Gretchen lives a small life. It started the night a man forced her to the ground and then told her to run, his own terror taking hold of her. Now she keeps to the small safe neighborhood surrounding her home, places where nothing bad can happen. And then she meets the boy who looks like him. Like the one who attacked her. When she meets Phoenix, though, she isn’t afraid. Something about the way he listens, the way he asks the right questions, the way he carries his own trauma and fear, makes her trust him. Soon she’s tangled up in his life and the desperate attempt to save him and his brother from death at the hand of gang members waiting for him back in Ilopango. To stay safe, he must be granted asylum in the US, a rare occurrence for El Salvadoran refugees.
On its face, this is a simple romance. Sad girl meets sadder boy. Both find that to love they must be brave and work toward healing. Underneath that simple story is a deeper, more heartrending one. This is the story of a boy whose home town gave him two choices: live by the gang or die by it. It’s the story of a small Atlanta suburb and the community thousands of miles from El Salvador still affected by the destruction of gang violence.
I feel like I’m not doing a very good job talking this book up because it’s such a serious topic. There are some light moments in which Phoenix and Gretchen joke around. At one point, she makes it her mission to find pupusas, a delicacy that Phoenix remembers from home and craves but can’t find in the US, and that whole adventure is fun and sweet. Phoenix meets a couple who own a tattoo shop (and also remove tattoos) and befriends them. Their quirky personalities brighten up several scenes, and they offer some timely wisdom.
This is a little darker than Marquardt’s first novel, but still definitely worth reading. It took me some time to acclimate to Phoenix’s voice, but other than that, I really enjoyed the story. Definitely add this one to your list if you’re looking for an unusual romance or book that explores social issues.
Recommended for Ages 16 up.
Cultural Elements
Phoenix and his brother are from El Salvador. He lives in the US during the story but vividly remembers events in his home in Ilopango.
Profanity/Crude Language Content
Extreme profanity used with moderate frequency. The sections from Phoenix’s point-of-view contain a lot more profanity than the sections from Gretchen’s point-of-view.
Romance/Sexual Content Some scenes show kissing between a boy and girl. At one point the two fall asleep together fully clothed. They briefly discuss waiting to have sex.
Phoenix lives under the guardianship of an older lesbian couple. Phoenix mentions seeing them kiss a couple of times.
Spiritual Content None.
Violent Content Gretchen remembers being attacked (not sexually). Phoenix recalls some brutal gang violence and bullying. One boy shoots another from a car.
Drug Content
Gretchen’s (still underage) college boyfriend orders a beer with dinner. No one checks his ID.
Note: I received a free copy of this book in exchange for my honest review.
When I received an email asking if I’d like to participate in the blog tour for Life in a Fishbowl by Len Vlahos, I knew immediately I had to ask for an interview. Scar Boys by Len Vlahos caught my eye on one of those “Top YA Books You Must Read Like Right Now” lists probably on Buzzfeed or a site like that. I did read and love Scar Boys (yeah, he had me at punk boys in a band– my number one literary weakness.) and eventually got my hands on a review copy of Scar Girl, which was a fantastic follow up. So now, here I am, joined by the wonderful Len Vlahos for some chitchat about his latest novel, Life in a Fishbowl. Yay!
Author Interview with Len Vlahos
Can I sneak in a question about Scar Boys? What made you choose punk as the style of music for the band Harry and Johnny put together? Was it strictly based on your own experience or preferences or is there something more about that genre of music that particularly inspired the story? (Other than the sad truth that there are seriously not enough books about punk kids in bands. What’s up with that?)
I love this question. It was based on both my experience – Woofing Cookies, the band I played in when I was younger, was a punk-pop band – and on knowing first-hand that the punk world is more welcoming to those who don’t conform to standards or norms. It was a perfect fit for Harry.
Yes! Strangely, I hadn’t really thought about the misfit element of the punk scene as it would relate to Harry. But now that you say that, I’m like duh. Yes. Totally fits.
Do you listen to music while you write? Were there songs that most inspired your favorite moments in Life in a Fishbowl?
For the most part, I do not listen to music when I write. My preference is for ambient sound, and anonymity – meaning no family and friends. It’s why I wrote most of Life in a Fishbowl (and Scar Girl) on a commuter train from Connecticut to New York City, and why I do most of my writing now in coffee shops. (We moved to Colorado, so no more commuter train.)
However, I do listen to music when I’m editing, and when I’m writing for blogs. (I’m listening to Bob Marley’s Legend right now. It’s the really cool vinyl in the colors of the Jamaican flag.)
Ha! That’s a fun pick. So all that writing about music on a train with no music. Is there a music element to the story of Life in a Fishbowl?
Deliberately no. So much of The Scar Boys (and Scar Girl) was drawn from personal experience that I really wanted to step outside of my own sphere of knowledge and comfort zone. I wanted to write something cut from whole cloth; to prove to myself that I could really write.
Music won’t play a role in my next book either – can’t share any details about that just yet – but I would like to get back to it someday. (If for no other reason than I get to bring my guitar on book tour.)
A guitar and a book tour sound like a perfect match. I’ve been surprised at how different Life in a Fishbowl is from your other books– not in a bad way! How did the story Life in a Fishbowl come to you? Did the whole idea arrive fully formed, or did one particular element spark the story and gradually it took shape?
It was the latter. I read an online article about a man named Ian Usher who had put his life for sale – his house, his car, even his friends and his cat (if I remember correctly) – after going through a bitter divorce. It made me wonder, what would happen if someone put their actual life for sale on eBay? What would make them do it, and who would bid on it?
At the same time, I had seen a movie when I was younger called Whose Life Is It Anyway? (Not to be confused with Whose Line Is It Anyway?) It was the story a sculptor, who, after an accident and paralyzes him from the neck down, decides to end his life. The film tackles euthanasia head on, and I’ve been fascinated with that topic ever since.
Fishbowl grew out of the clash of those two ideas.
I like how the story explores both those ideas. What do you most hope readers take away from Life in a Fishbowl?
This is a tough question. I guess I hope people take some small amount of inspiration to question the validity and veracity of what we see in media. Just because it’s on a screen does not make it true. We have an obligation to seek and accept the truth when it’s presented.
That said, one of the most interesting and rewarding parts of writing is learning what readers see in your work that you never saw to begin with.
[SPOILER] For example, I had no idea Cheyenne was pregnant at the end of The Scar Boys – which is the set-up for Scar Girl – until a reader told me. Crazy, right?
That’s really awesome. What a cool thing for readers to know they can impact a story so deeply. I love that!
Looking beyond your novels, are there books you’ve read recently deserves a greater spotlight or changed your life in a meaningful way? What makes it so special?
You don’t have enough space for me to really answer this question, but here are a few that have had an impact:
All American Boys by Jason Reynolds and Brendan Kiely – An honest and difficult look at police treatment of African American men. If ever a book was a conversation starter, it was this one.
The Magus, by John Fowles – I hardly remember what this book is about – other than it was really trippy – but I read it in two days when I had the flu in the mid 1980s. It’s the book I credit with changing me from a casual to a voracious reader.
Ready Player One by Ernie Cline and The Hitchhiker’s Guide to the Galaxy series by Douglas Adams, because, well, because. (I’ve read and listened to both.)
The Story of Ferdinand by Munro Leaf – It’s the book my mom read to me every night when I was five, and I think it did a lot to shape who I am.
As for recently, I just read The Bombs That Brought Us Together by Brian Conaghan and listened to Because You’ll Never Meet Me by Leah Thomas, both of which were brilliant. Brilliant.
This is a great list, and I want to comment on so many of them. I loved Because You’ll Never Meet Me and JUST bought All American Boys with a Christmas gift card. I will have to check out some of the others you mentioned. Thanks so much for your time!
Fifteen-year-old Jackie Stone is a prisoner in her own house. Everything she says and does 24/7 is being taped and broadcast to every television in America. Why? Because her dad is dying of a brain tumor and he has auctioned his life on eBay to the highest bidder: a ruthless TV reality show executive at ATN.
Gone is her mom’s attention and cooking and parent-teacher conferences. Gone is her sister’s trust ever since she’s been dazzled by the cameras and new-found infamy. Gone is her privacy. Gone is the whole family’s dignity as ATN twists their words and makes a public mockery of their lives on Life and Death. But most of all, Jackie fears that one day very soon her father will just be . . . gone. Armed only with her ingenuity and the power of the internet, Jackie is determined to end the show and reclaim all of their lives, even in death.
I dropped out of NYU film school in the mid 80s to play guitar and write songs for Woofing Cookies. We were a punk-pop four piece — think R.E.M. meets the Ramones — that toured up and down the East Coast, and had two singles and one full-length LP on Midnight Records.
The band broke up in 1987 and I followed my other passion, books. I’ve worked in the book industry ever since. And, of course, I write. And I write, And I write, write, write.
My first novel, The Scar Boys — it’s labeled as Young Adult, but I’ve never really liked labels — published January 2014. It is, not surprisingly, a rock and roll coming of age story. No vampires or dystopian future, just a messed up boy and his guitar. (I have nothing against vampires or dystopian futures. I loved The Passage, The Hunger Games, and The Road.)
Hawthorn didn’t even like Lizzie Lovett, but when the girl disappears and the whole town turns upside down over it, she can’t resist getting involved. At first it’s just a pastime. But as Hawthorn’s unorthodox theory takes shape, she finds herself pulled deeper and deeper into Lizzie’s life. She gets hired at Lizzie’s old job makes friends with her understandably wrecked boyfriend, the guy half the town thinks might have killed Lizzie. As she delves deeper into the girl she never knew, Hawthorn learns how little she understands herself and her own place in the world, and understanding what happened to Lizzie becomes her own transforming journey.
My Review
Hawthorn’s voice has to be the strongest part of this story. I wasn’t immediately crazy about the voice, but the style and its consistency definitely drew me in. This is one of those stories with deeply flawed characters, and my disappointment with those that didn’t rise from the ashes of their mistakes (sorry, no spoilers) made me stop reading for a few moments to grieve. Sometimes you just want better for people—even imaginary ones!
I often struggle reading stories about really unconventional families (probably odd, since I think my family would probably fit that description to those looking in from the outside) and Hawthorn’s family was definitely a struggle. I loved her brother and his best friend.
Fans of Cori McCarthy’s You Were Here should check out The Hundred Lies of Lizzie Lovett. The emotional depth and surprising journey of grief reminded me a lot of You Were Here as did the quirkiness of the main character—though Lizzie Lovett is told only in Hawthorn’s point-of-view as opposed to the multiple perspectives in McCarthy’s novel.
Content
Recommended for Ages 17 up.
Cultural Elements Pretty generic small-town America.
Profanity/Crude Language Content Extreme profanity used with moderate frequency.
Romance/Sexual Content Hawthorn reveals the source of her name—her parents conceived her under a hawthorn tree. Later she kisses and has sex with her boyfriend—an experience which leaves her with mixed feelings. She didn’t expect the awkwardness. She wonders about Lizzie’s experience with sex and asks some general questions of Lizzie’s boyfriend. He tells Hawthorn that Lizzie liked sex a lot.
Spiritual Content Hawthorn explores some unconventional ideas about Lizzie’s disappearance. For instance, could she have transformed into another creature? A group of hippies begins camping in Hawthorn’s backyard, and their leader gives Hawthorn some advice about finding her true name and ways to view life according to his ways.
Hawthorn’s mother told her to be careful what she wished for, especially in terms of wishing ill on others. So when Hawthorn wishes ill on someone, she wishes things that are more often comical or inconvenient, such as wishing that whenever a rival microwaved a frozen burrito, the center would stay cold.
Violent Content A girl at school makes Hawthorn miserable. She never physically bullies her, but her behavior is emotionally bullying and mean. See spoiler alert below for additional violent content.
Drug Content Hawthorn goes to a party where teens are drinking. She also gets drunk and sick. At one point her brother comes home drunk and sick. The hippies (and Hawthorn’s mother) smoke pot in the backyard. Lizzie comments that if her mom is smoking pot, she can’t very well condemn her underage drinking.
Note: I received a free copy of this book in exchange for my honest review.
Additional violent content – SPOILER WARNING Searchers find Lizzie’s body eventually. She died by suicide after hanging herself.
Summary from Goodreads
From acclaimed author Patricia Hruby Powell comes the story of a landmark civil rights case, told in spare and gorgeous verse. In 1955, in Caroline County, Virginia, amidst segregation and prejudice, injustice and cruelty, two teenagers fell in love. Their life together broke the law, but their determination would change it. Richard and Mildred Loving were at the heart of a Supreme Court case that legalized marriage between races, and a story of the devoted couple who faced discrimination, fought it, and won.
My Thoughts
Somehow I missed the fact that this story is told in verse—which is admittedly ridiculous, since it’s one of the first things stated about LOVING VS. VIRGINIA. Actually, I thought I would be reading a more traditional narrative relating the story of Richard and Mildred Loving, so discovering the stark, emotive poetry in which Mildred and Richard tell their stories surprised and delighted me.
Each chapter paints a specific scene in the tale of their love. The poems create a sense of time and culture in few words and really drew me into the emotions of the characters. Fans of novel-in-verse storytelling and of historical fiction and romance should definitely read this book. Honestly, I felt like reading LOVING VS. VIRGINIA made me stop and think about how short a time ago in our history a man and woman were denied the right to love one another and be married because of their race.
I loved the message of hope and triumph in the story and the inclusion of historical timelines and other information. Those helped craft a larger understanding of what was happening in the country at the time this story really happened.
Recommended for Ages 13 up
Cultural Elements
This novel in poetry follows the historical story of Richard and Mildred Loving, a white man and black woman who fell in love and married in a time when interracial marriage remained illegal in their home state of Virginia. The novel shows some of the experiences of racism and prejudice against the couple and their friends.
Profanity/Crude Language Content
Mild profanity used infrequently.
Romance/Sexual Content No explicit descriptions of sex, but readers do understand that Richard and Mildred have sex before getting married. Mildred becomes pregnant with his child more than once. At one point she makes a comment about how a man has needs—saying that she may feel guilty about having sex with him, but kind of a shrug of the shoulders, men-have-needs. I feel like, within the historical context, that kind of thinking may have been the understanding between men and women, but I wish that somewhere the author had addressed it or hinted about the lack of balance and equality in that idea. (Men are not excused from responsibility for their sexual conduct on the grounds that they “have needs”.) This might be an angle to discuss with readers either as a parent or within a classroom setting.
See violent content.
Spiritual Content None.
Violent Content Mildred spends time in jail because she married a white man. The jailer threatens her, marching male prisoners past her cell and insinuating that he might let them assault her. It’s brief and without graphic description, but may be startling to some readers.
Drug Content
None.
Note: I received a free copy of this book in exchange for my honest review.
I’m excited to share my review as a part of the Aftermath Blog Tour. Not only is this book about an issue dear to my heart, but one book blogger has taken her love of the story above and beyond and uses it to support RAINN and the National Center for Missing and Exploited Children, both resources the author lists for readers in the back of the book. You can win one of the Aftermath tote bags in the giveaway below, too.
Aftermath
Clara Kensie
Merit Press
Available November 1, 2016
About Aftermath Charlotte survived four long years as a prisoner in the attic of her kidnapper, sustained only by dreams of her loving family. The chance to escape suddenly arrives, and Charlotte fights her way to freedom. But an answered prayer turns into heartbreak. Losing her has torn her family apart. Her parents have divorced: Dad’s a glutton for fame, Mom drinks too much, and Charlotte’s twin is a zoned-out druggie. Her father wants Charlotte write a book and go on a lecture tour, and her mom wants to keep her safe, a virtual prisoner in her own home. But Charlotte is obsessed with the other girl who was kidnapped, who never got a second chance at life–the girl who nobody but Charlotte believes really existed. Until she can get justice for that girl, even if she has to do it on her own, whatever the danger, Charlotte will never be free.
My Review This was a tough read for me emotionally. For the most part, I thought the author kept the details of Charlotte’s captivity to a minimum, mostly hinting at her experience rather than describing it in detail. Some of the most emotional moments for me were the scenes in which she tries to reconnect with her family. I felt like her struggle to process and understand were easy to identify with. There were some moments where things seemed to happen too easily, but I think the story would have been super dark if every victory was hard won.
I really liked that the characters weren’t as simple as we at first believed them to be. Her father isn’t simply a fame-obsessed guy. Her mom isn’t simply a broken alcoholic. Her sister isn’t simply a drug addict. There are a lot of other elements at play, and as the real truth about Charlotte’s disappearance comes out and the truth about what her captor has done becomes clear, we finally understand the larger issues going on in Charlotte’s family. I thought that orchestration was incredibly well done.
If you’re interested in a story that explores a kidnapped girl but has more mild content, try Girl, Stolen by April Henry. If you liked Girl, Stolen and check the content below to see if Aftermath is the right book for you.
Recommended for Ages 17 up.
Cultural Elements
Characters are described as white, middle class, small town people. Both Charlotte and Alexa have pale skin and black hair.
Profanity/Crude Language Content
Extreme profanity used with moderate frequency.
Spiritual Content Alexa tells Charlotte about the prayer vigil and memorial service held while she was missing.
Drug Content
Alexa swears she’s done using drugs, but confesses to experimenting with pot, cocaine and even heroin. She takes Charlotte with her to a party and gets drunk. Charlotte drinks beer as well, in an attempt to feel like a “normal” teen.
Romance/Sexual Content – TRIGGER WARNING Charlotte frequently recalls details from her captivity. She makes a reference to him forcing her to perform oral sex and describes some creepy things, like his preference for brushing her hair. She tells a friend that he forced her to have sex with him every night, and that her fear for her sister’s safety kept her from fighting back. She also knows he killed another girl he kept, The One Before Charlotte. Later she learns he had abused a family member.
Charlotte tries to feel like a normal girl by persuading a boy to have sex with her. Alexa finds them, the boy’s pants are off, and Charlotte’s kneeling on the floor.
Violent Content – TRIGGER WARNING Most of Charlotte’s flashbacks involve remembering her captor choking her. She briefly describes other instances where he beat her. She has an injury that never healed correctly from one occasion. On another, he beat her so badly that she suffered a miscarriage.
Note: I received a free copy of this book in exchange for my honest review.
Clara Kensie grew up near Chicago, reading every book she could find and using her diary to write stories about a girl with psychic powers who solved mysteries. She purposely did not hide her diary, hoping someone would read it and assume she was writing about herself. Since then, she’s swapped her diary for a computer and admits her characters are fictional, but otherwise she hasn’t changed one bit.
Clara’s latest release is Aftermath, a dark, ripped-from-the-headlines YA contemporary in the tradition of Room and The Lovely Bones. Aftermath is on Goodreads’ list of Most Popular Books Published in November 2016, and Young Adult Books Central declared it a Top Ten Book of 2016.
Clara’s favorite foods are guacamole and cookie dough. But not together. That would be gross.
Check out the other stops on the Aftermath Blog Tour
Enter the Most Awesome Giveaway: Clara Kensie books and Aftermath Tote
1: A “Do It Double” Aftermath tote bag from Blu Bear Bazaar. Inspired by Aftermath‘s message to “Do it double, because some can’t do it at all,” Blu Bear Bazaar designed beautiful artwork for it and printed it on tote bags and throw pillows. Blu Bear Bazaar is generously donating a portion of all Aftermath product proceeds to RAINN and the National Center for Missing and Exploited Children. Click here for more information.
2: Choice of TWO books from Clara’s collection of YA novels. Clara will give the winner a list of the YA novels in her collection, and the winner can pick two. Some of the books are signed by the author.
*US/CAN for the above prizes. If the winner is international, the prize will be substituted by a book from Book Depository up to $18.00, winner’s choice.
Lina has only known life in the City of Ember, a settlement built and stocked with all the supplies its citizens might need hundreds of years earlier. Now the shelves of the storehouses grow increasingly bare, and power outages plague everyone. When Lina and her best friend Doon discover a damaged document, Lina wonders if it could be from the Builders themselves. She and Doon work to decipher the message and save Ember before the city’s power supply fails for the last time.
I picked up this book because a friend recommended it, and I’m so glad I did. Actually, I wish I’d found it sooner, because it’s definitely the kind of story my daughter and I would have enjoyed reading together when she was a little younger. City of Ember would make an excellent family read. If there’s an audiobook version, I’d recommend it for a family road trip.
Reading the chapters, I felt like I could see the city underground. The characters are confused by references to things outside their experience that are commonplace for us. This definitely gave the story that closed-in feel while letting the readers have a bit of a laugh at the joke.
I loved Lina and her family, Doon, and especially Doon’s father, who always encouraged him to think more deeply and critically about the world around him, even when it was an unpopular thing to do.
If you liked The Giver or The Diary of Anne Frank you want to check this one out. Sorry, I know those are both classics… this story definitely has the same kind of feel to me, and has won many awards as well.
Recommended for Ages 8 to 12.
Cultural Elements
There weren’t many cultural details given about the characters, but most appeared to be white.
Profanity/Crude Language Content
None.
Romance/Sexual Content None.
Spiritual Content Long ago, Builders built the city and left Instructions for the people to follow. Citizens still keep the instructions as sacred, but not in a worshipped sense.
Violent Content At one point, guards chase Lina and threaten her with confinement.
