Top Ten Tuesday is a weekly Meme hosted by The Broke and the Bookish. This week’s theme is music in books. I think the actual prompt is geared more toward either listing songs that would make great books or identifying a theme song for a particular book. I’m horrible at that sort of thing, and also deep in the revision process of my own project, so all I could think of were songs for my own scenes.
Instead, I’ve put together a list of books in which characters are either in a band or in which the stories feature music as an important theme. For me, music has always been a huge part of my life, so I was surprised that, as I made this list, there weren’t more books that came to mind which feature music as part of the story.
Here are my picks:
Scar Boys by Len Vlahos – Harry finds music and his role in the band to be an outlet and identity, even if it only makes the inequality in his relationship with Johnny more obvious. Read my review.
Scar Girl by Len Vlahos – After the tragic accident that tore them apart, the band struggles to reunite. Told as a series of interviews with band members, each recalls the highs and lows that ultimately led to another loss for the group. Read my review.
If I Stay by Gayle Foreman – Mia’s life hangs in the balance after a car accident that leaves her in a coma. She has to decide whether she will return to her life, even if it means facing life alone.
Where She Went by Gayle Foreman – Adam, Mia’s boyfriend in If I Stay, finds his new stardom to be a pretty empty life and reflects back on the great love he shared with Mia.
Apparently I didn’t review either of these books, though I did read them. I’m pretty sure there’s some sexual content– Mia’s parents are pretty permissive as far as her relationship with Adam goes. I can’t remember whether or not there’s profanity. I’ll have to go back and review these.
I Wanna Be Your Joey Ramone by Stephanie Kuehnert – I don’t think I can say it better than the description on Goodreads: “Punk rock is in Emily Black’s blood. Her mother, Louisa, hit the road to follow the incendiary music scene when Emily was four months old and never came back. Now Emily’s all grown up with a punk band of her own, determined to find the tune that will bring her mother home.” (I think I read this back before I started doing reviews here. I wish it were a cleaner read.)
Ballads of Suburbia by Stephanie Kuehnert – I think I liked this one better than I Wanna Be Your Joey Ramone, but it’s been so long I’m not sure. Both are really gritty tales with great characters. One has quite a bit of drug content (mostly drinking maybe? I can’t remember.)
Just Listen by Sarah Dessen – I loved that the music in this book became this bond between Annabel and Owen, and really, a path toward healing. I remember that I adored Owen Armstrong. Must keep him handy for the next “book boyfriends” list. He’d be on there for me. (I seriously thought I had reviewed this book. I can’t believe I didn’t! Must add to my review list.)
Eleanor & Park by Rainbow Rowell – (Forgive me…. I listed this book on my last TTT. Can’t help it!! It fits both categories.) While the music doesn’t play a ginormous role in this story, either, it’s definitely part of the connection between Eleanor and Park. The story does great justice to the way that music so often becomes a voice or an anthem, putting things into words that we have a hard time speaking on our own. Read my review.
Sold Out by Melody Carlson – A girl unused to fame suddenly finds herself right in the middle of it. As Chloe and her band mates have to navigate the struggles of stardom, they learn that only by putting it all in God’s hands can they succeed.
You Were Here by Cori McCarthy – Five teens connected by a fatal accident sort out their unresolved grief by revisiting places frequented by the boy they knew in hopes of finding messages he left behind. I haven’t reviewed this book yet, because I only finished reading it recently, but I really liked it a lot. Unfortunately, it does have some explicit language, alcohol content and sexual situations. Look for the review soon for more information.
Three fifteen year-old girls: Fiona, the daughter of an executive at a technology company in Vancouver who has just misplaced her phone, Sylvia, who bears the scars of an attack in her village in Congo and now lives in a refugee camp in Tanzania, and Laiping, a girl from a rural town working in a factory in Shenzhen, China so she can send money home to her family. They lead vastly different lives, but they all share one common connection: the mineral Coltan, or “blue gold” used to make electronics and cell phones.
After sending her boyfriend a topless picture of herself, Fiona loses her cell phone. Though her dad works for a company that makes electronics, he insists she get a job and pay for a new phone for herself. In Nyarugusu, Sylvie cares for her younger siblings and her mama, who won’t get up from her sleeping mat some days and insists that Sylvie’s father will join them soon. Sylvie’s brother, wooed by a local warlord, is slipping away from the family. The only way Sylvie can save them is through sponsorship to go to Canada. Laiping wants to please her supervisors at her new factory job and be a good daughter, sending money home for her father’s life-saving heart surgery. But when the company withholds her pay and punishes her for another’s defective work, Laiping begins to wonder whether she’ll ever be able to make a life for herself as a factory worker.
Told from the point-of-view of all three girls, Blue Gold relates three separate stories connected by the world’s desire for the mineral coltan. A nurse at Sylvie’s refugee camp sets up an online campaign to request aid for her, and Fiona and Laiping see the pictures of Sylvie posted online. They don’t know much more about the girl with the machete scar on her face, though. The politics surrounding the use of coltan are present in the novel, and it’s clearly a book with a message. Each girl’s story is compelling, however, and the passages certainly raise empathy for the real people enduring the conditions related in the tale, such as factories and refugee camps.
I really didn’t know much about coltan before reading this book. Through this story and the references included in the back, I’ve done a little more research and begun to look at which products and companies seem to be interested in or succeeding at supporting human rights and ethical production. One suggestion from a section at the back of the book suggests downloading an app called buycott, which can be used to scan the bar codes of items and provide information about whether it was produced in ways that cause harm to the environment or humanity. I’m eager to check it out.
One element that I found interesting was the way the use of cell phones and technology was portrayed throughout the story. A refugee camp worker uses a cell phone to take pictures and videos of Sylvie and her family in order to gather financial support and sponsorship to bring her to Canada. A photo of Laiping taken to test the cell phone camera makes its way across the globe to Fiona’s hands, connecting them, if only for a moment. For Sylvie, a viral photograph has the power to save; for Fiona, in the case of her nude picture, it can destroy. And certainly, where war and slavery rule the harvesting of coltan, technology and our need for the latest greatest gadgets can destroy lives. Technology connects us all, Stewart seems to be saying, for good or ill.
I liked that Stewart didn’t present the topic as a simple black-and-white issue. I really like that she includes a list of other sites and encourages readers to research products and companies for themselves. In reading reviews posted by others on sites like Goodreads, it seems clear that this book has elevated our awareness of problems surrounding coltan mining and factory conditions in China. I have to applaud her for those efforts, and I enjoyed reading this novel about them.
Language Content
None.
Sexual Content Sylvie briefly remembers being raped by soldiers before fleeing her home. There are a few details given, and it’s definitely the kind of scene that could be a trigger for rape or sexual abuse victims. Sylvie thinks about what it would be like to be married to a man she does not love, and compares it to what the soldiers did to her, saying she will withdraw inside herself, that the man can have her body, but never her.
Fiona sends her boyfriend a topless picture of herself which ends up being distributed online. She’s super embarrassed, and refuses to let her parents handle it, insisting she’ll make things right on her own. Her school principal warns her that distributing the picture is child pornography, and anyone (including Fiona) caught posting it or sending it out can be arrested. When Fiona finds out who first posted the picture, she refuses to out them. While I understood her reasons, I felt like it was a bad decision, and I found myself wishing her parents had insisted on being involved in the situation.
Spiritual Content When one of Sylvie’s allies dies in a fight against a warlord, she prays that his spirit will not be trapped in Nyarugusu.
Violence Sylvie and her mother were raped by soldiers before they fled from their home in DRC. Sylvie briefly remembers the event. For readers who are also victims, it could definitely be a trigger. A powerful warlord threatens Sylvie and her family. Soldiers exchange fire with refugees in one scene. In China, Laiping witnesses police brutalizing workers who’ve gathered for a rally to discuss rights and injustices at local factories. She is knocked to the ground and beaten.
Drug Content
Sylvie fears drunk men in the refugee camp who make lewd comments to her and may try to take advantage of her.
Fiona and her boyfriend go to a party where she gets very drunk. So drunk she’s ill and has to go home. Still drunk, she sends a topless picture of herself to her boyfriend. While she comes to deeply regret sending that picture, neither she nor her friends evaluate the role that drinking alcohol played in her willingness to send the photo to begin with.
Twelve year-old Little John spends his summer days helping his father care for trees on Mr. King’s property so they can scrape together enough money for the rent. There he meets Gayle, who loves nothing more than to sing from her nest high in the branches of a sycamore tree. But Little John isn’t the only one interested in Gayle and her song. When Mr. King hears the girl’s voice, he asks for Little John’s help to get the girl to sing for him. He’s willing to pay enough money to solve all of Little John’s family troubles, too. But when Gayle refuses to cooperate, Little John begins to wonder if there’s more than creepiness making her shy away from the old man. He finds himself caught between two impossible choices: his family’s survival, or his dearest friend.
Because this is a retelling of a Hans Christian Andersen story, I think I expected a more of a whimsical style in the writing. Once I acclimated to the way the story was written, I enjoyed it. The narrative has a very frank feel, middle-grade-boy-story feel to it. Which works, I think.
I liked that right away there’s tension between Little John’s past—the death of his sister, for which he blames himself and hates trees—and Gayle’s constant flitting around in the upper branches of the tree she loves like a friend. That tension definitely kept the story moving forward and kept me asking questions and reading on to see them answered. Does Little John’s mom really blame him for his sister’s death? Is Gayle’s nest really going to get her rescued from an unhappy foster home?
One element was difficult for me to grasp. Little John is supposed to have recently had a major growth spurt, so that now he’s extremely tall for his age. Between his height and the reserved, careful way he acted, I kept wanting him to be fourteen. It’s possible, I guess, that a twelve year-old could behave the way he does, but I couldn’t seem to stop expecting him to be older than he was, so it was always a little jarring to me to be reminded of his actual age.
I’m a huge fan of fairytales retold, and this one definitely didn’t leave me disappointed. I haven’t read the original version, so I’m not sure which parts would map to the original story, but this retelling didn’t turn out the way I expected. I liked that not everything was neatly resolved, but the story still felt complete.
You can order a copy of Nightingale’s Nest by Nikki Loftin on Amazon by clicking here.
Language Content
A couple references to swearing, like ‘a cuss almost slipped out.’ No profanity in the telling of the story.
Sexual Content None.
Spiritual Content Gayle says that her parents have “flown away” and Little John takes this to mean that they have died.
Violence Mr. King has this weird obsession with Gayle. It’s not entirely clear whether he poses physical danger to her, but he’s certainly a bit creepy. Gayle appears to suffer rough treatment in her foster home. Little John suspects that her foster mother and possibly her foster brother have hit her.
Drug Content
Little John’s father sometimes overindulges in alcohol, leaving his family without money for rent and basic needs.
Nothing was supposed to happen. Her step-mom left her in the car for a few minutes while she ran inside to pay for antibiotics. But when Cheyenne woke, instead of her step-mom behind the wheel of the car, it’s a boy with a gun. She’d been kidnapped.
Taking the car was supposed to be easy. It was running. Griffin hopped in and took it. He just didn’t realize there was a girl sleeping in the back seat. Once Roy starts calling the shots, things get complicated. The girl’s dad owns a big company. The boys want to collect a ransom. But Cheyenne’s pneumonia’s getting worse, and without antibiotics, she won’t last long. Her blindness keeps her from being able to recognize her captors, but it also makes it that much harder for her to escape.
This book really caught my attention because it’s a story about a kidnapping in which the protagonist is also blind. I liked that it was about a blind character but not about her blindness. I thought Henry portrayed Cheyenne as crafty, smart and independent. I liked Griffin, despite his flaws. He’s not the sharpest pencil in the box, but ultimately he wants to do the right thing and keep Cheyenne safe, and I definitely respected that. I liked that their relationship didn’t go wild and unrealistic places and stayed in this more ‘tentative allies’ frame.
Suspense isn’t really my thing, so I feel like it’s hard for me to evaluate the book in terms of the genre. I thought it could have been more suspenseful and intense. Because Cheyenne reasoned things out carefully, I think it tended to read with a gentler pace than some of the (few) suspense novels I’ve read. I didn’t enjoy it less for the pace, though.
Language Content
Mild language used infrequently.
Sexual Content While the group holds Cheyenne captive, one man threatens to rape her. It’s creepy, but he doesn’t succeed.
Spiritual Content None.
Violence Griffin’s dad is a violent man. There are references to things he’s done, but we don’t see him really become violent in terms of directly harming anyone in the story itself. He breaks windows on a truck and threatens to shoot Cheyenne. A man is shot in the chest with a shotgun at close range.
Drug Content
When Cheyenne is sick, Griffin describes her fevered state as reminding him of really drunk people at parties he’s been to. Cheyenne thinks the men who’ve captured her may be drunk.
On a morning that begins with a suicide fantasy, Jack Polovsky’s ex-girlfriend calls him from the hospital. She’s having their baby and giving him up for adoption. This is Jack’s only chance to meet his son and say goodbye. At first Jack doesn’t think it matters, but the more he thinks about it, the more realizes he wants to say to his son. In a moment part panic, part impulse, and part desperation, he snatches the baby from the hospital and hits the road. He grabs the appropriate baby paraphernalia and finds himself on the run from the police, trying to buy enough time to tell his son (whom he names Socrates) all the things he’ll need to know. He teams up with his best friend Tommy and with Jess, his ex-girlfriend and the baby’s mom, on a journey to visit his grandmother, to say goodbye.
I read this book because I’d been asked to participate in a blog tour for Emil Ostrovski’s sophomore novel Away We Go later this spring, and I’d gone to his blog to find out more about him as an author. When I read the blog post about the release of The Paradox of Vertical Flight, I was completely hooked. I went immediately to Amazon, bought the book and read it that night.
I’m a huge sucker for books with witty dialogue, and this one totally delivers it. I loved the characters, from Jack to his friends, the strangers they meet along the journey and his sweet grandmother with dementia. I loved that this story features issues about teen parenthood from the often-overlooked father’s point-of-view. I loved how tender Jack was toward his son. So neat.
Some reviews and comments compare this book to books by John Green and other authors. I think in terms of the quirkiness and wit of the writing, yes, absolutely. I thought that Paradox of Vertical Flight wasn’t as dark as Green tends to be, though. I really liked it a lot. It’s a great pick for fans of contemporary teen fiction looking for books with unique storylines and great, fun writing.
Language Content
Extreme profanity used moderately.
Sexual Content Jack’s (recently ex)-girlfriend is pregnant, so obviously they’ve had sex. There are a couple of brief references to the experience, but it’s not described in a full-on scene. Jack wants to kiss her, remembers kissing her. He flirts with his best friend Tommy. Their relationship remains just friends though.
Spiritual Content There’s a lot of philosophical discussion—from the allegory of the cave to Schroedinger’s cat. At one point the group goes to a church, though it’s unclear what Jack’s really looking for. It’s not Jesus per se. More the idea that there are things he wants his son to be open to exploring, or wants to feel like he has imparted an openness to exploring to his son?
Violence None.
Drug Content
Jack recalls spending time drinking alcohol with Jess. He finds a bottle of tequila and shares it with his friends during their trip.
Eleanor just wants to keep her head down and survive. To stay out of her step-dad’s notice. To preserve the tiny space in her tiny house that contains the only things that belong to her.
To Park, she’s the girl with the crazy hair and the weird clothes. When he lets her share his seat on the bus so she doesn’t fall victim to bullies behind him, he doesn’t realize he’s opened his life to a girl who will wake him up in a way he’s never been awake before. At sixteen, they both know love doesn’t always last, but sometimes you can’t help hoping it will.
I didn’t expect to fall in love with this book. I’d started reading Fangirl over the summer last summer, and just didn’t really get into it. I thought maybe I wasn’t a Rainbow Rowell fan, (possibly the only one?) but then I read the first page of Eleanor & Park.
It didn’t even take the whole page. Just the first line, and I was HOOKED. I love Park. I love his passion, his determined optimism, his complicated relationships with each of his family members. The relationship between him and his dad? So good. So complex and believable. I loved that none of the relationships felt clichéd or simplistic. Even Eleanor’s relationships with her family members and the relationships with the peripheral characters carried their own weight and had this organic feeling to them. I loved when the characters surprised me, and the ways those surprises made so much sense.
I also really liked that though there’s some romantic content between Eleanor and Park, Rowell doesn’t give us the play by play report of everything that happened. We get the setup and then maybe a summary sentence or two that kind of just lets us know things happened. We didn’t need the details. The important parts of their relationship weren’t the physical things that happened between them. I liked that Eleanor didn’t reinvent herself in the story. That it wasn’t like “oh, hey, if I dress cool and lose weight so I look like other girls, I’ll land this cute boyfriend.” She stayed herself, and that was exactly who Park loved. It wasn’t really a focal issue in the story. There are a couple of moments where she shows some insecurity about her body, but it felt natural, the way we all have those moments. Over all, I loved it. Definitely a must-read for romance lovers.
Language Content
Extreme profanity used frequently.
Sexual Content (SPOILER ALERT) Some heavy making out. They do remove their clothes a couple of times, and there’s a moment where it looks like they’ll have sex, but they stop just shy of it. For the most part, we get a few details about the point at which the romance progresses, but I liked that Rowell sort of sets up the scene and then jumps ahead, so we don’t get the play by play between the two. Eleanor is so private, I’m sure she prefers to maintain that silence.
Eleanor finds creepy sexual notes written on her school textbook covers. She worries that the sender means her harm.
Spiritual Content None.
Violence Eleanor and her siblings hear arguments between her mom and step-dad that become violent. Park and another boy fight. It’s brief. Park kicks a drunk man in the face (it’s a revenge move.)
Girls in Eleanor’s gym class pick on her and at one point destroy her clothes.
Drug Content
Eleanor’s step-dad is an alcoholic. Kids from school offer Eleanor a beer. She takes a sip but spills most of it.
