Category Archives: Magical Realism

Review Once for Yes by Allie Millington

Once for Yes by Allie Millington

Once for Yes
Allie Millington
Feiwel & Friends
Published March 25, 2025

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About Once for Yes

The Odenburgh, an old apartment building made of brick and blunt opinions, is the last of its kind in a swiftly changing neighborhood. After years of putting up with people and their many problems, the Odenburgh knows there’s no point in getting attached. They all just leave eventually. A truth that comes all too soon when the building is sold and slated for demolition, giving tenants a month to move out.

No one is more troubled by the news than eleven-year-old Prue, who refuses to leave her family’s apartment. Not when it was the last place she lived with her sister Lina, before she lost Lina forever. When Prue launches a plan to save their home, the Odenburgh joins in—flickering lights, jamming elevators, triggering fire alarms—all to try and bring a building full of bickering residents together. In the process, Prue meets Lewis, an eccentric boy who lives across the street—and the only one who can help her discover the missing elements of her sister’s story.

My Review

I love that the apartment building is such an important character in this book. The Odenburgh is a bit grizzled and feisty, but it obviously cares about the tenants, no matter how quirky they are. The story is mostly told from the Odenburgh and Prue’s perspectives, but a few other characters narrate random scenes here and there, including Lewis, the boy from across the street.

Prue’s family still grieves her sister’s death, though they have all been grieving privately. As Prue approaches her twelfth birthday, she feels everything is wrong. After she turns twelve, her sister Lina will never again be older than Prue is. At times, Prue’s grief is palpable. Her commitment to the talk show game that she used to play with her sisters is funny and heartbreaking. I love that she continues to narrate certain events, like her mother’s emotional changes, as parts of the show.

At the beginning of the book, Prue thinks she is the only one grieving. Through her connection with the Odenburgh and their attempts to save the building, Prue learns that many of her neighbors nurse secret hurts and losses, too. As they begin stepping outside their apartments and sharing memories with one another, Prue stops feeling so alone. I loved that transition in the story, when Prue and some of her neighbors start to see their grief reflected in each other’s experiences. It helped them see past the squabbles they had and work together to try to save the building they love.

I’m definitely a fan of stories that make space for grief, since I don’t think we do enough of that in real life. I’m also a huge fan of stories that explore building community– another thing we often lack. This book offers both, and though it’s got some moments that will have readers reaching for tissues, it’s also got some that leave us cheering for Prue and her neighbors.

Content Notes

Recommended for Ages 8 to 12.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Reference to a crush between two twelve-year-old characters.

Spiritual Content
Prue believes the Odenburgh’s flickering lights are a sign that Lina is there with her. The Odenburgh is a character in the story and can communicate through flickering lights, shutting off power, water, and air conditioning, etc.

Violent Content
Death of a sibling (before the story begins). References to a drunk driver killing a young pedestrian.

Drug Content
See Violent Content.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Marvelous Middle-Grade Monday

I’m sharing this post as a part of a weekly round-up of middle-grade posts called Marvelous Middle-Grade Monday. Check out other blogs with posts about middle-grade books today on Marvelous Middle-Grade Mondays at Always in the Middle.

Review: If Looks Could Kill by Julie Berry

If Looks Could Kill
Julie Berry
Simon & Schuster
Published September 16, 2025

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About If Looks Could Kill

From Printz Honor–winning and New York Times bestselling author Julie Berry, a true-crime-nailbiter-turned-mythic-odyssey pitting Jack the Ripper against Medusa. A defiant love song to sisterhood, a survivors’ battle cry, and a romantic literary tour de force laced with humor.

It’s autumn 1888, and Jack the Ripper is on the run. As London police close in, he flees England for New York City seeking new victims. But a primal force of female vengeance has had enough. With serpents for hair and a fearsome gaze, an awakened Medusa is hunting for one Jack.

And other dangers lurk in Manhattan’s Bowery. Salvation Army volunteers Tabitha and Pearl discover that a girl they once helped has been forced to work in a local brothel. Tabitha’s an upstate city girl with a wry humor and a thirst for adventure, while farmgirl Pearl takes everything with stone-cold seriousness. Their brittle partnership is tested as they team up with an aspiring girl reporter and a handsome Irish bartender to mount a rescue effort, only to find their fates entwine with Medusa’s and Jack’s.

My Review

What a cleverly told story. I love that the book centers the female characters and their role in helping others, especially those threatened by a serial killer and those forced into human trafficking. The story includes a lot of real people, which I always find fascinating. Detailed notes in the back of the book clarify what was real versus where the author took artistic license.

Most of the story is told from Tabitha’s perspective, and I absolutely loved her voice. She’s spunky and speaks directly to the narrator, sometimes noting her reaction to the way that people around her behave. At first, she and Pearl don’t see eye to eye or get along. But it’s not long before they realize they have a shared interest in helping another girl escape from a local brothel.

A sweet romance develops between Tabitha and someone she meets while working with the Salvation Army. The romance develops slowly, partly because Tabitha at first assumes her hopeful beau is interested in the lovely Pearl rather than her. The two eventually recognize one another’s feelings, and that added a some warmth to the story.

As someone who grew up watching the movie version of Guys and Dolls, I really appreciated the descriptions of the Salvation Army and their efforts to preach the Gospel on the streets. I had to laugh at Pearl’s relentless boldness in a few moments.

The story pulls together a lot of separate elements, from the work of the Salvation Army to the poverty and abuse of girls within widely known trafficking ring to the murders of Jack the Ripper to a reimagining of the mythical Medusa. The disparate parts fit together so nicely. I love that the author also creates space to celebrate faith in the midst of this tale as well.

Fans of historical fiction with a bit of magical realism will not want to miss If Looks Could Kill.

Content Notes

Recommended for Ages 15 up.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Kissing. References to girls being forced into sex trafficking. It’s implied that one character was assaulted by a family member.

Spiritual Content
Tabitha and Pearl are both members of the Salvation Army and take their faith seriously. Both girls have spiritual experiences in which they pray for direction and receive answers. Some characters transform into Medusas, with snakes for hair and a gaze that stuns or petrifies their victims.

Violent Content
Brief graphic descriptions of murder and dismemberment. One character uses slivers of human organs to try to make a potion that will cure illness. See sexual content for more information.

Drug Content
Some scenes take place in a saloon or pub and show (adult) characters drinking alcohol or smoking.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Exquisite Things by Abdi Nazemian

Exquisite Things
Abdi Nazemian
HarperCollins
Published September 23, 2025

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About Exquisite Things

From Stonewall Awardwinning author Abdi Nazemian (Only This Beautiful Moment) comes the epic queer love story of a lifetime. Perfect for fans of The Invisible Life of Addie LaRue and The Picture of Dorian Gray.

Shahriar believes he was born in the wrong time. All he’s ever wanted is to love and be loved, but 1895 London doesn’t offer him the freedom to be his true self, and Oscar Wilde’s trial for gross indecency has only reaffirmed that. But one night—and one writer—will grant Shahriar what he’s always wished for: the opportunity to live in a time and place where he can love freely. Rechristened as Shams and then as Bram, he finds what feels like eternal happiness. But can anything truly be eternal?

Oliver doesn’t feel that 1920s Boston gives him a lot of options to be his full self. He knows he could only ever love another boy, but that would break his beloved mother’s heart. Oliver finds freedom and acceptance in the secret queer community at Harvard that his cousin introduces him to. When he meets a mysterious boy with eyes as warm as a flame, his life is irrevocably changed, forever.   

Spanning one hundred and thirty years of love and longing, this tale of immortal beloveds searching for their perfect place and time is a vibrant hymn to the beauty of being alive, a celebration of queer love and community, and a reminder that behind every tragic thing that ever existed, there is something exquisite.

My Review

I recently read Only This Beautiful Moment, so this wasn’t my first rodeo with Nazemian and storytelling spanning decades. One thing I have to say is that I didn’t have a hard time following the narrative through the different moments in time. Scenes take place in 1895, 1920, 1979-1982, and 2025. Each one contains some pivotal moments, from when Shahriar becomes immortal, to his meeting Oliver and the beginnings of their romance, to the found family Shahriar builds in London in the 1980s and the honoring of the death of one of his family members.

The story shows the rise and ebb of gay rights through those times and the decades in between. It celebrates the way that music inspires hope and new ideas. The story celebrates love as something that changes as we have new experiences. Sometimes love comes from biological connections, and other times, it comes from the family we choose.

Shahriar’s found family is a diverse group, with a Black transgender mom and gay dad and a Black lesbian sister. Each person finds the group at a critical moment. Some scenes show night life in Boston in the 1920s, while others focus on London nightlife in the 1980s.

The resounding truth that rings out through every stop on the timeline is that there have always been communities of queer people, even if they’ve had to exist in hiding. This isn’t a new phenomenon, and it isn’t going to go away. The story shows the heartache that a life in hiding causes but also the joy of community, love, and the power of living an authentic life.

All in all, it’s a beautiful novel. Nazemian’s writing is heavy on dialogue and lighter on setting details, which migh bother some readers. I found it easy to imagine the characters because of their distinct voices. If you like historical fiction and/or books with a lot of musical or literary references, put this one on your reading list.

Content Notes

Recommended for Ages 15 up.

Profanity/Crude Language Content
Strong profanity used somewhat infrequently. Homophobic slurs appear somewhat infrequently.

Romance/Sexual Content
Kissing. References to sex. Brief nudity.

Spiritual Content
Brief references to Oliver attending church.

Violent Content
Homophobic slurs. A parent hits a teen child. Reference to suicide. Characters are threatened with arrest or expelled from school if known to be gay. Multiple characters are caught in a fire. Someone threatens another person with a knife.

Drug Content
Two adult characters reference going to AA meetings. Characters walk in on a group doing drugs in the bathroom and quickly leave.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: The Legendary Frybread Drive-In edited by Cynthia Leitich Smith

The Legendary Frybread Drive-In
Edited by Cynthia Leitich Smith
Heartdrum
Published August 26, 2025

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About The Legendary Frybread Drive-In

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world’s best frybread.

The road to Sandy June’s Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June’s serves up more than it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.

That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

Featuring stories and poems Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young.

In partnership with We Need Diverse Books.

My Review

This collection was so much fun to read. My favorite was the short story by Jen Ferguson. As soon as I saw that the main character’s name was Berlin, I got so excited. It’s a continuation of the story and characters from Those Pink Mountain Nights, which is my favorite of her books that I’ve read so far. I also loved Angeline Boulley’s short story– if I’d missed her name, I would have spotted her writing immediately.

I’m less familiar with the other authors in the collection, but I enjoyed getting to read their work. A couple of the stories are told in verse, and both were wonderful. I also loved that Darcy Little Badger used direct messages and a tabletop game to tell her story.

Gathering at Sandy June’s Legendary Frybread Drive-In unites all the stories together. Sometimes characters from one story encounter characters from another story while they’re there. Sometimes they speak with an elder or grandparent who imparts wisdom.

The collection celebrates food, intergenerational relationships, and having a safe space to be oneself. It also highlights the unique experiences of different tribes while honoring the commonalities. This would be a great collection for a classroom or home library. Readers looking to find new Indigenous authors to read will easily find new favorites here, too.

Content Notes

Recommended for Ages 12 up.

Profanity/Crude Language Content
Strong profanity used infrequently.

Romance/Sexual Content
Kissing.

Spiritual Content
References to Creator and Indigenous traditions.

Violent Content
None.

Drug Content
One character’s brother used drugs (not shown in-scene).

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Flyboy by Kasey LeBlanc

Flyboy
Kasey LeBlanc
Balzer + Bray
Published May 14, 2024

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About Flyboy

Simon vs. the Homo Sapiens Agenda meets the speculative twists of The Night Circus in this standout debut YA novel, about a boy who visits the magic-filled circus of his dreams each night in order to escape his daily reality where his trans identity remains a secret.

After an incident at his school leaves closeted trans teenager Asher Sullivan needing stitches, his mother betrays him in the worst possible way—she sends him to Catholic school for his senior year. Now he has to contend with hideous plaid skirts, cranky nuns, and #bathroomJesus.

Nighttime brings an escape for Asher when he dreams of the Midnight Circus—the one place where he is seen for the boy he truly is. Too bad it exists only in his sleep. Or at least, that’s what he believes, until the day his annoyingly attractive trapeze rival, Apollo, walks out of his dreams and into his classroom. On the heels of this realization that the magical circus might be real, Asher also learns that his time there is limited.

In his desperation to hang onto the one place he feels at home, Asher sets both worlds on a collision course that could destroy all the relationships he cares about most. Now he must decide how far he’ll go to preserve the magical circus, even if it means facing his biggest challenge yet—coming out.

My Review

I love the concept of this story. Ash’s daytime life in Catholic school, the constant pain of being misgendered and living unseen juxtaposed against his life in the Midnight Circus, in which his body matches his identity and people truly see him, is brilliantly done. When he arrives at the circus at one point, Ash takes a full breath and notes that this is something he can’t do in his waking life. It’s a powerful moment.

His relationship with his mom is complex. He hasn’t come out to her at the story’s start, and he experiences so much frustration with her. It’s like he wants her to figure out that he’s a boy without telling her, even though he also knows he’s keeping her from knowing by not speaking up himself. That internal struggle felt so raw and so real.

The only thing in the story that I struggled with at all is the pacing. This is a big story, with two different worlds and casts, plus a romance subplot, plus a coming-out. There’s school drama, family drama, and friend drama, too. That’s a lot to fit into 364 pages.

There are a few big moments that I wish had had more space to breathe. For example, when we finally learn what happened that day in the bathroom, which left Ash needing stitches. That resolution was so important to the story, and it felt a little bit rushed to me.

On the whole, I think that’s a small thing. This is still an incredible debut novel that draws readers into understanding the pain of a closeted life and allows us to join in Asher’s triumph as he embraces his identity. I really enjoyed reading this book, and I’m truly excited to see what the author writes next.

Content Notes

Recommended for Ages 14 up.

Profanity/Crude Language Content
Some swearing and a handful of F-bombs.

Romance/Sexual Content
Kissing.

Spiritual Content
Asher attends Catholic school and mass with his grandparents.

Violent Content
Homophobia and transphobia, including the use of a slur. Ash is misgendered by people who don’t know his identity, and he describes the hurt and dysphoria this causes. He witnesses a fight between three boys. He hears rumors that someone burned down a school. One scene shows a fire with people inside the building. References to a fatal car accident. Ash witnesses someone having what appears to be a stroke or heart attack. Ash punches a boy in the face.

Drug Content
Ash attends a party where teens drink alcohol. In one scene, Ash and two friends drink cheap wine and get very drunk.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Bad Graces by Kyrie McCauley

Bad Graces
Kyrie McCauley
Publisher
Published

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About Bad Graces

Yellowjackets meets House of Hollow in award-winning author Kyrie McCauley’s gripping and magical YA thriller following a group of young women as they face the stress of harsh elements, a mysterious monster, and an unraveling of secrets after their yacht is wrecked off the coast of North America.

Liv Whitlock knows she doesn’t belong there. But after years of stumbling between foster homes, often due to her own self-destructive tendencies, Liv desperately needs to change the trajectory of her life … so she steals her perfect sister’s identity.

Liv starts to rewrite her story, winning a prestigious internship on a movie set filming in Alaska, and finds herself on a luxury yacht alongside pop star Paris Grace, actress sisters Effie and Miri Knight, Olympic gymnast Rosalind Torres, and social media influencer Celia Jones. Liv tries to find common ground with her famous companions, but just as the group starts to bond, a violent storm wrecks their vessel, stranding them on an island in the North Pacific Ocean.

Among the threats of starvation and exposure, they learn there is a predator lurking in the forest, unlike anything they’ve seen before—until they begin to see it in themselves. Every injury they suffer on the island causes inexplicable changes in their bodies. With little hope for rescue and only each other as their final tether to humanity, can the girls endure the ominous forces at work on the island? Or will they lose themselves to their darker natures?

My Review

This is the third novel by Kyrie McCauley that I’ve read. The first was a contemporary YA, and the second was her first horror novel. I loved them both, so I could not wait to read this one.

As a character, Liv pretty much had me right from the beginning. She’s been in the foster care system, and she warns us that she’s violent. Even at the beginning, it seemed like there was more to the stories she shared in which she acted out.

The story gets creepy at times. Several characters share stories about past trauma (without going into much detail) in which adults harmed them as children. In one instance, it was a teenager verbalizing intent to harm a younger teen. In the others, the perpetrators were adults.

On the island, Liv and others see bones pinned to a tree. The changes to their bodies involve body horror elements as well. (You may not want to read this book if you are squeamish about mushrooms or fungi.)

The book’s themes were really interesting. The girls discuss whether they’re being punished by being stuck on the island. They wonder if there’s a connection between the changes in their bodies and the trauma they’ve experienced. At one point, Liv asks whether people can change. Her girlfriend tells her that’s the wrong question, because people are always changing. The question should be whether people can remain the same. I thought that was an interesting way to put that and an interesting thought experiment, and it dovetailed with the story in a cool way.

While some parts of the story are dark, there’s a lot of light in this book, too. It’s about the healing power of sisterhood, found family, and love. The cast is super inclusive, including characters from various backgrounds, and the story highlights a queer romance. If you liked Don’t Let the Forest In, definitely check out Bad Graces.

Content Notes for Bad Graces

Recommended for Ages 14 up.

Representation
Several characters are queer. One is Black. Another is Latina. Several are British. One is American.

Profanity/Crude Language Content
Profanity used pretty moderately.

Romance/Sexual Content
Kissing and references to sex.

Spiritual Content
Some supernatural elements.

Violent Content
Situations of peril. Someone dies after jumping off a yacht in a storm. Someone else dies attempting to rescue them. References to an adult man whom the girls hint is unsafe with women. A teenage boy verbalizing an intent to harm a younger girl (we don’t know precisely what he says). References to an adult responsible for an athlete’s health and well-being who did not protect her. The girls hear an attack on someone in the woods from a distance. A predator appears. The story contains body horror elements. A girl’s toe is nearly severed. Someone else suffers a serious injury to her shoulder. Someone falls from a great height. Characters attempt medical care, including giving stitches and removing dead tissue.

Drug Content
References to alcohol use. Some characters appear drunk in a couple of scenes.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.