Tag Archives: grief

Review: After Life by Gayle Forman

After Life by Gayle Forman

After Life
Gayle Forman
Quill Tree Books
Published January 7, 2025

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About After Life

“After Life is a masterful tale about a family coping with loss, showing the way grief affects us and people we don’t even know in ways we don’t see. Once I met Amber and her family, I didn’t want to let them go.” -—Brigid Kemmerer, New York Times bestselling author of Carving Shadows into Stone

“Forman is a master at making her readers fall in love—with a girl whose life is over, with a community of people in a small town who are barely surviving her loss, and with the incredible, surprising way everyone’s stories knit together into a heartbreaking and hopeful whole.” —E. Lockhart, author of We Were Liars and Genuine Fraud

One spring afternoon after school, Amber arrives home on her bike. It’s just another perfectly normal day. But when Amber’s mom sees her, she screams.

Because Amber died seven years ago, hit by a car while on the very same bicycle she’s inexplicably riding now.

This return doesn’t only impact Amber. Her sister, Melissa, now seven years older, must be a new kind of sibling to Amber. Amber’s estranged parents are battling over her. And the changes ripple farther and farther Amber’s friends, boyfriend, and even people she met only once have been deeply affected by her life and death. In the midst of everyone’s turmoil, Amber is struggling with herself. What kind of person was she? How and why was she given this second chance?

This magnificent tour de force by acclaimed author Gayle Forman brilliantly explores the porous veil between life and death, examines the impact that one person can have on the world, and celebrates life in all its beautiful complexity.

My Review

The first novel by Gayle Forman I ever read was If I Stay. (Which, apparently, I never reviewed! Hmm.) My first thought about After Life was that it has a similar ethereal vibe to If I Stay.

In After Life, Amber returns, but there’s a veil between her and her past life, seven years ago. Some things about her life are fresh in her mind and still feel present to her, but to everyone else, she’s been gone seven years. Her return isn’t just miraculous; it’s jarring.

The story jumps around a lot from past to present and different perspectives. I kept everything straight easily, maybe because the chapters were so short. Maybe because the characters are all so different from one another. The story felt pretty straightforward like everything contributed to a whole.

Only one scene struck me as super weird. In it, the romance escalates quickly and suddenly halts. I thought that considering the history of the characters, it seemed strange that the scene played out that way. I just didn’t find it believable, especially as I continued reading.

The rest of the book had some hard-hitting emotional scenes. The town where Amber’s family lives has an It’s a Wonderful Life feel. Threads connect characters in sometimes surprising ways. One character’s actions have a ripple effect, impacting other people in the story. The way the narrative jumps around allows readers to focus on those threads and see how the characters are connected.

At the core of the story is a relationship between two sisters. Melissa and Amber had a complicated relationship before Amber’s death. Amber wants to make up for lost time and for the harm she has caused. The tenderness and acceptance between those two is my favorite part of the story.

The book also explores our different responses to grief. Forman wrote an insightful afterward that explains why she wrote the story and her thoughts on how we grieve. I loved the book before I read her note, but I loved it even more after reading it.

Conclusion

All in all, this is a good one, especially if you like books that break convention to explore a spiritual or relational idea. It’s also less than 300 pages, so a pretty quick read. I highly recommend it.

The cast of the story is pretty inclusive. It includes a person with severe allergies, several queer people, and people of color.

Content Notes for After Life

Recommended for Ages 14 up.

Profanity/Crude Language Content
Some profanity used.

Romance/Sexual Content
Kissing. References to sex and cheating on a partner. Some scenes describe nudity and, briefly, sex.

Spiritual Content
References to Christian faith and atheism. (One of Amber’s parents was an atheist before her death and appears to have a change of heart when she reappears. Her other parent kept faith as a core part of life, which Amber’s death appears to have challenged.) The family (minus Amber) attends church (off-scene) and speaks to their pastor about miracles.

Violent Content
A boy grabs a girl by the shoulders and shakes her. A man punches someone (several scenes reference this). References to an accident in which a car struck a girl on a bike, killing her. Her injuries are briefly described.

Drug Content
More than one character (adults) drinks too much alcohol or appears to be an alcoholic. A teen drinks alcohol. References to drug use or selling/buying drugs.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Carving Shadows into Gold by Brigid Kemmerer

Carving Shadows into Gold (Forging Silver into Stars #2)
Brigid Kemmerer
Bloomsbury USA Children’s
Published January 28, 2025

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About Carving Shadows into Gold

Dangerous magic. Fateful choices. Broken promises.

The King’s Courier Tycho has made a treacherous bargain. Now beholden to the magical scraver who saved King Gray’s life, one false move could end everything.

Jax escaped his life in Briarlock and traveled with Tycho to Emberfall. But life outside his small village brings unexpected challenges–and unlikely adversaries.

After years of hating the royal family and their magic, Callyn never expected to be at the Queen’s side, with magic on her fingertips. But at the royal court, she can’t trust anyone–including the man she thought she loved.

Cast apart, Tycho, Jax, and Callyn must learn to wield the magic that is dividing their kingdom. As the magical scravers attack from the north and the king’s rivals gain strength, time is running out.

War is looming. Love is tested. And magic could be the only answer. . .

My Review

The second book in the Cursebreakers series spinoff continues with the story of Tycho (King Grey’s courier), Jax (a blacksmith), and Callyn (one of Grey’s daughter’s ladies-in-waiting). I think it picks up pretty soon after Forging Silver Into Stars, the first book in the series, leaves off, with Tycho and Jax heading to Emberfall and Callyn settling into her new life as a lady’s maid.

I think all the characters are supposed to be eighteen or nineteen, so this reads more like a crossover book (adult fiction with crossover appeal to teen readers) than a young adult novel. All three characters have full-time work roles and are responsible for themselves as adults.

I like all three point-of-view characters, and I enjoy that this story is Cursebreakers adjacent, with scenes involving Grey, Lia Mara, Rhen, and Harper. Some of the events in the books have soured me a bit on Grey as a character, so at times, it was hard for me to feel the admiration that I thought I was supposed to feel for him.

The romance between Jax and Tycho develops more, and the plot leaves room for them to pine for one another. I like that the story allows Tycho to examine how he avoids connection with people and why he makes those choices. Callyn also experiences some romance. I appreciated how that part of the plot revealed that things aren’t always what they seem.

This book made me want to reread A Curse So Dark and Lonely. The structure of retelling a fairytale in that book felt so compelling when I read it. I think I want to revisit that feeling again– the fantasy landscape and romance with the added fairytale elements.

Content Notes

Recommended for Ages 16 up.

Profanity/Crude Language Content
Strong profanity used somewhat infrequently.

Romance/Sexual Content
Kissing. A couple of scenes include explicit sexual contact.

Spiritual Content
Some characters have the ability to perform magic. In certain circumstances, magic can be used to control others, which causes a lot of fear. Scravers are humanlike with wings, sharp claws, and long fangs. They have their own magic.

Violent Content
Situations of peril. Battle scenes in which people sustain serious or fatal injuries. Soldiers spar with one another. One higher-ranking soldier repeatedly injures someone who is trying to learn to defend herself. While a couple of characters appear shocked or dismayed by this behavior, nobody calls it out as abusive. For a while, the solution seems to be to magically heal the character’s wounds, and then she returns to get beat up the next day.

There are a couple of vague references to sexual assault that happened to one character long before the story began. If this is the only book you read, you might not even know what they were discussing because it’s pretty vague. If you remember conversations from earlier books about this character, you would know what they were referring to.

A character kisses someone without consent, and there’s a moment when the character worries that the kisser won’t stop. It doesn’t go further, and the person apologizes for misreading the situation and for not asking for consent before kissing.

Drug Content
Characters drink alcohol. Some get drunk and do regrettable things.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: The Secret Year by Jennifer Hubbard

The Secret Year
Jennifer Hubbard
Viking Books for Young Readers
Published January 7, 2025 (Orig. 2010)

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About The Secret Year

For fans of Laura Nowlin’s If Only I Had Told Her, a deeply romantic novel that explores the raw emotions of love, pain and grief.

Colt and Julia were secretly together for a year . . . and nobody knew. Not that anyone would suspect–Colt and Julia were from two different crowds: Julia in her country club world on Black Mountain and Colt down in the flats. They’d meet in secret by the river–their chemistry electric, exhilarating, intoxicating.

Until everything came to a screaming halt.

Julia is pronounced dead from a car accident, and suddenly Colt’s memories come flooding back. One about the fight they’d had on their last night together . . .

When Julia’s diary falls into Colt’s hands, it gives him the chance to learn all her hidden thoughts, private details she refused to share with him. It might even answer his questions about what happened on the night she died.

Julia’s words have the power to mend Colt’s broken heart, or they can reveal a web of secrets that threaten to shatter his entire world.

My Review

I have so many questions.

It looks like this was first published in 2010 and has recently been re-released. I’m not sure when the story is supposed to take place. I think only the Black Mountain (wealthy neighborhood) kids have cell phones, so I assume maybe this was supposed to happen during the late 1990s when cell phones first became widely available. There’s no mention of texting, just calling. There are a couple of mentions of email, which could still track with the late 1990s timing. I don’t think the narrative specifies.

The story’s tone has a little bit of a Holden Caulfield vibe. Colt isn’t trying to be particularly likable. Neither is Julia, honestly. And that was fine. I mostly appreciated their frankness. After someone comes out as gay, Colt does a couple of things that are not great. I get that his reaction is realistic, but I wish the narrative had at least weighed in on his thoughts as negative.

Julia’s letters to Colt interrupt the scenes periodically, and sometimes, I got confused at the bouncing back and forth between her letters and Colt’s perspective. I also felt like the back cover copy implies that the story has a lot more suspense than it does. Colt does remember details about a fight he had with Julia. He does read letters she wrote to him. But I didn’t feel a sense of suspense about any of that. This isn’t a story about uncovering secret reasons for her death. This is the story of a boy who’s experiencing complicated grief because his relationship with a girl was a secret, and he can’t grieve publicly.

I found the story of his grief compelling, but it wasn’t really what I expected the book to be about.

For me, the uncertainty of the timeline (which could have contextualized some of the characters’ behavior) and the confusion over the genre of the story made this one a weird read. I read the book pretty quickly, so I’d say the writing is compelling.

Readers who like books by Matthew Quick might enjoy this one.

Content Notes

Recommended for Ages 16 up.

Representation
One character comes out as gay in the story.

Profanity/Crude Language Content
Some f-bombs and other profanity used moderately.

Romance/Sexual Content
Kissing between boy and girl. References to sex and making out. In a couple of scenes, characters remove their tops. One scene briefly references a girl pacing around a room naked. The story doesn’t focus on the romance. Mostly, it leads up to the start of a sexual encounter and then jumps ahead to afterward.

Spiritual Content
None.

Violent Content
Colt learns that Julia died in a car accident. He briefly references thinking about her injuries. A group of boys attack another boy, seriously injuring him. Brief references to Colt’s mom smacking him or his brother.

One character comes out as gay, and his family reacts with homophobic comments and rejects him.

Drug Content
Julia mentions drinking alcohol. She calls her boyfriend an alcoholic and mentions that he abuses prescription drugs.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Sylvia Doe and the 100-Year Flood by Robert Beatty

Sylvia Doe and the 100-Year Flood
Robert Beatty
Disney Hyperion
Published October 8, 2024

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About Sylvia Doe and the 100-Year Flood

Sylvia Doe doesn’t know where she was born or the people she came from. She doesn’t even know her real last name. Sylvia has lived at the Highground Home for Children in the mountains of North Carolina for as long as she can remember. Whenever the administrators place her with a foster family in the city, she runs away, back to her horse Kitty Hawk—her best friend—and the other horses in the herd, the only place she feels like she belongs.

When Hurricane Jessamine causes the remote mountain valley where she lives to flood, Sylvia must rescue her beloved horses. But she begins to encounter strange and wondrous things floating down the river. Glittering gemstones and wild animals that don’t belong — everything’s out of place. Then she spots an unconscious boy floating in the water. As she drags him onto the shore and their adventure together begins, Sylvia wonders who he is and where he came from. And why does she feel such a strong connection to this mysterious boy?

SYLVIA DOE has earned the prestigious STARRED REVIEW from both Kirkus Reviews and Publisher’s Weekly. The award-winning author Kwame Alexander praised the story, saying “Magical realism at its best!”

My Review

This book came out right around the time when Hurricane Helene devastated western North Carolina with rain and flooding. It took me a while to circle back to read the story, but I’d heard so many amazing things about it that I didn’t want to miss it.

Robert Beatty has an incredible ability to write about difficult or intense things in what feels like this very gentle way. Sylvia Doe and the 100-year Flood has some high-energy scenes in which the characters face situations of peril as they’re swept away by floodwater or desperately searching for storm survivors. Yet the tone of the story remains gentle. I love that.

The story includes a little bit of romance between Sylvia and another character. It stays very sweet, with some blushing and attraction. I think there’s a scene where the two snuggle together and another where they kiss each other. I like that their feelings for one another don’t overtake the story and that the disaster situations remain the focus despite their shifting emotions.

Sylvia has been in foster care since she was found alone in the wilderness. She recognizes that the foster care system, and in particular, her social worker, is trying to do good things. The story doesn’t demonize the system or highlight its many challenges or places it can cause harm. But it does present a story in which the system, even as it functions the way it should, isn’t a good fit for Sylvia as a child. She needs something the foster care system can’t provide for her.

The strong connections Sylvia feels to animals, especially horses and birds, will make this one a great fit for animal-loving readers. The magical realism elements add an otherworldly feel that makes Sylvia Doe and the 100-year Flood appealing to readers looking for something beyond the reality in which we live.

Content Notes

Recommended for Ages 8 to 12.

Representation
Sylvia has light brown skin tones. She has grown up in foster care.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Brief kissing between boy and girl.

Spiritual Content
Some unseen force has pulled animals and other things from other times and places into a flooded North Carolina river.

Violent Content
Situations of peril. Reference to flash flooding and hurricane damage. Sylvia spots a group of dead sandhill cranes, apparently killed in the hurricane. Three children die (off-scene) due to the hurricane and flood conditions.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Why We Read by Shannon Reed

Why We Read: On Bookworms, Libraries, and Just One More Page Before Lights Out
Shannon Reed
Hanover Square Press
Published February 6, 2024

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About Why We Read

A hilarious and incisive exploration of the joys of reading from a teacher, bibliophile and Thurber Prize finalist.

We read to escape, to learn, to find love, to feel seen. We read to encounter new worlds, to discover new recipes, to find connection across difference, or simply to pass a rainy afternoon. No matter the reason, books have the power to keep us safe, to challenge us, and perhaps most importantly, to make us more fully human.

Shannon Reed, a longtime teacher, lifelong reader, and New Yorker contributor, gets it. With one simple goal in mind, she makes the case that we should read for pleasure above all else. In this whip-smart, laugh-out-loud-funny collection, Reed shares surprising stories from her life as a reader and the poignant ways in which books have impacted her students. From the varied novels she cherishes ( Gone Girl , Their Eyes Were Watching God ) to the ones she didn’t ( Tess of the d’Urbervilles ), Reed takes us on a rollicking tour through the comforting world of literature, celebrating the books we love, the readers who love them, and the surprising ways in which literature can transform us for the better.

My Review

I finally read this book! I borrowed the ebook version from my library several times and couldn’t finish it within the loan time, so I ended up buying the audiobook version, and that was definitely the way to go for me.

The book’s description calls it “hilarious,” and, while there were some moments that made me laugh, I don’t know if I would call it hilarious. Like, it’s got great humor, but I feel like the author’s goal might be more in the realm of poignance than hilarity, and I think she succeeds at that. She shares experiences she has had as a reader that will be familiar to many bookish people:

  • Weeping over a sad book.
  • The discovery of a favorite author.
  • The sometimes pretentious way that people can be about certain kinds of literature. *cough* Classics. *cough*
  • Trying to navigate one’s personal triggers in literature, especially in what’s assigned in school/college.
  • The impact of grief on the experience of reading or rereading a beloved book.

It was really fun reading a book that so thoroughly examines our draw toward stories and our sometimes complicated relationship with literature and books. I enjoyed the anecdotes from the author’s experience as a literature professor and her memories of her childhood as a reader.

In one chapter, she talks about her grief over the loss of her dad and how that impacted her reading. Wow. That one hit me hard. Her experience really resonated with me in terms of how grief makes it hard to engage with stories sometimes. I remember really struggling after a pregnancy loss because it seemed like every book my daughter wanted to read included a pregnant character or reference to one.

If reading or books have been an important part of your life, I think you’ll enjoy this one. The chapters each focus on a different reason for reading. Some will resonate more with academic readers, but others will resonate perfectly with casual readers or people recognized by their local librarians.

Content Notes

Recommended for Ages 12 up.

Representation
The author is a white woman who was born with hearing loss.

Profanity/Crude Language Content
Mild profanity used very infrequently.

Romance/Sexual Content
Vague references to romantic plot elements from books here or there.

Spiritual Content
Reed writes about her experience growing up as the daughter of a pastor, and her grief over the loss of her father.

Violent Content
Occasional vague references to violent plot elements (such as murder) from books.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. All opinions are my own.

Review: We Are All So Good at Smiling by Amber McBride

We Are All So Good at Smiling
Amber McBride
Feiwel & Friends
Published January 10, 2023

Amazon | Bookshop | Goodreads

About We Are All So Good at Smiling

They Both Die at the End meets The Bell Jar in this haunting, beautiful young adult novel-in-verse about clinical depression and healing from trauma, from National Book Award Finalist Amber McBride.

Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.

They are both terrified of the forest at the end of Marsh Creek Lane.

The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for 11 years.

My Review

I don’t know if there’s anyone else in the world who writes quite like Amber McBride. We Are All So Good at Smiling came out at a time when I was bogged down with other reading projects, but it’s been high on my reading list since it was released, and my expectations were high.

They were met, if not exceeded. How often does that happen?

This is a weird book. It mixes fairytales and a magical landscape into a contemporary setting, almost like Rochelle Hassan does in “The Buried and the Bound” series. Somehow, telling the story in verse seems to make it even more ethereal. It reminded me a little bit of The Ghosts of Rose Hill by R. M. Romero.

Some of the references feel pretty on the nose, such as a fairy boy named Faerry. There are so many layers to the story, though, so don’t be tempted to take things too much at face value.

I loved the creepy forest and the way that Whimsy and Faerry’s journey unfolded in connection with it. The way the fairytale characters appeared and how they changed depending on what was happening was really fascinating. I also thought exploring fairytales alongside mental health made for an interesting juxtaposition. It made me think of some of the moments in the book Disfigured: On Fairytales, Disability, and Making Space by Amanda Leduc.

All that to say that I very much got swept away in this remarkable, immersive story. Amber McBride is quickly climbing my list of auto-buy authors because she always delivers such rich, thought-provoking stories. If you haven’t read any of her books, this is a great one to start with. If you like fairytales and/or novels in verse, definitely put this one on your list!

Content Notes

Depression, suicidal thoughts, loss of a close family member, bullying.

Recommended for Ages 14 up.

Representation
Whimsy and Faerry are Black and have depression.

Profanity/Crude Language Content
None.

Romance/Sexual Content
None.

Spiritual Content
Whimsy practices Hoodoo, as passed down to her by her grandmother. Her family are conjures. Faerry is a fairy with wings few people can see. The story contains magic as well as fairytale and folktale references and characters.

Violent Content
Situations of peril. Bullies call Whimsy names and hold her underwater. Other characters harm Whimsy and Faerry, causing cuts to open on their bodies. References to Whimsy being suicidal at the beginning of the story and in the past.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.