From the screenwriter and co-author of the #1 New York Times bestselling novel and film Five Feet Apart comes an epic YA sapphic romance, unfolding over two sets of lives, one hundred years apart.
Nineteen-year-old Libby has always been inexplicably drawn to the old Victorian house on Mulberry Lane. So much so that when she sees a For Sale sign go up in the front yard, Libby uses all the money her grandmother left her to pay for college to buy the house instead, determined to fix it up herself—even though she knows her parents will be furious. Soon after moving in, she discovers a journal written by a young woman, Elizabeth Post, who lived in the house nearly a century earlier. It doesn’t take long for the journal to reveal that Elizabeth was madly in love with her personal maid, Patricia. A love that was forbidden and dangerous, especially at that time.
Enter Tish, a brash, broke fellow college student, who passes by the house one day and is mysteriously compelled to knock on the door. Soon Libby offers Tish a room in exchange for her help in fixing up the old house, and the two young women quickly find themselves falling for each other. But as Elizabeth’s journal entries delve deeper into her secret love affair with Patricia, uncanny similarities between that young couple and Libby and Tish are revealed, and it becomes clear that this may not be their first time in this house, or in this love. Is this their chance to get it right?
My Review
Sometimes when I read a book, the premise strikes me as something so clever or unusual that I wonder if that’s what brought the book to publication. This is one of those books.
The narrative has a lot of moving parts. We have chapters set in 1925, from the perspective of a young woman whose family lived in the Victorian house. We also follow two points of view from the present day. First, there’s Libby, a girl who just bought the house, and Tish, a girl she meets in her college classes and who offers to help her fix up the house.
As we get to know each narrator, we notice some striking similarities between Elizabeth from 1925 and Libby from 2025. As the story unfolds, it becomes clear that those similarities are more than simple coincidences.
One of the story’s strengths is in its minor characters. I enjoyed the banter between Tish and Joe, the junkyard owner who helps her fix up her scooter, and Tish and her best friend Bari. Libby’s relationship with her mom was also fascinating.
I think readers interested in LGBTQIA+ stories in a historical setting will like getting to see the 1925 timeline in this novel. If your taste for romance leans a little more in the Hallmark movie vein, I can see this being a great pick. It feels a little more like a book to curl up with under a warm blanket, so maybe save it for a stormy summer afternoon.
Content Notes
Recommended for Ages 14 up.
Profanity/Crude Language Content Strong profanity used periodically throughout the book.
Romance/Sexual Content Kissing. Two characters wake up in bed together.
Spiritual Content Some references to reincarnation.
Violent Content Brief prejudiced statements against an Irish woman. A man becomes violent in a confrontation. Someone sustains injuries in an accident.
Drug Content References to teens drinking wine together.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
You might remember the short story, “The Lady or the Tiger” from your reading in school, but this YA author brings a fresh take on that concept. Lady or the Tiger author Heather M. Herrman is here via Q&A to talk about what inspired her to create this gritty, Wild West murder mystery.
We’ll talk about misconceptions about the Wild West time period and why we need stories beyond romance in YA. We’ll also discuss the importance of telling stories with complex heroines and challenging tropes. It’s awesome stuff!
Let’s get right into it, shall we? Here are some details about the book for some context before we get into the Q&A.
A twisty, darkly seductive murder mystery, starring a teenage killer whose trial in the Wild West is upended when her first victim, her husband, arrives alive with a story to tell.
When nineteen-year-old Belle King turns herself in for murder, the last thing she expects to see is her abusive husband standing outside her Dodge City jail cell. He was the first man she ever meant to kill (but certainly not the last!). Somehow, though, her husband is there, hale and hearty, and very much not dead. With his arrival her plans in jail are jeopardized, and she’ll be forced to resort to all the tricks in her arsenal to prevent him from ever being in control of her again. But as a girl in the 1880s Wild West, the last thing anyone will believe is a woman—even when she confesses to her own crimes.
This story—of how Alice Springer, a mountain girl from Kentucky, became the infamous Belle King, of how she found the tiger in her heart, becoming the wickedest woman in the Wild West—is a love story that cuts through time and patriarchal ties.
Q&A with Heather M. Herrman
1. Is there a particular idea that inspired you to write Lady or the Tiger?
First of all, thank you so much for including me on The Story Sanctuary. I really love and respect the important work you’re doing on your site. And thank you so much for reading Lady or the Tiger!
In terms of this particular story, I started with the germ of an idea about a possibly possessed young woman in the Wild West who cuts out men’s hearts and replaces them with stolen diamonds. But from there, the story grew to be more of a response to the current landscape of the Young Adult genre.
In the past few years, I’ve noticed a trend of YA becoming synonymous with Romance. I think some of this is due to the age of YA readers, with polls suggesting that over fifty percent of readers are actually adults. I love a great romance and am in awe of the incredible authors out there giving us spice. Teen readers, too, need romance as they begin to navigate their own relationships. But they also need other stories. Unlike adult readers who often read for escape, teen readers are still in the process of forming an identity. Romance by its very nature centers the pleasure—and in some ways value—of its female heroines on an external source instead of providing examples of girls who please themselves. I want to see more complicated girls and women in young adult stories who are allowed, even encouraged, to first fall in love with themselves—shadow and all—before worrying about someone else.
2. In both The Corpse Queen and Lady or the Tiger, you’ve written strong female characters who make difficult choices. I love that! Do you think female anti-heroes are underrepresented in teen fiction? And/or what do these stories bring to the genre that we need more of?
Absolutely. I think the world is still very uncomfortable with a woman choosing to do something that doesn’t serve other people but, instead, serves herself. This, coupled with the discomfort surrounding a woman’s sexual autonomy and desire, often gives us girls who can save the world but don’t know how to save themselves. This is why I’m so drawn to the antihero in fiction. These women are allowed to be exactly who they are without cowtowing to the demands the status quo places on them to be both helpful and beautiful. Including more female antiheroes in young adult books gives readers a chance to see the parts of themselves they’ve often been asked to discard—their shadow selves or “outlaw energies” as Jungian psychologist Lisa Marchiano dubbs them—being accepted and valued instead of ignored. Girls and women deserve to be whole. And only by accepting our shadows can we ever truly shine our light.
3. What’s your favorite thing about Belle King?
I love that she is completely unapologetic about being herself. As a trained people-pleaser, I personally often find that hard, and I know a lot of other girls and women do too. Our culture often teaches us to meet others’ needs before our own. I love that Belle is willing to consider what she wants first.
4. What made you choose the 1880s Wild West as a setting for Lady or the Tiger?
I think that the setting is an interesting one because we typically think of the “Wild West” as a white, straight, male-dominated space. This was absolutely not the case. But this misconception does show exactly what a woman was up against in that time period and by comparing and contrasting our current climate, it also reveals what she continues to face today. By pushing back on certain tropes prominent in typical westerns, I got a chance to challenge these ideas.
For example, the “damsel in distress” trope has always stood out to me—Western films and novels often revolve around cowboys rescuing beautiful women or, if not rescuing them, using their untimely deaths as backstory for the hero. Often, these women serve as justification for a hero’s violence. I wanted to subvert that convention by placing a woman at the heart of the story rather than on its margins. I also wanted to give her the same depth and moral complexity typically reserved for the rugged male outlaws and antiheroes that dominate the genre. I also tried to challenge the myth of a homogenous, cisgender American frontier by including diverse characters and historically grounded details that reflect the cultural richness that existed long before white settlers arrived and continues to exist today.
5. Is there a scene or character that was the most fun to write, or something in the book that you couldn’t stop thinking about, even after you finished the scene or draft?
I mean I loved the ending. That was really fun to write. But I think I also had a great time crafting the scene with Alice, Ama, and Dom on the riverbank. They really reveal themselves to each other there and admit things that other people would maybe judge them for because they know that it’s a safe, accepting space. That was a real moment of trust for the characters, and I think it brought back all the beautiful friendships I’ve been lucky enough to have over the years. I wanted Lady or the Tiger to be a love story, just not a traditional one. Because of this, I wanted it to also highlight some of the more important love stories that we maybe don’t always talk about. For me, my girlfriend growing up were life-changing, and I wouldn’t be who I am today without them.
6. What do you most hope that readers take away from your novel?
First and foremost, I hope they enjoy it. Creating Belle was a wild ride, and I’m so excited for readers to get to know her. Beyond that, I hope seeing her be exactly who she is without apology will maybe stick with them. That in some future moment, however small, they remember Belle and feel free to choose themselves instead of trying to please someone else.
7. What is your favorite question readers have asked you about your books?
I had a reader ask me which character from my books I’d most like to go to dinner with, which I thought was such a cool question. Not sure what it says about me, but I immediately chose the murderer.
Heather Herrman is the author of the adult horror novel, Consumption, and the Junior Library Guild selected Young Adult Novel, The Corpse Queen. The Lady or the Tiger, a new YA novel by Heather about a female serial killer in the Wild West will be available from Nancy Paulsen Books June 10, 2025.
Heather’s fiction seeks to explore the relationship between body and landscape, utilizing genre as a medium. She believes that American Horror Fiction provides a lens through which we can undress and view the timeless dis/ease of our society.
Heather holds an MFA from New Mexico State University. Her work has appeared or is forthcoming in various publications including the Dark Screams Anthology:Volume 10, Cemetery Dance, The Alaska Quarterly, South Carolina Review, and Snake Nation Review. Her fiction has earned the Frank Waters Prize, an Individual Artist Grant from the Nebraska Arts Council, and a scholarship to the Prague Summer Program for Writers.
She is represented by Barbara Poelle from the Word One Literary Agency.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
The daughter of a duke defies the rules of London high society with the help of the resident rake—who just so happens to be her brother’s best friend—in this fun teen historical romance from the USA Today bestselling author of Queen Bee.
“A ridiculously romantic, womanist, hilarious, and hugely entertaining romance that had me smiling and swooning from start to finish.” —Elizabeth Everett, USA Today bestselling author of the Damsels of Discovery series
Lady Zenobia “Zia” Osborn, a duke’s daughter, is frustrated that her entire life has been predetermined. What good is skill or intelligence if one is forced to suffocate it because of one’s sex? She’d much rather make her mark on the world than bat her eyelashes for the ton.
Zia only comes alive in the Lady Knights, a clandestine social club for rebellious girls. In it, she is free to compose music, fence, read controversial literature, and save orphans from destitution by any means necessary. Aside from her closest confidantes, no one knows about Zia’s indecorous other life. . . .
Until Mr. Rafi Nasser, a rogue with secrets of his own, finds out. Shocked yet intrigued by his best friend’s younger sister, he agrees to keep Zia’s secret—if only to help her avoid utter scandal.
My Review
This book has a really fun concept. It’s an inclusive cast in a historical setting, which is a lot of fun. The story centers around a group of girls who are looking for their voice and ways to make a difference in their community. The girls are all in a class at a special school for women in which the instructor introduces them to texts by women about female empowerment. Each chapter begins with a quote from English writer and philosopher Mary Wollstonecraft, which I enjoyed. The quotes often relate directly to issues the girls face in the chapter that follows.
The whole story is told from Zia’s perspective. I loved her enthusiasm and impulsiveness. I think we tend to expect a certain kind of heroine from historical fiction, especially novels written in a more historical voice, and I love that Howard challenged those preconceptions by writing an impulsive heroine who feels as young as she is.
Though the romance stays more in the realm of sweet than spicy, it’s super flirty and fun. There’s a good balance between the romantic elements and the plotline about Zia’s quest to save the school and orphanage.
I think readers who enjoy light historical romance will love getting swept away in Lady Knight.
Content Notes
Recommended for Ages 14 up.
Profanity/Crude Language Content None.
Romance/Sexual Content Kissing.
Spiritual Content None.
Violent Content Situations of peril. A band of women in disguise robs wealthy men. One scene shows a dangerous horse race.
Men accuse women of being hysterical, a dangerous allegation that can result in someone being institutionalized.
In class, Zia and her friends discuss elements of the book Frankenstein, including a character’s murder.
Drug Content References to drinking alcohol. Reference to someone being drunk.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
About Renegade Girls: A Queer Tale of Romance and Rabble-Rousing
A swoonworthy queer romance set against a riveting story of social change in the 1880s, this historical graphic novel reimagines the life of America’s first stunt girl—a young undercover reporter—and her whirlwind summer of romance and fighting injustice.
Seventeen-year-old Helena “Nell” Cusack came to New York this summer looking for a story—a real story. She dreams of one day writing hard-hitting articles for the New York Chronicle, but so far she’s only managed to land a job as a lowly society reporter. That is, until Alice Austen strolls into her life, an audacious street photographer who encourages Nell to shake up polite society…and maybe also take a chance on love.
When her best friend, Lucia, is injured while working in a garment factory, Nell is determined to crack the story wide open. Posing as a seamstress, she reports on the conditions from the inside, making a name for herself as the Chronicle’s first-ever stunt girl. But as Nell’s reporting gains momentum, so do the objections of those who oppose her. Will Nell continue to seek justice—even if it hurts her in the end?
Based on real-life stunt girl Nell Nelson and photographer Alice Austen, this tenderly drawn narrative is about bringing buried stories to light and the bravery of first love.
My Review
What a fun book! I loved the historical setting and the focus on “stunt girl” reporting. I think the adaptation to graphic novel worked well here, though it meant that some scenes needed to be simplified. The story was very cohesive and the characters felt very real.
As a person with Italian immigrant ancestors, I loved that this is something Neus included in the book, too. It definitely left me feeling with a little more of a personal connection with the story. My great-grandmother worked in a factory during the 1930s/40s after her husband passed away, which is later than when this story is written, but it gave me a chance to reflect on that part of her life a little bit.
The main characters in the book are inspired by real people, though Neus takes some artistic liberty with some elements. The book includes a detailed author’s note that explains which elements are historically accurate.
All in all, I had a great time reading this book, and I would love to see more graphic novels like this one. (Another historical graphic novel on my reading list is I Shall Never Fall in Love by Hari Conner.)
Content Notes
Recommended for Ages 12 up.
Profanity/Crude Language Content None.
Romance/Sexual Content Kissing.
Spiritual Content None.
Violent Content Nell sneaks into a factory and poses as a worker while working as an undercover reporter. She could get in a lot of trouble if caught. Someone shows Nell an injury that resulted from high-pressure factory work.
Drug Content None.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
Three cousins get transported back to 1862 to play an important role in the Battle of Puebla, the reason we celebrate Cinco de Mayo today, in this enchanting middle grade fantasy adventure.
History is alive with magic. That’s what zany Tía Xia is always telling cousins Jorge, Camila, and Siggy. Daredevil Jorge couldn’t be more different than his cousins: Camila is a dreamer who adores animals and Siggy is an aspiring influencer who has an exclusive party to attend. And their aunt has many secrets, including a mysterious diamond-encrusted sword that Jorge definitely wasn’t supposed to see.
But when the three stumble upon a time portal in their aunt’s yard, they are transported back to 1862, a past filled with wonders—and dangers. To return to the present, they must race to deliver the sword to General Ignacio Zaragoza in time for the historic Battle of Puebla in Mexico: the foundation of the holiday Cinco de Mayo.
As their journey to Mexico takes them through the Civil War–era United States, the cousins see just how much US history has been shaped by Latine communities. They must find the power within themselves to make sure things happen as they’re supposed to, without altering the past.
My Review
This is a fun, engaging way to introduce facts from Mexican history to young readers via cousins on a time-travel adventure. (Actually, I think two characters are brother and sister and cousin to the third character.)
I liked that the time-travel element was pretty simple, even if it was never really explained. It could have slowed the story down, but keeping it minimized worked here, I think. The characters were fun, and their differences made it easy to tell whose point of view we were following. The viewpoint shifts mid-scene, so sometimes one chapter has multiple points of view, but I thought it was still easy to follow.
One thing that I appreciated is the backmatter. First, a note from the author explains her intent. Next, a list of notes about characters and places shows readers the line between history and fiction. A glossary explains some other terms used in the book. Even with those resources, the book is about 200 pages long, so it’s a pretty quick read.
The ending leaves room for a sequel or series. I would love to see more books exploring Mexican or Latin American history through time travel.
Content Notes
Recommended for Ages 8 to 12.
Profanity/Crude Language Content None.
Romance/Sexual Content None.
Spiritual Content Characters encounter magic and travel through time. One character believes Mexico should be governed by a monarch who will impose Catholicism on everyone.
Violent Content A bully dares a boy to do a handstand on a rooftop.
Drug Content References to an adult drinking alcohol and beginning to slur his words.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
Marvelous Middle-Grade Monday
I’m sharing this post as a part of a weekly round-up of middle-grade posts called Marvelous Middle-Grade Monday. Check out other blogs with posts about middle-grade books today on Marvelous Middle-Grade Mondays at Always in the Middle with Greg Pattridge.
A noblewoman in the scandalous French court finds herself under the dangerous and watchful eye of the Parisian royalty when she falls in love with the handsome king who is betrothed to her former lover in this bisexual The Three Musketeers by way of Bridgerton and F.T. Lukens.
Paris, 1572. Seventeen-year-old Jacqueline “Jac” d’Argenson-Aunis is lady-in-waiting to her best friend and former lover, the French Princess Marguerite “Margot” de Valois, but she dreams of more. If Jac plays her cards right, one day, she’ll become a full member of the Societas Solis, a secret society of spies—just like her uncle and guardian, Viscount Gabriel d’Argenson-Aunis.
But it’s hard to think about her own ambitions while France is on the brink of war, and the only thing that might save the country is an alliance—a marriage between the Catholic Princess Margot and Henry, the awful son of the Huguenot queen. Who would be the perfect person to play matchmaker? Jac, of course.
Jac resents lying to her best friend almost as much as she resents the brazen and arrogant King Henry, but it’s her one chance to prove to the Societas Solis that she belongs among their ranks before her uncle can marry her off or worse. The more time Jac spends in the French Court’s clandestine corners, though, the more she starts to wonder if Henry is…not as terrible as she once believed. And the Societas Solis may not be what they seem.
Politics. Spies. Chaos in the French court. Perhaps even witchcraft? Everything’s more dangerous when love is involved.
My Review
I enjoyed this book, but it took me longer to read than I expected. I liked the main characters for the most part. Truthfully, I wanted to like Margot more than I did. I felt like the plot kind of easily dismissed her as selfish and frivolous, though there was obviously more to her. Her goal was to open a school where women and people of any class could be educated. So she obviously had a lot of depth.
I appreciated the development of the romance between Jac and Henry. At first, they don’t like each other at all, but as they’re forced to work together on a common goal, they each surprise the other, and gradually, they grow to like one another. I appreciated that the relationship developed more slowly, giving us time to savor it as it developed.
Jac’s complex relationship with her oncle also added some layers to her character and backstory. Sometimes she interpreted his behavior to mean pretty dramatic things, but I felt like that fit her character and her age. I appreciated that the story included some changes in their relationship and how they saw one another and understood what the other needed from them, if that makes sense.
All in all, I enjoyed this one, and I can see how the marketing comparisons to Bridgerton and F. T. Lukens fit. If those ideas appeal to you, I think you’d enjoy ]A Traitorous Heart.
Content Notes for A Traitorous Heart
Recommended for Ages 14 up.
Profanity/Crude Language Content I don’t think there was much in the book in terms of profanity. Maybe some mild profanity infrequently.
Romance/Sexual Content Kissing and references to sex.
Spiritual Content Reference to religious differences between the Catholics and Huguenots (Protestants). References to spells, potions, and occult practices. Jac investigates a graverobbing group, looking for evidence of occult activity, possibly reanimating the dead.
Violent Content Situations of peril. An assassin comes after Jac and her allies. After she ties him up, Jac tosses one would-be assassin over a wall into a moat. A fire consumes a building with a child inside. Jac attempts to save him and his cats. References to a prisoner potentially being tortured. (Not shown on scene.)
Drug Content References to drinking alcohol at social gatherings. The King of France is consistently embarrassingly drunk at the events.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
