frequency, location, and the emotional highs she felt when she was with him. The experiences themselves aren’t much described. She later engages in heavy kissing with another boy and removes her shirt (the scene is a bit confusing… I wasn’t sure what was happening beyond kissing until afterward when she clarified having taken off her shirt.) What’s perhaps most interesting about the sexual content is not the experiences themselves but the emotional roller coaster Miriam experiences in her feelings about Elliot after the break-up.

Spiritual Content
Miriam’s family is Jewish. She shares memories of going to school to learn Hebrew. Her family keeps the Sabbath, and the celebration is deeply important to her family. Miriam throws a fit at the start of one Sabbath meal, which really hurts her mother’s feelings.

Paloma’s mother used to take her to a church to hear the organ practices. She later retreats there for solitude.

Violence
None.

Drug Content
Brief mentions of Elliot being intoxicated at a party.

Review: Twintuition: Double Vision by Tia and Tamera Mowry

Twintuition: Double Vision
by Tia & Tamera Mowry
Harper/HarperCollins

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Caitlyn and Cassie may look exactly the same, but inside they’re as different as two people can be. On this they agree: the tiny town of Aura, Texas is the last place they want to live. Caitlyn, ever the optimist, tries to make the best of the move. Cassie hatches plot after plot to convince Mom to return to San Antonio. Strange visions begin clouding the twins’ sight. To Cassie, this could turn into an opportunity to get in with the cool kids. Caitlyn, however, is convinced they should use their gift to help others. The last person they expected turns out to need their help most of all.

Twins themselves, the authors know a lot about issues faced by identical siblings. Cassie and Caitlyn have two distinct personalities and two very different ideas on how to solve problems. Both struggle to craft unique identities to avoid being mistaken for one another in a way that any reader with siblings can easily understand. Told with a mixture of sass and poise, this story touches on the difficulties of finding new friends in a small town. It reminds readers that ultimately, power should be used for the good of others, and that even moms need a little help sometimes.

Language Content
No profanity.

Sexual Content
None.

Spiritual Content
Cassie and Caitlyn begin having visions foretelling future events. They research ESP for more information, but uncover little that is helpful, other than a reference to another case similar to theirs.

Violence
A boy is injured during a football game.

Drug Content
None.

Review: Graffiti Moon by Cath Crowley

Graffiti Moon
by Cath Crowley
Knopf Books for Young Readers

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On the last night of her senior year, Lucy and her best friend set out on an adventure. The girls plan to track down Shadow and Poet, a secretive duo who pepper the city with brilliant graffiti and gut-wrenching poetry. Ed, Lucy’s sort-of-ex-boyfriend, wishes she’d see past her prejudices and assumptions. Her obsession with Shadow is sure to lead to disappointment, but it’s like a train wreck from which he can’t look away. As the night progresses, Lucy draws nearer to uncovering the identity of the elusive Shadow, but the closer she gets, the less he seems like the hero she’s built him up to be. Maybe what she’s really wanted has been right in front of her all the time.

Three points-of-view relay the story of a chaotic night: Lucy, Ed, and Poet. Each has a unique voice and identity and bring an essential piece of the story to the stage. Lucy and Ed’s backstory definitely adds emotional depth. Her fondness for classic stories adds a nice flair, since there are definitely some parallels between her story and that of the famed Elizabeth Bennet from Pride and Prejudice. Lucy is learning to do some glass blowing. This unusual hobby and the graffiti art add some fresh descriptions and a glimpse into a world of art not often explored within young adult fiction. Lucy and Ed are strong in their own ways. Each brings to the story some biases about the other, which the conflicts in the story begin to unravel. Too often in YA the hero and heroine are not well-matched. Crowley, however, has this one all figured out. Ed and Lucy will have readers rooting for them from beginning to end.

Language Content
Extreme profanity used with moderate frequency.

Sexual Content
Lucy talks about wanting to have sex with boys, but it’s clear she has high standards of behavior (she breaks a guy’s nose for grabbing her rear on their first date.) She appears to have very limited experience with boys, though her friends try to convince her she’s being a prude. She stands her ground in the face of their pressure.

Spiritual Content
None.

Violence
Lucy broke a guy’s nose while they were on a date. (She elbowed him in the face.) She uses the same move on a thug who tries to hurt her and Ed later. The thug first threatens to pierce Lucy’s nipple, but instead pierces Ed’s ear as a threat.

Drug Content
Lucy, Ed and their friends go to a party. The friends drink alcohol, but Lucy and Ed don’t stay long.