Category Archives: Magical Realism

Review: The Legendary Frybread Drive-In edited by Cynthia Leitich Smith

Anthology or Collection, Book Review and Content, Contemporary, Magical Realism, Young Adult/Teen 12-18, , , , , , , ,
Legendary Frybread Drive-In by Cynthia Leitich Smith

The Legendary Frybread Drive-In
Edited by Cynthia Leitich Smith
Heartdrum
Published August 26, 2025

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About The Legendary Frybread Drive-In

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world’s best frybread.

The road to Sandy June’s Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June’s serves up more than it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.

That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

Featuring stories and poems Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young.

In partnership with We Need Diverse Books.

My Review

This collection was so much fun to read. My favorite was the short story by Jen Ferguson. As soon as I saw that the main character’s name was Berlin, I got so excited. It’s a continuation of the story and characters from Those Pink Mountain Nights, which is my favorite of her books that I’ve read so far. I also loved Angeline Boulley’s short story– if I’d missed her name, I would have spotted her writing immediately.

I’m less familiar with the other authors in the collection, but I enjoyed getting to read their work. A couple of the stories are told in verse, and both were wonderful. I also loved that Darcy Little Badger used direct messages and a tabletop game to tell her story.

Gathering at Sandy June’s Legendary Frybread Drive-In unites all the stories together. Sometimes characters from one story encounter characters from another story while they’re there. Sometimes they speak with an elder or grandparent who imparts wisdom.

The collection celebrates food, intergenerational relationships, and having a safe space to be oneself. It also highlights the unique experiences of different tribes while honoring the commonalities. This would be a great collection for a classroom or home library. Readers looking to find new Indigenous authors to read will easily find new favorites here, too.

Content Notes

Recommended for Ages 12 up.

Profanity/Crude Language Content
Strong profanity used infrequently.

Romance/Sexual Content
Kissing.

Spiritual Content
References to Creator and Indigenous traditions.

Violent Content
None.

Drug Content
One character’s brother used drugs (not shown in-scene).

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Flyboy by Kasey LeBlanc

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Flyboy
Kasey LeBlanc
Balzer + Bray
Published May 14, 2024

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About Flyboy

Simon vs. the Homo Sapiens Agenda meets the speculative twists of The Night Circus in this standout debut YA novel, about a boy who visits the magic-filled circus of his dreams each night in order to escape his daily reality where his trans identity remains a secret.

After an incident at his school leaves closeted trans teenager Asher Sullivan needing stitches, his mother betrays him in the worst possible way—she sends him to Catholic school for his senior year. Now he has to contend with hideous plaid skirts, cranky nuns, and #bathroomJesus.

Nighttime brings an escape for Asher when he dreams of the Midnight Circus—the one place where he is seen for the boy he truly is. Too bad it exists only in his sleep. Or at least, that’s what he believes, until the day his annoyingly attractive trapeze rival, Apollo, walks out of his dreams and into his classroom. On the heels of this realization that the magical circus might be real, Asher also learns that his time there is limited.

In his desperation to hang onto the one place he feels at home, Asher sets both worlds on a collision course that could destroy all the relationships he cares about most. Now he must decide how far he’ll go to preserve the magical circus, even if it means facing his biggest challenge yet—coming out.

My Review

I love the concept of this story. Ash’s daytime life in Catholic school, the constant pain of being misgendered and living unseen juxtaposed against his life in the Midnight Circus, in which his body matches his identity and people truly see him, is brilliantly done. When he arrives at the circus at one point, Ash takes a full breath and notes that this is something he can’t do in his waking life. It’s a powerful moment.

His relationship with his mom is complex. He hasn’t come out to her at the story’s start, and he experiences so much frustration with her. It’s like he wants her to figure out that he’s a boy without telling her, even though he also knows he’s keeping her from knowing by not speaking up himself. That internal struggle felt so raw and so real.

The only thing in the story that I struggled with at all is the pacing. This is a big story, with two different worlds and casts, plus a romance subplot, plus a coming-out. There’s school drama, family drama, and friend drama, too. That’s a lot to fit into 364 pages.

There are a few big moments that I wish had had more space to breathe. For example, when we finally learn what happened that day in the bathroom, which left Ash needing stitches. That resolution was so important to the story, and it felt a little bit rushed to me.

On the whole, I think that’s a small thing. This is still an incredible debut novel that draws readers into understanding the pain of a closeted life and allows us to join in Asher’s triumph as he embraces his identity. I really enjoyed reading this book, and I’m truly excited to see what the author writes next.

Content Notes

Recommended for Ages 14 up.

Profanity/Crude Language Content
Some swearing and a handful of F-bombs.

Romance/Sexual Content
Kissing.

Spiritual Content
Asher attends Catholic school and mass with his grandparents.

Violent Content
Homophobia and transphobia, including the use of a slur. Ash is misgendered by people who don’t know his identity, and he describes the hurt and dysphoria this causes. He witnesses a fight between three boys. He hears rumors that someone burned down a school. One scene shows a fire with people inside the building. References to a fatal car accident. Ash witnesses someone having what appears to be a stroke or heart attack. Ash punches a boy in the face.

Drug Content
Ash attends a party where teens drink alcohol. In one scene, Ash and two friends drink cheap wine and get very drunk.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Bad Graces by Kyrie McCauley

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Bad Graces
Kyrie McCauley
Publisher
Published

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About Bad Graces

Yellowjackets meets House of Hollow in award-winning author Kyrie McCauley’s gripping and magical YA thriller following a group of young women as they face the stress of harsh elements, a mysterious monster, and an unraveling of secrets after their yacht is wrecked off the coast of North America.

Liv Whitlock knows she doesn’t belong there. But after years of stumbling between foster homes, often due to her own self-destructive tendencies, Liv desperately needs to change the trajectory of her life … so she steals her perfect sister’s identity.

Liv starts to rewrite her story, winning a prestigious internship on a movie set filming in Alaska, and finds herself on a luxury yacht alongside pop star Paris Grace, actress sisters Effie and Miri Knight, Olympic gymnast Rosalind Torres, and social media influencer Celia Jones. Liv tries to find common ground with her famous companions, but just as the group starts to bond, a violent storm wrecks their vessel, stranding them on an island in the North Pacific Ocean.

Among the threats of starvation and exposure, they learn there is a predator lurking in the forest, unlike anything they’ve seen before—until they begin to see it in themselves. Every injury they suffer on the island causes inexplicable changes in their bodies. With little hope for rescue and only each other as their final tether to humanity, can the girls endure the ominous forces at work on the island? Or will they lose themselves to their darker natures?

My Review

This is the third novel by Kyrie McCauley that I’ve read. The first was a contemporary YA, and the second was her first horror novel. I loved them both, so I could not wait to read this one.

As a character, Liv pretty much had me right from the beginning. She’s been in the foster care system, and she warns us that she’s violent. Even at the beginning, it seemed like there was more to the stories she shared in which she acted out.

The story gets creepy at times. Several characters share stories about past trauma (without going into much detail) in which adults harmed them as children. In one instance, it was a teenager verbalizing intent to harm a younger teen. In the others, the perpetrators were adults.

On the island, Liv and others see bones pinned to a tree. The changes to their bodies involve body horror elements as well. (You may not want to read this book if you are squeamish about mushrooms or fungi.)

The book’s themes were really interesting. The girls discuss whether they’re being punished by being stuck on the island. They wonder if there’s a connection between the changes in their bodies and the trauma they’ve experienced. At one point, Liv asks whether people can change. Her girlfriend tells her that’s the wrong question, because people are always changing. The question should be whether people can remain the same. I thought that was an interesting way to put that and an interesting thought experiment, and it dovetailed with the story in a cool way.

While some parts of the story are dark, there’s a lot of light in this book, too. It’s about the healing power of sisterhood, found family, and love. The cast is super inclusive, including characters from various backgrounds, and the story highlights a queer romance. If you liked Don’t Let the Forest In, definitely check out Bad Graces.

Content Notes for Bad Graces

Recommended for Ages 14 up.

Representation
Several characters are queer. One is Black. Another is Latina. Several are British. One is American.

Profanity/Crude Language Content
Profanity used pretty moderately.

Romance/Sexual Content
Kissing and references to sex.

Spiritual Content
Some supernatural elements.

Violent Content
Situations of peril. Someone dies after jumping off a yacht in a storm. Someone else dies attempting to rescue them. References to an adult man whom the girls hint is unsafe with women. A teenage boy verbalizing an intent to harm a younger girl (we don’t know precisely what he says). References to an adult responsible for an athlete’s health and well-being who did not protect her. The girls hear an attack on someone in the woods from a distance. A predator appears. The story contains body horror elements. A girl’s toe is nearly severed. Someone else suffers a serious injury to her shoulder. Someone falls from a great height. Characters attempt medical care, including giving stitches and removing dead tissue.

Drug Content
References to alcohol use. Some characters appear drunk in a couple of scenes.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Sylvia Doe and the 100-Year Flood by Robert Beatty

Book Review and Content, Fantasy, Magical Realism, Middle Grade 8-12, , , , , , , , , ,

Sylvia Doe and the 100-Year Flood
Robert Beatty
Disney Hyperion
Published October 8, 2024

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About Sylvia Doe and the 100-Year Flood

Sylvia Doe doesn’t know where she was born or the people she came from. She doesn’t even know her real last name. Sylvia has lived at the Highground Home for Children in the mountains of North Carolina for as long as she can remember. Whenever the administrators place her with a foster family in the city, she runs away, back to her horse Kitty Hawk—her best friend—and the other horses in the herd, the only place she feels like she belongs.

When Hurricane Jessamine causes the remote mountain valley where she lives to flood, Sylvia must rescue her beloved horses. But she begins to encounter strange and wondrous things floating down the river. Glittering gemstones and wild animals that don’t belong — everything’s out of place. Then she spots an unconscious boy floating in the water. As she drags him onto the shore and their adventure together begins, Sylvia wonders who he is and where he came from. And why does she feel such a strong connection to this mysterious boy?

SYLVIA DOE has earned the prestigious STARRED REVIEW from both Kirkus Reviews and Publisher’s Weekly. The award-winning author Kwame Alexander praised the story, saying “Magical realism at its best!”

My Review

This book came out right around the time when Hurricane Helene devastated western North Carolina with rain and flooding. It took me a while to circle back to read the story, but I’d heard so many amazing things about it that I didn’t want to miss it.

Robert Beatty has an incredible ability to write about difficult or intense things in what feels like this very gentle way. Sylvia Doe and the 100-year Flood has some high-energy scenes in which the characters face situations of peril as they’re swept away by floodwater or desperately searching for storm survivors. Yet the tone of the story remains gentle. I love that.

The story includes a little bit of romance between Sylvia and another character. It stays very sweet, with some blushing and attraction. I think there’s a scene where the two snuggle together and another where they kiss each other. I like that their feelings for one another don’t overtake the story and that the disaster situations remain the focus despite their shifting emotions.

Sylvia has been in foster care since she was found alone in the wilderness. She recognizes that the foster care system, and in particular, her social worker, is trying to do good things. The story doesn’t demonize the system or highlight its many challenges or places it can cause harm. But it does present a story in which the system, even as it functions the way it should, isn’t a good fit for Sylvia as a child. She needs something the foster care system can’t provide for her.

The strong connections Sylvia feels to animals, especially horses and birds, will make this one a great fit for animal-loving readers. The magical realism elements add an otherworldly feel that makes Sylvia Doe and the 100-year Flood appealing to readers looking for something beyond the reality in which we live.

Content Notes

Recommended for Ages 8 to 12.

Representation
Sylvia has light brown skin tones. She has grown up in foster care.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Brief kissing between boy and girl.

Spiritual Content
Some unseen force has pulled animals and other things from other times and places into a flooded North Carolina river.

Violent Content
Situations of peril. Reference to flash flooding and hurricane damage. Sylvia spots a group of dead sandhill cranes, apparently killed in the hurricane. Three children die (off-scene) due to the hurricane and flood conditions.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Greta by J. S. Lemon

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Greta
J. S. Lemon
Farrar, Straus, & Giroux
Published September 10, 2024

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About Greta

J. S. Lemon’s middle grade debut is an utterly transformative, fiercely original, and surprisingly funny story about consent, friendship, healing, and a beauty that transcends all else. 

Greta Goodwin’s life is changing. On top of moving to a new neighborhood far away from her best friend, Lotti, she’s also starting middle school. Greta isn’t totally ready for boys, bras, and bad cafeteria food. She still feels like a little kid compared to those female classmates who have suddenly matured over the summer. Girls who are now objects of curiosity, scorn, and entertainment for everyone else. So Greta adopts a new “Do not call attention to yourself.”

But at her first-ever middle-school party, a boy does pay attention to Greta. At first it feels good. And then it feels awful. Aggressive. Abusive. In the aftermath, Greta can’t make sense of what’s happened, let alone talk about it—even to Lotti. Impossibly, Greta’s body starts to change, and in a vastly different way from everyone else’s.

What follows leads Greta to believe the world might finally see her as she truly ethereal, powerful, and free. Reminiscent of Kafka’s Metamorphosis and sensitively told, stunning modern classics like Fighting Words and The Thing About Jellyfish, Greta will transform readers just as Greta herself is transformed.

My Review

I feel like this is one of those books that will make people uncomfortable simply by existing. A middle grade book that discusses sexual assault? Pretty shocking, sure. Is it as shocking as how often this kind of thing happens, though?

One of the things I really appreciate about this book is that the attack is presented only briefly. It focuses primarily on what Greta feels and how she responds, keeping her experience centered.

I love the symbolism of her transformation. She’s beautiful, before and after, and it feels like an expression of her true self rather than some kind of punishment or harm done to her.

For me, one of the hard things about the book is that the harm doesn’t get directly addressed. That feels uncomfortable. (Too often true in real life, and that’s also uncomfortable.) It also feels uncomfortable to me that the transformation separates her from her friends and family. Greta is happy, so she doesn’t view this as a bad thing. But for them, it is a kind of change that means they give up the kind of relationship they had with Greta.

What’s interesting to me about that is that those other kinds of resolutions– the perpetrator being confronted, the family hearing Greta’s story, etc– are things that would satisfy us as readers and observers.

Instead, the outcome of the story centers Greta’s healing and wholeness in a way that isn’t beholden to anyone else in her life. Once I saw that, I couldn’t stop thinking about what a powerful experience that is for someone who has been harmed. To remain centered in their own story. To experience a healing transformation and feel more whole and more oneself. Wow.

Conclusion

Greta is an unusual, imaginative book that probably won’t appeal to everyone. What it does really well, though, is keep the assault survivor’s story centered in the narrative, allowing her to experience healing and wholeness. It’s a powerful story perfectly tempered for a younger audience.

Content Notes

Recommended for Ages 8 to 12.

Representation
Greta’s little brother has an unspecified learning disability.

Profanity/Crude Language Content
None.

Romance/Sexual Content
References to changing bodies because of puberty. Greta sees Lotti making out with a boy. Kissing between boy and girl. Brief description of forceful kissing and groping.

Spiritual Content
Greta senses something happening in her body, a transformation that feels more true to who she is.

Violent Content
See above.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Secrets We Tell the Sea by Martha Riva Palacio Obón, translated by Lourdes Heuer

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Secrets We Tell the Sea
Martha Riva Palacio Obón
Translated by Lourdes Heuer
Bloomsbury USA Children’s
Published October 24, 2023

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About Secrets We Tell the Sea

The only good thing about Sofia’s mom sending her to live with her abuela is that finally Sofia and the sea will meet face-to-face.

The sea has always called to Sofia, even when she and her mom lived in a big city nowhere near its shore. That’s how Sofia always knew she was a mermaid–that, and the fact that the sea and its creatures are much easier to understand than people. Like her mother, who is sending Sofia away instead of her barracuda of a boyfriend; that’s a flying fish if Sofia’s ever seen one, spending so much time reaching for the sky she can’t see what’s going on below the surface. When Sofia meets her abuela, she knows she’s up against a sea fierce and guarded, but maybe not so bad when you’re the one she’s guarding. Still, Sofia longs to meet another mermaid, someone who understands her and the sea completely.

When Sofia meets Louisa, it seems like she’s found just that–until the sea betrays them both in one irreversible moment. Soon their town is overtaken by hurricanes and floods and emotions and questions so big Sofia doesn’t know what to do with them. Like, how do you catch a flying fish? How do you make friends with the sea again? And how do you calm the rough waters within yourself?

My Review

I loved the sound of this book and the beautiful cover, but I’ll confess that I wasn’t sure what to make of the back cover copy. Is Sofia truly a mermaid? Is it something she imagines? Does the sea actually speak to her?

The story has a very literary voice and really blurs the lines between what Sofia imagines and what is actually happening around her. Sometimes, it’s clear that things are in her mind. At other times, there are explanations for things that happen. For example, one night, she sees her grandmother walking on the beach and the sea and places where her grandmother’s steps are glowing. Sofia learns this is because of bioluminescence rather than some magic of her grandmother’s.

At other times, it seems like the magical/inexplicable things are supposed to be actually happening. For instance, a shell spurts water, vibrates, and changes color to express its thoughts/feelings.

I really liked the relationships between the characters in the story. I think all the major characters are female except one. There are some really heartbreaking dynamics between the three generations of women in Sofia’s family. I felt like the story read in an accessible way to kids, but it’s one where older kids or adults will pick up on a lot of things that happen between the lines, too.

This is a pretty short book. I think it’s less than 150 pages, so I read it in one sitting, and I really loved it.

I think readers who enjoy stories with strong female voices and especially stories about the sea or ocean will love this heartbreaking story of family bonds and the transformative power of friendship.

Content Notes

Recommended for Ages 10 to 14.

Representation
Characters are Brazilian and living in Brazil.

Profanity/Crude Language Content
None.

Romance/Sexual Content
A man signals sexual interest in Sofia by putting a hand on her arm. She avoids him as much as possible. Sofia believes that her mother is a nighttime circus performer after finding a photo of her in a “bathing suit” with her work friends. Later learns about her mother’s real job at a bar at night.

Spiritual Content
Sofia believes that humans start out as mermaids after she learns how a fetus grows in a liquid environment inside their mother.

Violent Content
See sexual content above. A woman tells her family she fell and was injured, but later it’s revealed that her partner hit her.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but which help support this blog. I received a free copy of SECRETS WE TELL THE SEA in exchange for my honest review.