Review: Cousins in the Time of Magic by Emma Otheguy

Book Review and Content, Fantasy, Historical, Middle Grade 8-12, , , , , , ,
Cousins in the Time of Magic by Emma Otheguy

Cousins in the Time of Magic
Emma Otheguy
Aladdin
Published February 25, 2025

Amazon | Bookshop | Goodreads

About Cousins in the Time of Magic

Three cousins get transported back to 1862 to play an important role in the Battle of Puebla, the reason we celebrate Cinco de Mayo today, in this enchanting middle grade fantasy adventure.

History is alive with magic. That’s what zany Tía Xia is always telling cousins Jorge, Camila, and Siggy. Daredevil Jorge couldn’t be more different than his cousins: Camila is a dreamer who adores animals and Siggy is an aspiring influencer who has an exclusive party to attend. And their aunt has many secrets, including a mysterious diamond-encrusted sword that Jorge definitely wasn’t supposed to see.

But when the three stumble upon a time portal in their aunt’s yard, they are transported back to 1862, a past filled with wonders—and dangers. To return to the present, they must race to deliver the sword to General Ignacio Zaragoza in time for the historic Battle of Puebla in Mexico: the foundation of the holiday Cinco de Mayo.

As their journey to Mexico takes them through the Civil War–era United States, the cousins see just how much US history has been shaped by Latine communities. They must find the power within themselves to make sure things happen as they’re supposed to, without altering the past.

My Review

This is a fun, engaging way to introduce facts from Mexican history to young readers via cousins on a time-travel adventure. (Actually, I think two characters are brother and sister and cousin to the third character.)

I liked that the time-travel element was pretty simple, even if it was never really explained. It could have slowed the story down, but keeping it minimized worked here, I think. The characters were fun, and their differences made it easy to tell whose point of view we were following. The viewpoint shifts mid-scene, so sometimes one chapter has multiple points of view, but I thought it was still easy to follow.

One thing that I appreciated is the backmatter. First, a note from the author explains her intent. Next, a list of notes about characters and places shows readers the line between history and fiction. A glossary explains some other terms used in the book. Even with those resources, the book is about 200 pages long, so it’s a pretty quick read.

The ending leaves room for a sequel or series. I would love to see more books exploring Mexican or Latin American history through time travel.

Content Notes

Recommended for Ages 8 to 12.

Profanity/Crude Language Content
None.

Romance/Sexual Content
None.

Spiritual Content
Characters encounter magic and travel through time. One character believes Mexico should be governed by a monarch who will impose Catholicism on everyone.

Violent Content
A bully dares a boy to do a handstand on a rooftop.

Drug Content
References to an adult drinking alcohol and beginning to slur his words.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Marvelous Middle-Grade Monday

I’m sharing this post as a part of a weekly round-up of middle-grade posts called Marvelous Middle-Grade Monday. Check out other blogs with posts about middle-grade books today on Marvelous Middle-Grade Mondays at Always in the Middle with Greg Pattridge.

Review: Layers: A Memoir by Pénélope Bagieu

Blogger's Favorites, Book Review and Content, Memoir, Nonfiction, Young Adult/Teen 12-18, , , , , , ,

Layers: A Memoir
Pénélope Bagieu
Translated by Montana Kane
First Second
Published October 17, 2023

Amazon | Bookshop | Goodreads

About Layers: A Memoir

Following the Eisner-award-winning Brazen, Pénélope Bagieu pens her first autobiographical work in this hilarious and bitter-sweet graphic memoir.

Pénélope Bagieu never thought she’d publish a graphic memoir. But when she dusted off her old diaries (no, really―this book is based on her actual diaries), she found cringe-worthy, hilarious, and heartbreaking stories begging to be drawn.

In Layers, Bagieu reflects on her childhood and teen years with her characteristic wit and unflinching honesty. The result is fifteen short stories about friendship, love, grief, and those awkward first steps toward adulthood.

My Review

I have to agree with the endorsements calling this book “hilarious.” Pénélope’s recollections about her childhood and transition to adulthood are so relatable. She’s awkward and earnest, and I both laughed and cried reading this memoir in vignettes.

The book opens with a chapter about when her parents got her and her sister two kittens. Her cat is exceptionally clingy and causes all sorts of mayhem, but Pénélope absolutely loves her. She recalls the phases of cat ownership, and how hard it is when we have to say goodbye to our furry friends. She captures the emotions of pet ownership so perfectly.

Several of the chapters or stories focus on Pénélope’s adventures in romance. She has unrequited crushes, friendship betrayals, and a wild week with an early boyfriend, which culminated in her hitchhiking to see a gynecologist. She has an incredible way of showing that confident naïveté that feels so classic to a teen experience. I felt so much nostalgia reading this book.

This is the first book by Bagieu that I’ve read, but after reading about her other work in her author biography, I’ve already got more of her books on my reading list. I’m pretty sure I’m going to need sources of joy in the coming year.

Content Notes

Recommended for Ages 16 up.

Profanity/Crude Language Content
Brief, strong swearing.

Romance/Sexual Content
Kissing and references to sex. A couple of panels show topless ladies (one image references something shown on TV on certain days when the author was growing up). One scene shows Pénélope and her boyfriend nestled together. We infer that they’re having sex based on body positions, but there’s no graphic nudity other than the above.

A couple of scenes reference sexual assault. It’s two stories told side by side, one when Pénélope was a child and one when she was older. In the younger scene, she spends the night with friends, and a boy gets out of bed and comes to her in the middle of the night. All we see are their eyes, but it’s clear Pénélope is scared and uncomfortable. She sneezes loudly and wakes up her friend, and the boy goes back to his own bed. Similarly, in the later scene, she’s gone to sleep, and a man touches her. She tells him to stop, and he acts entitled to her body. When she refuses him again, he kicks her out of his apartment. In both instances, she worries about telling someone else and being blamed for what happened.

Spiritual Content
A loved one promises Pénélope that she’ll sense her presence with her after she dies. Pénélope imagines or senses arms wrapped around her later when she feels sad. One image shows two angels who’ve sent the translucent, hugging arms.

Violent Content
References to unwanted sexual advances and feeling unsafe.

Drug Content
Pénélope and her friends smoke cigarettes in some scenes.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. All opinions are my own.

Review: Legacy: Women Poets of the Harlem Renaissance by Nikki Grimes

Blogger's Favorites, Book Review and Content, Middle Grade 8-12, Poetry, Young Adult/Teen 12-18, , , , ,

Legacy: Women Poets of the Harlem Renaissance
Nikki Grimes
Bloomsbury USA Children’s
Published January 5, 2021

Amazon | Bookshop | Goodreads

About Legacy: Women Poets of the Harlem Renaissance

From Children’s Literature Legacy Award-winning author Nikki Grimes comes a feminist-forward new collection of poetry celebrating the little-known women poets of the Harlem Renaissance–paired with full-color, original art from today’s most talented female African-American illustrators.

For centuries, accomplished women–of all races–have fallen out of the historical records. The same is true for gifted, prolific, women poets of the Harlem Renaissance who are little known, especially as compared to their male counterparts.

In this poetry collection, bestselling author Nikki Grimes uses “The Golden Shovel” poetic method to create wholly original poems based on the works of these groundbreaking women-and to introduce readers to their work.

Each poem is paired with one-of-a-kind art from today’s most exciting female African-American illustrators: Vanessa Brantley-Newton, Cozbi A. Cabrera, Nina Crews, Pat Cummings, Laura Freeman, Jan Spivey Gilchrist, Ebony Glenn, April Harrison, Vashti Harrison, Ekua Holmes, Cathy Ann Johnson, Keisha Morris, Daria Peoples-Riley, Andrea Pippins, Erin Robinson, Shadra Strickland, Nicole Tadgell, and Elizabeth Zunon.

Legacy also includes a foreword, an introduction to the history of the Harlem Renaissance, author’s note, and poet biographies, which make this a wonderful resource and a book to cherish.

My Review

I am woefully underread when it comes to poetry, something that I’m working on fixing this year. I know that we studied a poem by Langston Hughes when I was in middle school, but I’m not sure we ever returned to his work later or ever really acknowledged the Harlem Renaissance. So, I figure doing some learning about this is long overdue.

I had heard of Nikki Grimes before picking up this book, but I don’t know that I’d read any of her work. At first I was hesitant about reading a book that paired authors from two different times and added artwork. Like, would it be confusing to me to bounce back and forth and remember which poems were from the Harlem Renaissance and which were more current?

I shouldn’t have worried, honestly. Looking back, that was a silly excuse, and I’m glad it didn’t stop me from reading this collection. The way Grimes put the collection together really celebrates the Harlem Renaissance poets.

First, you read a poem by a Harlem Renaissance poet, such as “I Sit and Sew” by Alice Dunbar-Nelson. One or two lines of the poem appear in boldface. “Room for Dreams” by Nikki Grimes appears on the next page, and the bold-face words from Dunbar-Nelson’s poem appear one by one at the end of each line of Grimes’ poem. So, the lines that appeared in bold in the original poem appear vertically in the poem by Nikki Grimes.

The themes from the two poems also connect. For example, both “I Sit and Sew” and “Room for Dreams” call out the limits that women faced (and face) in having prescribed societal roles.

Stunning artwork follows each pair of poems. The vibrant colors are captivating, and the illustrations reflect the emotions found in the poetry. Biographies about each poet and illustrator fill a section at the end.

Conclusion

Altogether, this is a fantastic illustrated poetry collection that celebrates women poets and artists. While this book should be enjoyed year-round, it’s a wonderful resource for Black History or Women’s History celebrations.

Content Notes

Recommended for Ages 10 up.

Profanity/Crude Language Content
None.

Romance/Sexual Content
None.

Spiritual Content
None.

Violent Content
None.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. All opinions are my own.

Review: Needy Little Things by Channelle Desamours

Book Review and Content, Contemporary, Young Adult/Teen 12-18, , , , , ,

Needy Little Things
Channelle Desamours
Wednesday Books
Published February 4, 2025

Amazon | Bookshop | Goodreads

About Needy Little Things

In this debut speculative YA mystery, a Black teen with premonition-like powers must solve her friend’s disappearance before she finds herself in the same danger.

Sariyah Lee Bryant can hear what people need—tangible things, like a pencil, a hair tie, a phone charger—an ability only her family and her best friend, Malcolm, know the truth about. But when she fulfills a need for her friend Deja who vanishes shortly after, Sariyah is left wondering if her ability is more curse than gift. This isn’t the first time one of her friends has landed on the missing persons list, and she’s determined not to let her become yet another forgotten Black girl.

Not trusting the police and media to do enough on their own, Sariyah and her friends work together to figure out what led to Deja’s disappearance. But when Sariyah’s mother loses her job and her little brother faces complications with his sickle cell disease, managing her time, money, and emotions seems impossible. Desperate, Sariyah decides to hustle her need-sensing ability for cash—a choice that may not only lead her to Deja, but put her in the same danger Deja found herself in.

My Review

Sariyah’s younger brother has sickle cell anemia. I think this is the first time I’ve seen that represented on the page. Her mom is also depressed, and Sariyah has ADHD, so there’s quite a bit of representation for those conditions.

The novel’s pace didn’t match what I expected, which isn’t to say that it was bad. Based on the back cover copy, I made assumptions about the story that turned out to be wrong. For example, I thought that Sariyah’s decision to use her gift for money would have been a bigger or longer part of the story.

Sariyah’s ability to hear people’s needs reminded me of the main character in Parable of the Sower by Octavia Butler. In that book, Lauren, the protagonist, can feel others’ pain, which affects her ability to live her life. Sariyah’s experience isn’t quite so potentially life-threatening. However, it leaves her struggling to balance meeting others’ needs, which gives her internal peace, versus protecting herself and her ability so no one exploits or endangers her. I thought the similarity/difference was interesting. The author used Sariyah’s gift well to drive the story forward and create thought-provoking situations.

I enjoyed the book, especially once I was better attuned to its main theme (finding a missing girl). I’d love to read more by Channelle Desamours, so I’ll be on the lookout for her books.

Content Notes

Recommended for Ages 14 up.

Profanity/Crude Language Content
Some swearing, including f-bombs, is used with moderate frequency.

Romance/Sexual Content
Kissing.

Spiritual Content
None.

Violent Content
References to an unsolved missing persons case. A woman stabs a man in the neck with a nail file when she perceives him as a threat. Some references to stalking behavior and verbal threats. Kidnapping. Someone attacks a girl and a man.

Drug Content
Characters smoke pot. Reference to a character smoking pot offscene.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: The Swans of Harlem by Karen Valby

Biography, Blogger's Favorites, Book Review and Content, Nonfiction, Young Adult/Teen 12-18, , , , , , , , , , ,

The Swans of Harlem: Five Black Ballerinas, a Legacy of Sisterhood, and Their Reclamation of a Groundbreaking History (Adapted for Young Adults)
Karen Valby
Delacorte Press
Published January 14, 2025

Penguin/Random House | Amazon | Bookshop | Goodreads

About The Swans of Harlem (Adapted for Young Adults)

A full accounting of five incredibly talented Black ballerinas from The Dance Theater of Harlem, founding members among them, that illuminates their hard-fought, historic, and overlooked contributions to the world of classical dance at a time when racism shut out Black dancers from major dance companies.

It was true until only recently, their past achievements had been erased—that’s what happened to five Black ballerinas, members of the groundbreaking Dance Theater of Harlem. At the peak of the Civil Rights Movement, Lydia Abarca, who dance critics praised effusively, was the first Black prima ballerina of this major dance company, performing lead roles in the most iconic ballets. She was also the first Black ballerina to grace the cover of Dance magazine.

Alongside fellow founding members Sheila Rohan and Gayle McKinney-Griffith, and first-generation dancers Karlya Shelton and Marcia Sells, these swans of Harlem shone a bright light on the depth of Black professional classical dancers. Their grit, determination, and exquisite artistry propelled them to dizzying heights, but over the decades, their trailblazing and triumphs were largely forgotten.

Now these ballerinas and longtime friends are giving voice to their stories on and off stage—reclaiming a past so that it is finally recorded and acknowledged.

My Review

I couldn’t put this incredible book down. As a former dancer myself, I love reading about dance history. This book is packed with personal stories and experiences centering on five Black ballerinas who had ground-breaking careers beginning in the Dance Theatre of Harlem.

One of the things the book does so beautifully is to hold many things concurrently. For example, it acknowledges the five dancers’ love and appreciation for Misty Copeland and her career but also respects their frustration at the way their own achievements have been erased.

The book celebrates the incredible achievements of the Dance Theatre of Harlem but doesn’t shy away from the flaws or harm that existed in the company, whether through colorism or harsh criticism from its director.

Really, the story continually centers the stories of these five incredible women. It follows the paths of each one’s career to their reconnection during the COVID-10 pandemic and their reflections on the past from that vantage point.

When I received my review copy of this book, I grabbed my copy of Misty Copeland’s Black Ballerinas: My Journey to Our Legacy. I’d read it back in 2023 wanted to see if it included any of the women featured in this book. It doesn’t, and in fact, Copeland didn’t even know about these dancers until after writing her book. In a chapter near the end, the five ballerinas join her on stage and share their history with her. I wasn’t expecting to have their absence in Copeland’s book explained. I love that it was something the author included, though.

Conclusion

Dance fans and fans of the arts will especially want to check out this book. The writing is compelling and makes you feel like you get to know each dancer personally. The story is perfectly timed to add to our conversations about the erasure of Black achievements in history and the importance of continuing to tell these stories.

Don’t miss the giveaway at the end of the post!

Content Notes

Recommended for Ages 13 up.

Profanity/Crude Language Content
References to verbal abuse. References to colorism and fat-phobic comments.

Romance/Sexual Content
Very brief references to marriage and divorce.

Spiritual Content
One dancer eventually converts to Islam. Another uses yoga and Buddhist practices to manage stress.

Violent Content
See above references to verbal abuse. Brief reference to a marriage ended by domestic violence.

Drug Content
Reference to a partner’s cocaine addiction and two dancers’ struggles with alcoholism.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

The Swans of Harlem Tour Schedule

Visit the other stops and get more information about the book.

February 24th — The Candid Cover

February 25th — The Story Sanctuary (you are here)

February 26th — Lit Lemon Books

February 26th — Tea Time Lit

February 27th — Twirling Book Princess

February 28th — Bloggin’ ’bout Books

Giveaway for The Swans of Harlem

Enter to win a copy of the book!

a Rafflecopter giveaway

Review: Between the World and Me by Ta-Nehisi Coates

Book Review and Content, Memoir, Nonfiction, Parenting, Young Adult/Teen 12-18, , ,

Between the World and Me
Ta-Nehisi Coates
Spiegel & Grau
Published July 14, 2015

Amazon | Bookshop | Goodreads

About Between the World and Me

“This is your country, this is your world, this is your body, and you must find some way to live within the all of it.”

In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden?
 
Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

My Review

I listened to an audiobook version of this book that was read by the author. It’s a pretty short book, only about 150 pages divided into three chapters. The first two are much longer than the third chapter.

This is Coates’ letter to his son, and it’s about his experience as a young Black man and his thoughts and experiences about becoming a father to a Black son. While this was published in 2015, it could have been written today. Everything in these pages feels just as relevant today as it did almost ten years ago.

One of the things that the author talks about is his relationship to history and education. Some of the ways he describes his interest in or quest to learn more about history really resonated. He talks about wanting history to have one cohesive narrative in which historians agree, and that instead, he found the opposite: lots of voices with different takes on historical events and their significance.

He also talks about realizing that we simplify historical figures into something that we want them to be. This doesn’t allow room for who they truly were because it removes part of their stories. I want to reread that passage in particular because it’s so true, and he says it so well.

Coates also talks about someone he knew in college whose life was cut short when he was killed by a police officer. He returns to this story several times through the book. Again and again he talks about the idea that in this world, safety means having control of your body. And there are situations in which he does not have a guarantee of that control, including in encounters with police.

He refers to “people who think they are white” many times, which I think comes from a quote attributed to James Baldwin. That gave me some food for thought as well, as it really highlights the made-up-ness of race and the self-assigned value of whiteness. Again, a really concise way to say a big idea, something the author does really well.

Overall, this book delivered a lot of ideas that I want to let percolate. I loved reading this vulnerable, wise letter from a father to his son. It makes sense that this one got the awards and acclaim that it has. It’s definitely worth reading.

Content Notes

Recommended for Ages 14 up.

Profanity/Crude Language Content
Includes use of the N-word very infrequently.

Romance/Sexual Content
Reference to falling in love, getting married, and having a child.

Spiritual Content
Coates himself does not believe in God, but he references others that do and the power of that belief in others’ lives.

Violent Content
References to racist comments. Vague references to street fights. References to police violence and death at the hands of a police officer.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. All opinions are my own.