When the chief’s son comes of age, the tribe presents him with a prisoner. He is to kill this man and take up a new name as a man. He refuses and instead earns the name Draven, or “fainthearted.” Draven lives as a recluse, a shadow among his people with only his fierce sister Ita as a companion. The drums of war take the men of the tribe to battle, but Draven stays behind. A strange plague follows the warriors home, and when it strikes the one Draven loves most, he vows he will find a way to save her.
This short (less than 200 pages) tale is framed as a story repeated to a little girl as she battles her own fears. Before the end the author ties both the present and past together neatly. Stengl brings her usual powerful story-weaving ability and packs action, danger and romance into this tale, keeping it both moving and exciting. Perhaps the most beautiful part of the story is the relationship between brother and sister, Draven and Ita. Ita seems to understand instinctively when to push her brother, and he knows equally well when to respect her independence. While Draven’s Light isn’t saturated with the story world fans of the Tales of Goldstone Wood books have grown to love so well, they will recognize the mysterious Wood itself as well as two brothers from myth – Akilun and Etanun – and the little wood thrush who often leads heroes seeking aid.
Profanity and Crude Language Content
None.
Sexual Content None.
Spiritual Content A couple brief references to “the airy gods.”
Violence In Draven’s tribe, young men must kill an enemy prisoner in order to be recognized and honored as men. A fatal plague causes its victims to foam at the mouth and writhe on the ground.
A Dream Walker with legendary power returns from a dream marked by an enemy hand and lost in a trance. Hoping to buy time for her healing, the high priest places her in the care of a cunning protector. As one of the emperor’s famed Golden Daughters, Sairu vows to serve her mistress on a dangerous journey from the emperor’s palace to a remote temple. They are accompanied by an orange cat and a slave boy with unexpected abilities. A dark enemy seeks to eliminate the Dream Walker in Sairu’s care.
Fans of the Tales of Goldstone Wood series will recognize the cat as the indomitable faerie poet, Eanrin. His presence adds spunk and humor to this more serious story. Unlike the other Goldstone Wood novels, this one has much more of an Eastern feel. Sairu and her mistress both share more reserved character qualities. Reserved but very deep and definitely complex.
One of the other great surprises in this tale is the thread that bears similarities to the biblical story of Joseph. Stengl does a great job weaving that story into the larger tale without letting it become too predictable or stealing the show from the other characters and plotlines.
My only complaint as I read this story is that I often found myself wishing for a map. (I own the kindle version, and it does not include one that I could find.) Three kingdoms feature in the telling of Golden Daughter and I often found I had confused two of them. I also wanted to see the path of Sairu’s journey mapped out on the larger story world.
Language Content
None.
Sexual Content Brief kissing.
Spiritual Content The people of Noorhitam worship the sun and moon personified as deities. The Chhayan people believe their goddess, the moon has forsaken them.
The Song Giver, or Creator rules over all, even the sun and moon goddesses. (In a dream, the moon goddess tells Jovann not to worship her, but instead to worship the Song Giver.) A wood thrush and a Man of light, (Lumil Eliasul, a Jesus-like character) guide Jovann and Sairu through a realm of dreams on a Path.
In each of the Goldstone Wood books, Stengl does an excellent job creating parallels to Christian theology that are not overbearing or which overly interfere with the story.
Violence Sairu comes upon a group of slavers who’ve captured innocent people and cruelly mistreated them. A brief battle ensues. Later a woman is bound and killed by her captors in front of her adult son. A dragon uses his fire to destroy anyone who opposes him.
Drug Content
None.
Note: I received a free copy of this book in exchange for my honest review.
Rooglewood Press is delighted to introduce their second fairy tale novella contest—
Five Enchanted Roses
a collection of “Beauty and the Beast” stories
The challenge is to write a retelling of the beloved fairy tale in any genre or setting you like. Make certain your story is recognizably “Beauty and the Beast,” but have fun with it as well. Make it yours!
Rooglewood Press will be selecting five winners to be published in the Five Enchanted Roses collection, which will be packaged up with the gorgeous cover you see displayed here. Perhaps your name will be one of the five displayed on this cover?
The contest has ended, but you can buy a copy of Five Enchanted Roses here.
Rooglewood Press’s first collection, Five Glass Slippers, is available for pre-order now and will be released on June 14. Do grab yourself a copy and see what these talented writers have done with the timeless “Cinderella” tale!
Cover Illustration Credit:
This cover illustration was rendered by Julia Popova, “ForestGirl.” You can find out more about this gifted artist on her website: www.forestgirl.ru
As a long-time fan of the Tales of Goldstone Wood series, I’m excited to reveal the cover of the seventh novel in this whimsical series. Golden Daughter will hit shelves in November 2014. Here’s a look at the back cover copy, too:
BEYOND THE REALM OF DREAMS
IS A WORLD SHE NEVER IMAGINED
Masayi Sairu was raised to be dainty, delicate, demure . . . and deadly. She is one of the emperor’s Golden Daughters, as much a legend as she is a commodity. One day, Sairu will be contracted in marriage to a patron, whom she will secretly guard for the rest of her life.
But when she learns that a sacred Dream Walker of the temple seeks the protection of a Golden Daughter, Sairu forgoes marriage in favor of this role. Her skills are stretched to the limit, for assassins hunt in the shadows, and phantoms haunt in dreams. With only a mysterious Faerie cat and a handsome slave—possessed of his own strange abilities—to help her, can Sairu shield her new mistress from evils she can neither see nor touch?
For the Dragon is building an army of fire. And soon the heavens will burn.
BOOK COVER: The cover illustration was done by Julia Popova. Visit her website, http://www.forestgirl.ru/, to learn more about her and her fantastic work!
If you’d like to learn more about Golden Daughter, visit the book page for interesting articles, illustrations, and more!
AUTHOR BIO:
Anne Elisabeth Stengl is the author of the award-winning Tales of Goldstone Wood series, adventure fantasies told in the classic Fairy Tale style. Her books include Christy Award-winning Heartless and Veiled Rose, and Clive Staples Award-winning Starflower. She makes her home in Raleigh, North Carolina, where she lives with her husband, Rohan, a passel of cats, and one long-suffering dog. When she’s not writing, she enjoys Shakespeare, opera, and tea, and practices piano, painting, and pastry baking. She studied illustration and English literature at Grace College and Campbell University.
GIVEAWAY: Enter to win any two of the first six Goldstone Wood novels as a giveaway prize! Winner’s choice of: Heartless, Veiled Rose, Moonblood, Starflower, Dragonwitch, or Shadow Hand.
A young sailor eager to learn of life on the seas finds himself the keeper of a foreign stowaway. Despite the crew’s whispers of the goddess who demands to be given the lives of those found hiding aboard merchant vessels, the captain promises safe passage to the mysterious traveler. The young boy, Munny, struggles to understand why the captain would risk the lives of his crew to spare this strange man. As the enraged goddess tosses the ship about on enraged seas, Munny becomes caught between the captain’s order to protect the passenger and the crew’s plots to throw him overboard.
Fans of the Tales of Goldstone Wood series will recognize the mysterious stowaway as the adventurous Leonard from books two and three. Stengl weaves humor into the story through the language barrier between Leonard and Munny, who seldom understand one another, sometimes leading to hilarious results. Munny lives in bondage to the fear of the goddess who controls the seas, and yet through the story he learns of a greater power, one personal and benevolent and of the beauty of grace and its power to banish vengeance. Goddess Tithe is a beautiful story, though its length prevents it from developing the complexity of Stengl’s longer stories. Series fans will find the same lovely prose and deep spiritual undercurrents classic to all of the Goldstone Wood novels.
Profanity/Crude Language Content
None.
Sexual Content None.
Spiritual Content The sailors believe that a ruthless goddess lives beneath the waves of the sea and demands to be given any stowaways found aboard sea vessels. The story explores themes of vengeance versus grace and the value of self-sacrifice.
Violence An older sailor boy bullies Munny. Brief fight scenes with few graphic details.
Drug Content
None.
Note: I received a free copy of this book in exchange for my honest review.
Yesterday we had the pleasure of seeing the next lovely cover in the Tales of Goldstone Wood series. (Click here to see reviews and other earlier posts about the series.) Today I’m pleased to bring you an excerpt from the novella itself, with an opening description by the author, Anne Elisabeth Stengl. Enjoy!
***
Here is an excerpt from the middle of the story. In this scene, Munny has been ordered to Captain Sunan’s cabin to clear away his breakfast . . . an unexpected task, for a lowly cabin boy would not ordinarily dare enter his captain’s private quarters! Munny hopes to slip in and out quietly without attracting the captain’s notice. But his hopes are dashed when Sunan addresses him, asking how their strange, foreign stowaway is faring:
__________
“And what do you make of him yourself?”
Munny dared glance his captain’s way and was relieved when his eyes met only a stern and rigid back. “I’m not sure, Captain,” he said. “I think he’s afraid. But not of . . .”
“Not of the goddess?” the Captain finished for him. And with these words he turned upon Munny, his eyes so full of secrets it was nearly overwhelming. Munny froze, his fingers just touching but not daring to take up a small teapot of fragile work.
The Captain looked at him, studying his small frame up and down. “No,” he said, “I believe you are right. Leonard the Clown does not fear Risafeth. I believe he is unaware of his near peril at her will, suffering as he does under a peril nearer still.”
Munny made neither answer nor any move.
“We will bring him safely to Lunthea Maly, won’t we, Munny?” the Captain said. But he did not speak as though he expected an answer, so again Munny offered none. “We will bring him safely to Lunthea Maly and there let him choose his own dark future.”
“I hope—” Munny began.
But he was interrupted by a sudden commotion on deck. First a rising murmur of voices, then many shouts, inarticulate in cacophony. But a pounding at the cabin door accompanied Sur Agung’s voice bellowing, “Captain, you’d best come see this!”
The Captain’s eyes widened a moment and still did not break gaze with Munny’s. “We’ll keep him safe,” he repeated. Then he turned and was gone, leaving the door open.
Munny put down the pot he held and scurried after. The deck was alive with hands, even those who were off watch, crawling up from the hatches and crowding the rails on the port side. They parted way for the Captain to pass through, but when Munny tried to follow, they closed in again, blocking him as solidly as a brick wall.
“Look! Look!” Munny heard voices crying.
“It’s a sign!”
“She’s warning us!”
“It’s a sign, I tell you!”
Fearing he knew not what, Munny ran for the center mast and climbed partway up, using the handholds and footholds with unconscious confidence. Soon he was high enough to see over the heads of the gathered crew, out into the blue waters of the ocean. And he saw them.
They were water birds. Big white albatrosses, smaller seagulls, heavy cormorants, even deep-throated pelicans and sleek, black-faced terns. These and many more, hundreds of them, none of which should be seen this far out to sea.
They were all dead. Floating in a great mass.
Munny clung to the mast, pressing his cheek against its wood. The shouts of the frightened sailors below faded away, drowned out by the desolation of that sight. Death, reeking death, a sad flotilla upon the waves.
“I’ve never seen anything like that.”
Munny looked down to where Leonard clung to the mast just beneath him, staring wide-eyed out at the waves. “How could this have happened? Were they sick? Caught in a sudden gale? Are they tangled in fishing nets?”
There was no fear in his voice. Not like in the voices of the sailors. He did not understand. He did not realize. It wasn’t his fault, Munny told himself.
But it was.
About the Author
Anne Elisabeth Stengl makes her home in Raleigh, North Carolina, where she lives with her husband, Rohan, a kindle of kitties, and one long-suffering dog. When she’s not writing, she enjoys Shakespeare, opera, and tea, and practices piano, painting, and pastry baking. She studied illustration at Grace College and English literature at Campbell University. She is the author of the Tales of Goldstone Wood, including Heartless, Veiled Rose, Moonblood, Starflower, and Dragonwitch. Heartless and Veiled Rose have each been honored with a Christy Award, and Starflower was voted winner of the 2013 Clive Staples Award.
Giveaway:
Visit Anne Elisabeth Stengl’s blog to enter for a chance to win one of two proof copies of Goddess Tithe! U.S. and Canada only, please.
