Blues guitarist Blind Willie Johnson led a hardscrabble life, but in 1977, NASA’s Voyager spacecrafts were launched, each carrying a golden record to introduce planet Earth to the cosmos, and his song “Dark Was the Night, Cold Was the Ground” became the defining anthem.
Weaving together elements of Johnson’s biography with an account of how a team of astrophysicists, writers, and artists created the golden record for the Voyager mission, Jan Lower and Gary Kelley craft a tale that is itself A SONG FOR THE COSMOS.
Gary Kelley’s compelling, graphic-style art shares the poignancy of Johnson’s life and music. Kelley is an award-winning illustrator. His books include NEXT YEAR, HARLEM HELLFIGHTERS, and VIRGINIA WAS A SPY published by Creative Editions.
My Review
I like the way this book tells these two stories– the story of the Voyager mission, and the biography of Blind Willie Johnson’s life– together. At first I wasn’t sure how well they’d fit together, but I think both the writing style, which I loved, and the artwork pull the stories together to create echoes from one to the other.
The illustrations are striking, at times feeling a little but otherworldly or haunting as they show scenes from Johnson’s life or representations of other records included in the Voyager mission. By the end of the book, I was such a fan of the artwork and the idea of juxtaposing two stories together as one that I had to look up the other books by Gary Kelley. I really want to check out BACH AND THE BLUES: PABLO CASALS AND ROBERT JOHNSON, since it looks a bit similar.
In the back of the book, there’s a more detailed account of Johnson’s life as well as more information about the Voyager’s journeys. You can also find out where to listen to the sounds and music included on the record.
I think this would make a really great addition to a science or music curriculum. Readers who love biographies or music or space history definitely want to check this one out.
Content Notes
Recommended for Ages 9 to 12.
Representation Offers biographical information about Black singer/songwriter Blind Willie Johnson. Briefly references that greetings in many other languages and music from a variety of cultures are included in the golden record, as it’s purpose was to represent the whole world.
Profanity/Crude Language Content None.
Romance/Sexual Content Mentions that Johnson married.
Spiritual Content None.
Violent Content None.
Drug Content None.
Note: This post contains affiliate links, which do not cost you anything to use, but which help support this blog. I received a free copy of A SONG FOR THE COSMOS in exchange for my honest review.
A young teen falls in with the Mob and learns a lesson about what kind of person he wants to be.
In THE PRINCE OF STEEL PIER, Joey Goodman is spending the summer at his grandparents’ struggling hotel in Atlantic City, a tourist destination on the decline. Nobody in Joey’s big Jewish family takes him seriously, so when Joey’s Skee-Ball skills land him an unusual job offer from a local mobster, he’s thrilled to be treated like “one of the guys,” and develops a major crush on an older girl in the process.
Eventually disillusioned by the mob’s bravado, and ashamed of his own dishonesty, he recalls words of wisdom from his grandfather that finally resonate. Joey realizes where he really belongs: with his family, who drive him crazy, but where no one fights a battle alone. All it takes to get by is one’s wits…and a little help from one’s brothers.
My Review
I feel like every time I read historical fiction, I find myself thinking I should read more of it, and THE PRINCE OF STEEL PIER definitely made me think that again. I really enjoyed the setting and time period. At one point, Joey talks about going to see the diving horses, and that made me want to watch WILD HEARTS CAN’T BE BROKEN again, which I haven’t seen in years.
I loved the scenes that showed Joey’s big Jewish family. His relationships with his brothers felt so real. Sometimes I couldn’t help laughing at the banter between them. At other times it was sad to see them growing apart.
Joey’s character totally drew me in. He chafed against the opinion he thought his family had of him as a weak or oversensitive person. But as he struck out on his own and tried to build a new reputation with Artie and his gang, Joey found that while they treated him like an independent person, they also expected things of him that he wasn’t sure he could give or even should give.
I thought the story balanced Joey’s character growth with the fast-paced plot pretty well. I felt like there was always just enough time to pause and explore Joey’s feelings before something new before the next conflict emerged.
All in all, I really enjoyed reading this book. Joey is a layered character who expertly guides us through his journey in a fascinating 1970s Atlantic City landscape.
Content Notes
Content warning for Antisemitic comments.
Recommended for Ages 9 to 13.
Representation Joey and his family are Jewish.
Profanity/Crude Language Content Joey encounters people who make Antisemitic comments about him and his family.
Romance/Sexual Content Joey has a crush on a girl.
Spiritual Content Joey worries about his faith. He doesn’t believe in God and worries that his family would be disappointed in him.
Violent Content Joey witnesses some men trying to intimidate another man. Joey overhears some implied threats, too. In one scene, two men pull out knives, threatening another man.
Drug Content A man at a bar drinks liquor. Joey talks about a time someone in his family gave him a shot of whiskey.
Note: This post contains affiliate links, which do not cost you anything to use, but which help support this blog. I received a free copy of THE PRINCE OF STEEL PIER in exchange for my honest review.
Philly native Roberta Forest is a precocious rebel with the soul of a poet. The thirteen-year-old is young, gifted, black, and Catholic—although she’s uncertain about the Catholic part after she calls Thomas Jefferson a hypocrite for enslaving people and her nun responds with a racist insult. Their ensuing fight makes Roberta question God and the important adults in her life, all of whom seem to see truth as gray when Roberta believes it’s black or white.
An upcoming essay contest, writing poetry, and reading The Autobiography of Malcolm X all help Roberta cope with the various difficulties she’s experiencing in her life, including her parent’s troubled marriage. But when she’s told she’s ineligible to compete in the school’s essay contest, her explosive reaction to the news leads to a confrontation with her mother, who shares some family truths Roberta isn’t ready for.
Set against the backdrop of Watergate and the post-civil rights movement era, Angel Dressed in Black is a gritty yet graceful examination of the anguish teens experience when their growing awareness of themselves and the world around them unravels their sense of security—a coming-of-age tale of truth-telling, faith, family, forgiveness, and social activism.
My Review
I keep writing sentences that start with, “My favorite thing about this book…” and then I remember something else equally as awesome as the thing I was originally going to call my favorite.
I loved a LOT about this book. The characters are complex. Roberta, at fourteen, is just beginning to discover that she can admire and despise things about the same person. I loved that that lesson was repeated in her relationships with multiple characters in the story.
MALCOLM AND ME definitely challenged me. I feel like, at the beginning of the story, I wanted to doubt Roberta’s perceptions of things sometimes. Or offer more benefit of the doubt than she was comfortable offering. A couple of times I paused in my reading to think that through and made a conscious decision to listen to her story and see where it all went before making any judgments.
I feel like I grew as a reader, but I also think Roberta’s story was so rich and compelling that she would have pulled me along with her no matter what. But I know I really deeply loved the way MALCOLM AND ME explored relationships, particularly her relationship with the nun who used racist insults to humiliate her and with her father, who she learns has some troubling secrets.
Through all this, she continues to evaluate her faith in God– sometimes rejecting belief out of anger, other times being swallowed by her guilt, and still other times leaning into prayer and faith as a means of bringing her through dark moments.
She also connects things that happen to her to the life of Malcolm X, whose autobiography she has been reading. I thought it was really cool the way the story showed a progression in her thinking there, too. Sometimes she was drawn to the hardness of some of this words. At other times, she was drawn to the things he said later in his life, more about peace and treating white people as brothers.
Roberta’s confidence can’t help but be inspiring. Her commitment to think deeply and explore issues and her leadership definitely moved me. I loved this book. I want to see it in classrooms and community libraries, and I hope it inspires many conversations about race and history and faith. I absolutely recommend MALCOLM AND ME.
If you missed it yesterday, please check out my Q&A with author Robin Farmer for lots more insight on this fantastic book.
Content Notes
Recommended for Ages 12 up.
Representation Roberta is Black and attends a mostly white Catholic school.
Profanity/Crude Language Content Strong profanity used infrequently. Some racial slurs, including use of the N-word.
Romance/Sexual Content Some vague references to men having affairs. Several times Roberta comments on curvy women and the men around them eyeballing those curves.
Spiritual Content Roberta attends Mass and confession. She and other characters pray sometimes. Sometimes she doubts her faith.
Violent Content A woman slaps a girl multiple times. The girl hits her back in the chest. A woman punches a wall in the midst of an argument. Two boys get into a fistfight.
Drug Content None.
Note: I received a free copy of MALCOLM AND ME in exchange for my honest review. This post contains affiliate links, which do not cost you anything to use, but which help support running this blog.
It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school, not at her conservative Orange County church and certainly not at home, where her ultrareligious aunt relentlessly organizes antigay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk…until she’s matched with a real-life pen pal who changes everything.
Sharon Hawkins bonds with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others–like helping her gay brother hide the truth from their mom–and the kind she tells herself. But as antigay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths, what they’ll stand for…and who they’ll rise against.
A master of award-winning queer historical fiction, New York Times bestselling author Robin Talley once again brings to life with heart and vivid detail an emotionally captivating story about the lives of two teen girls living in an age when just being yourself was an incredible act of bravery.
My Review
So by now you probably know I LOVE books about music, and I have a particular soft spot for punk. I also found myself drawn to the historical aspect of MUSIC FROM ANOTHER WORLD, too, as I’m not familiar with very much of what happened in the 1970s.
The story is told entirely in diary entries and letters that Tammy and Sharon write to each other. In the diary entries, they often report things they aren’t ready to tell each other, or things that happen to both of them together. I liked the format and felt like it made things really personal. I felt like I could watch their friendship grow and its affect on their diary entries and feelings of isolation.
Both Tammy and Sharon belong to conservative Christian schools and communities and wrestle with feeling like they don’t belong. Tammy believes if she ever tells the truth about who she is (that she’s gay), she’ll be cast out of her family and community. Sharon worries for the same about her brother, who’s also gay.
This story hit me pretty hard. I grew up in a conservative Christian community (and still live in the town where I grew up), and I’ve wondered before about what it would be like to come out to that group of people. I think there would have been talk of conversion therapy, not by my parents, but by some of their friends and church members. My parents wouldn’t have stopped speaking to me or kicked me out. That’s just not how they operate. But it would have cost me most (if not all) of the contact I had with my faith community, and that would have been really painful and difficult.
I grew up with a girl who came out to her parents and lost her relationships with them. They haven’t spoken to her in years. They didn’t even try to contact her after the Pulse shooting to see if she was okay, and I can’t even imagine how hurtful that is.
Anyway, I guess reading this book, not only did I connect with Tammy and Sharon and everything they went through, I guess I pictured the faces of my friends, and it made me think about what it was like– even decades later than this book takes place– to grow up in a conservative church and be gay.
I really enjoyed the book, both for the emotional journeys that it brought me on and for the really fun punk scene (Midge Spelling is my favorite!).
Check out the Q&A with Robin Talley after the content notes!
Content Notes
Recommended for Ages 14 up.
Representation Multiple characters are gay.
Profanity/Crude Language Content Extreme profanity used fairly frequently.
Romance/Sexual Content Kissing between boy and girl, references to making out. Reference to oral sex. Kissing between same sex couples.
Spiritual Content Both Tammy and Sharon are part of conservative Christian churches which believe that being gay is a sin. They come across as dogmatic, angry, and manipulative. One church leader gets caught in an affair and embezzling money from a charity.
Violent Content Some references to fights during punk shows.
Drug Content Teens drinking alcohol.
Note: This post contains affiliate links, which do not cost you anything to use, but which help support the costs of running this blog. I received a free copy of MUSIC FROM ANOTHER WORLD in exchange for my honest review.
Q&A with Author Robin Talley
Q: What is your favorite thing about Tammy or Sharon?
A: I love the close connection between Sharon and her brother, Peter. That was another element of the story that came to me very early and was crucial in how I envisioned the characters’ lives. They’re siblings and best friends who know exactly how to get on each other’s nerves when they want to, but when it comes down to it, they’ll do absolutely anything for each other.
Q:
Are there any parts of Tammy and Sharon’s lives that reflect your own?
A: Their lives are pretty different from mine — for one thing, I wasn’t born yet when their story takes place, and I’ve always lived on the East Coast. I did grow up in a more right-wing community than I live in now, though, and I was part of a pretty conservative church community there. Though my church wasn’t politically active, thank goodness.
Q:
How did you come up with the letters to Harvey?
A: From the beginning, my very first kernel of the idea that led to this book was the image of Tammy in her church basement, writing a secret letter to Harvey Milk while around her, everyone she knew was celebrating the victory of Christian singer and TV commercial star Anita Bryant’s campaign to overturn a gay rights law in Miami. I imagined Tammy surrounded by people, but still completely isolated, and reaching out to the only person she’d ever heard of who she thought might be able to understand how she felt. At that time, Harvey was getting a lot of media attention nationwide as one of the most outspoken gay rights activists (he also served as a convenient bogeyman for anti-gay right-wing activists).
Q:
What inspired you to write in the Harvey Milk era?
A:
The history of activism for LGBTQ equality has always
been a big interest of mine. Before Music
From Another World I’d written two books that both focused on queer
characters living in the 1950s, when being a member of that community meant,
almost by default, being closeted. I wanted to explore a later era when, for
the first time, some LGBTQ people began to see coming out as a real option —
but an option with consequences that could be catastrophic. The late 1970s was
also when the anti-gay community first started to emerge as a major political
player, so that was interesting to explore as well.
Q:
What was the most difficult part of the story to write, and why did you feel it
was important to include that part?
A: I had a lot of trouble writing some of the things that happen to Tammy near the story’s midpoint (trying to be vague here to avoid spoilers). I hate to ever write about the characters that I care about experiencing anything negative, but the reality of the situation required it. The stakes Tammy faced were simply too high.
Q:
How do you balance the intensity of the time period and subject with the love
story?
A: That’s just the thing — we’re all living our lives against the backdrop of history, one way or another. We’re living through an incredibly turbulent time in the world right now, just like Sharon and Tammy were in the late 1970s, but people are still going to school, fighting with their parents, getting their first jobs, etc. And, yes, falling in love. For all of us, just like for these characters, we have to figure out how the minutiae of day to day life (and sometimes the drama of it) fits in with the bigger picture, and not lose sight of the contributions we make to the larger world, too.
Q:
What is one thing you hope readers take away from MUSIC FROM ANOTHER WORLD?
A:
I hope they’ll go on to read more on their own about
the events that followed the end of this story. There were a ton of both highs
and lows in the movement for LGBTQ rights, and although this story focuses
largely on 1978’s Proposition 6 in California, also known as the Briggs
Initiative, that was just one campaign out of a much larger movement, and it
was the larger movement that laid the foundation for events that we’re still
seeing play out today.
About Recipe for Hate
The X Gang is a group of punks led by the scarred, silent, and mostly unreadable Christopher X. His best friend, Kurt Blank, is a hulking and talented punk guitarist living in the closet. Sisters Patti and Betty Upchuck form the core of the feminist Punk Rock Virgins band, and are the closest to X and Kurt. Assorted hangers-on and young upstarts fill out the X Gang’s orbit: the Hot Nasties, the Social Blemishes, and even the legendary Joe Strummer of the Clash. Together, they’ve all but taken over Gary’s, an old biker bar. Then over one dark weekend, a bloody crime nearly brings it all to an end.
Based on real events, Warren Kinsella tells the story of the X Gang’s punk lives — the community hall gigs, the antiracism rallies, the fanzines and poetry and art, and what happened after the brutal murders of two of their friends.
My Review
I kind of can’t resist books featuring punk kids or the late 70s era punk scene, and this book is both. It’s raw and gritty and soaked in the passion for personal freedom, disdain for authority, and commitment to indie music which the punk scene is so known for. Reading it felt, to me, much like watching the movie SLC Punk.
While I loved the setting and all the punk culture, the style of the writing was hard to follow at times. The narrator, Kurt, would digress from the present into memories and backstory—all of which were interesting and added some flavor to the story, but made it a little confusing to keep the timeline straight.
Scenes jumped around from one perspective to another, revealing details the narrator, Kurt, wasn’t present to witness. Sometimes he would explain he’d learned the details later. Especially toward the end of the book, as things begin to happen quickly, I found the narrative choppier. Sometimes the story would shift to a different scene or time within the same paragraph. I think it would have helped to have a hard break before each shift to make it easier to follow what’s happening visually.
In terms of plot, Recipe for Hate had some really surprising moments which I didn’t see coming. (I won’t give anything away.) More than once the story took a turn I didn’t expect—in a good way. The plot made sense but wasn’t predictable.
The story contains a lot of profanity and some graphic descriptions of violence, so that may be a barrier to sensitive readers. See the content section for more specifics. If you like murder mystery with a sort of stream-of-consciousness style narration, you will want to check out Recipe for Hate.
Recommended for Ages 16 up.
Cultural Elements
Kurt mentions that he’s gay. Some of their friends are Jewish or lesbian. Several members of radical racist groups say really inflammatory things. There’s a general disdain for police in the punk scene.
Profanity/Crude Language Content
Extreme profanity used frequently. Racial slurs used (by racist characters) infrequently.
Romance/Sexual Content Brief kissing between a boy and girl. Kurt briefly recalls a friend telling him about two men who raped her. At one point, the boys find a girl whose clothes are roughed up, and she tells them a man planned to rape her but was interrupted.
Spiritual Content The racist extremists have some devotion to a sort of twisted Christian doctrine. The first two boys found murdered have obvious connections to rituals celebrated by this group. (One boy is found in the position of a crucifixion for instance.)
Violent Content The description of the murder scenes, while brief, is pretty brutal. Extremists beat up a young man and woman.
Drug Content
Some references to drinking alcohol.
Note: I received a free copy of this book in exchange for my honest review.
Her mother’s cancer dominates Vanessa’s life. Alternative treatments in Mexico are the only hope for her mom, whose cancer is terminal. While Vanessa tries to anticipate her mother’s every need and keep her sisters (foul-mouthed Adrienne and saint-obsessed Marie) together, she also dreams of a day when she can pursue her own dreams. She pours out her grief in her music and counts the days until she’ll hear back from music schools about applications she’s secretly sent out.
Then two new members join Vanessa’s family group—a boy whose cancer is in remission and his overprotective mother. As Vanessa and Caleb begin to fall in love, a terrible betrayal rips her family apart. Vanessa and her sisters must sift the wreckage for the truth and discover how to heal.
I started reading this book feeling a little anxious about the whole betrayal aspect. It’s always a gamble, right? You don’t want the character you fall in love with to be the guy who suddenly turns out to be the villain. So it’s a risky thing to read a book where you know something like this will happen and it’s going to be REALLY BAD.
That said, I felt like Devlin handled the betrayal part with real care and power. I was shocked by what happened (I had a short list of things I imagined the betrayal might be, and it turned out to be none of the things on my list) and definitely identified with the girls as they scrambled to piece together their own feelings and care for one another. I liked all three of the sisters. Marie’s obsession with saints fascinated me, especially juxtaposed against her relationship with her mom.
I loved that there are honorable adults in the story. Not all of them are honorable, but as the girls endure this betrayal, it shakes their faith in who the good guys are and who they can trust, especially where adults are concerned. I liked that as I looked around at the cast of characters, there were respect-worthy role models there for the girls to fall back on. We all need that. We all need mentors who’ve gone before us who can encourage us to keep seeking the truth and moving forward. So that really resonated with me.
Just before this book I read One Paris Summer which also features a young talented pianist. It was interesting reading each character’s different reactions to the same composers (some I was familiar with and some I wasn’t) and why certain pieces were significant to them. Both girls found music to be a way to express their grief and strong feelings about the changes in their lives. They’re very different stories, but I felt like both did justice to the healing power of music.
This book is darker than One Paris Summer, but has some real thought-provoking ideas in it. See the content description below to decide whether this book is a good fit for you or your readers.
Cultural Elements
Vanessa and her sisters drive with their mother across the Mexican border to receive cancer treatment that’s illegal in the United States. A nurse named Lupe takes care of Vanessa’s mom, and a cook named Rico dotes on the girls. The major characters are white, middle-class Americans.
Profanity/Crude Language Content
Extreme profanity used with moderate frequency.
Romance/Sexual Content Vanessa states that Adrienne and her boyfriend have been sleeping together for a year. Vanessa herself is a virgin, but when she begins seeing her first boyfriend, she feels this might change. She exchanges kisses with him, and at one point he reaches under her shirt/bra. At one point Adrienne makes posters sexually denigrating to her ex-boyfriend.
Spiritual Content Marie idolizes saints listed in a book. She quotes them and collects cards with the saints pictured on them. She especially loves the young virgin girls murdered for their strong faith, like Joan of Arc. At one point the family decides a Catholic school may be the best place for Marie because she’ll receive some understanding for her love of saints while also having the structure she desperately needs to survive the tumult at home.
Violent Content Mild violence. Adrienne has some angry outbursts. One of the girls remembers her mother slapping a nurse and becoming agitated when a doctor tries to draw blood for tests.
Drug Content
Vanessa’s mother receives alternative treatment in Mexico considered by US doctors to be harmful, even toxic. Caleb believes the treatment is harmful and wants to discontinue it, but at seventeen, he doesn’t have the right to refuse treatment his mom requires him to have.
Note: I received a free copy of this book in exchange for my honest review.
