Let’s Get Together
Brandy Colbert
Clarion Books
Published September 9, 2025

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About Let’s Get Together

Boston Globe–Horn Book Award–winning author Brandy Colbert gives The Parent Trap a fresh, funny, and delightfully unexpected update in this story of two girls—one raised by her single father, the other in the foster care system—who meet by chance . . . only to discover they’re identical twins.

Kenya Norwood likes things just the way they are. She’s lived all her life in Pasadena with her dad and grandmother, she’s attended the same school with the same friends since pre-K, and whether it’s at outdoor club or her own lunch table, she loves being the center of attention. Even as she’s about to start middle school, she knows one thing for sure: none of that is going to change.

For Liberty Perry, change is all she’s ever known. Her mother disappeared when she was a toddler, and ever since, she’s never stayed in one place for very long. But her new foster mother, Joey, seems different. Maybe in this home, in this school, change won’t come so quickly.

Except everything changes the day the girls meet—and Kenya and Liberty discover they are identical.

Neither Kenya nor Liberty is ready to find out she has a twin sister (in fact, they’re both unsure if they even want one), and when the girls learn the truth of how they were separated, it’s clear that no one else in their lives was ready for this, either. But soon, they realize that the connection they share might be even stronger than the things that kept them apart—and that teaming up might be the only way to set everything right.

My Review

I must be especially vulnerable to earworms because all it takes is seeing this title to get the song from the 1961 movie, which I haven’t seen since elementary school. The power of music.

This novel is based on that original idea: twins separated as babies, with no memory of one another, who reconnect unexpectedly and decide to set their parents up to fall in love. Some elements have been updated to be more modern and more believable. For example, Liberty lives with a foster mom. Kenya lives with her dad and grandmother. Neither girl knows where her biological mother is. (They find out in the course of the story.)

While the truth about the girls’ mom comes out, the story doesn’t center her experiences. Their grandmother and father tell the girls that their mother was sick and that the illness led her to make very painful choices. They acknowledge her drug addiction as part of her illness, but the explanation stays fairly neutral. They tell Liberty that they tried very hard to find her and her mom. The girls ask some questions and briefly discuss feeling angry at their mom, but again, it’s not a central focus of the story, and the narrative moves forward pretty quickly.

While Liberty hasn’t always had a positive experience with foster care, she loves her new foster mom, Joey (short for Josephine), and it’s easy to see why. The two have a great rapport. Joey offers stability and emotional support at a time when Liberty really needs them. I really appreciated that even though foster care wasn’t a focus of the book, Colbert made space for nuance and didn’t oversimplify or overly demonize the foster care experience.

Fans of the original story will note that these identical twins do not switch places as the characters in the earlier work did. I actually like that the story sidestepped what I imagine actual identical twins get tired of seeing/being asked about. A character jokes that the girls could swap places, and that’s about as far as that idea goes.

All in all, this is a charming, upbeat, family-focused story celebrating both biological bonds and bonds made purely from love.

Content Notes

Recommended for Ages 8 to 12.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Vague reference to the romantic status of adults.

Spiritual Content
None.

Violent Content
Reference to kidnapping and abandonment of a young child. (Happens long before the story begins.)

Drug Content
Mention of a character with drug addiction issues. Nothing shown on scene.

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