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Meg Jo Beth Amy: The Story of Little Women and Why It Still Matters by Amy Boyd Rioux cover shows four girls (presumably the March sisters) in long dresses.

Review: Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters by Amy Boyd Rioux

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Meg Jo Beth Amy: The Story of Little Women and Why It Still Matters by Amy Boyd Rioux cover shows four girls (presumably the March sisters) in long dresses.

Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters
Amy Boyd Rioux
W. W. Norton & Company
Published August 13, 2019

Amazon | Bookshop | Goodreads

About Meg, Jo, Beth, Amy

On its 150th anniversary, discover the story of the beloved classic that has captured the imaginations of generations.

Soon after publication on September 30, 1868, LITTLE WOMEN became an enormous bestseller and one of America’s favorite novels. Its popularity quickly spread throughout the world, and the book has become an international classic. When Anne Boyd Rioux read the novel in her twenties, she had a powerful reaction to the story. Through teaching the book, she has seen the same effect on many others.

In MEG, JO, BETH, AMY, Rioux recounts how Louisa May Alcott came to write LITTLE WOMEN, drawing inspiration for it from her own life. Rioux also examines why this tale of family and community ties, set while the Civil War tore America apart, has resonated through later wars, the Depression, and times of changing opportunities for women.

Alcott’s novel has moved generations of women, many of them writers: Simone de Beauvoir, J. K. Rowling, bell hooks, Cynthia Ozick, Jane Smiley, Margo Jefferson, and Ursula K. Le Guin were inspired by LITTLE WOMEN, particularly its portrait of the iconoclastic young writer, Jo. Many have felt, as Anna Quindlen has declared, “Little Women changed my life.”

Today, Rioux sees the novel’s beating heart in Alcott’s portrayal of family resilience and her honest look at the struggles of girls growing into women. In gauging its current status, Rioux shows why LITTLE WOMEN remains a book with such power that people carry its characters and spirit throughout their lives.

Why I Read Meg, Jo, Beth, Amy

Reading BELITTLED WOMEN by Amanda Sellet stirred up my curiosity about LITTLE WOMEN, which it pays homage to and perhaps very loosely retells. I hadn’t read LITTLE WOMEN and didn’t really know much about it, other than the 1994 movie, which I’ve watched countless times and still love.

A quick internet search about some of the assertions about the story and author mentioned in BELITTLED WOMEN led me to this book. I read LITTLE WOMEN earlier this year so that I’d have more familiarity with the commentary here and could compare it to my own experience reading the book. But I also wanted to read it because I’m seeing more and more retellings of the book.

Anyway. So I read LITTLE WOMEN, and then read this book, giving some history and commentary on it.

My Review

Where do I start? Ha. The book begins with a brief history of Louisa May Alcott’s life, highlighting parts of her childhood and family life that she pulled from in her imagining of her most popular novel. It also discusses her own thoughts about the book and its popularity. For example, she didn’t want to marry Jo off to someone but felt pressured by her fans. She was also known to rush out the back door if fans came to visit her.

The book also talks about how different generations have received LITTLE WOMEN and the changing commentary about the story across the decades. I found that really interesting. There’s a chapter that focuses on adaptations of LITTLE WOMEN to the stage or screen. I’ve only seen the 1994 and 2019 movies, so I made a list of other versions that I’d like to check out. I pitched a LITTLE WOMEN movie binge to my mom and daughter for the week of Thanksgiving, so we’ll see how that project turns out!

There is also a chapter in which the author lists writers who name LITTLE WOMEN as an influence on their work and/or count it among their favorite books. She also talks about who is reading the book still today, and how and when literature began to segregate itself into books for boys versus books for girls.

Conclusion

For the most part, I found this book to be deeply fascinating. I think I zoned out a teeny bit in the section listing authors who were inspired by the story. It was a little repetitive there. But I loved the chapter about the author’s life and the exploration of how different generations have related to this book. I also loved the focus on developing conversations about feminism and different takes on whether the book is progressive or conservative and why.

I’m really glad I read this one, and especially glad it was the catalyst for reading the original work, which I also really enjoyed. If you loved LITTLE WOMEN or even if you’ve never read it and just wonder what the fuss is about, be sure to grab a copy of this one.

Content Notes

Recommended for Ages 14 up.

Representation
The book mainly focuses on the life of Louisa May Alcott and her family.

Profanity/Crude Language Content
Mild profanity used very infrequently.

Romance/Sexual Content
References love and relationships from the book LITTLE WOMEN as portrayed in the book and on screen.

Spiritual Content
Brief discussion of Louisa May Alcott’s father’s restrictive religious beliefs and how they impacted her as a child. Conservatives of the day were upset with the lack of Christianity in the scenes of LITTLE WOMEN. For example, the book opens with the family celebrating Christmas but with no mention of going to church. When a character dies, there is no mention of her ascending to heaven. A stronger Christian theme was more common in popular novels of the day.

Violent Content
Brief mentions of war as a historical fact.

Drug Content
Like the March family, Louisa May Alcott and her family were against any consumption of alcohol.

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Review: Little Women by Louisa May Alcott

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Little Women
Louisa May Alcott
Naxos Audiobooks Ltd.
Published September 21, 2022 (Original story first published 1868)

Amazon | Bookshop | Goodreads

About Little Women

Grown-up Meg, tomboyish Jo, timid Beth, and precocious Amy. The four March sisters couldn’t be more different. But with their father away at war, and their mother working to support the family, they have to rely on one another.

Whether they’re putting on a play, forming a secret society, or celebrating Christmas, there’s one thing they can’t help wondering: Will Father return home safely?

Why I Read Little Women

Last year I read two different books that retold LITTLE WOMEN in their own ways. One was set during World War II, and the other was a contemporary novel about a girl named Jo who felt trapped by her family’s obsession with the story of LITTLE WOMEN.

In BELITTLED WOMEN, the contemporary story, one character stated some things about Louisa May Alcott that I didn’t know, so before I wrote up my review, I checked online, looking for information about whether the book’s assertions were true. And it looked like they were. I also found a book called MEG, JO, BETH, AND AMY by Anne Boyd Rioux that I really wanted to read. The book gives some biographical information about Alcott’s life and why audiences have loved the story so much through the decades.

Anyway, I realized that first, if LITTLE WOMEN retellings are going to be a thing, I want to read the original. Plus, I really want to read the book about the author’s life and the public’s reception of the story over the years. So anyway. That’s how I came to listen to this 21 hour audiobook narrated by Laurel Lefkow.

My Review

I grew up watching the movie version of LITTLE WOMEN starring Winona Ryder as Jo, so I went into the book familiar with the basic story. There are a lot of differences, obviously, since nobody can take a seven or eight hundred page book and turn it into a two hour movie without cutting and rearranging quite a bit. The thing that struck me immediately was how young the characters are at the beginning (which makes so much sense since it’s marketed as a book for middle grade readers. At the start of the story, Amy is 11, Beth 13, Jo 15, and Meg 17. And for a large portion of the novel, those are the ages they remain. The second part of the novel kind of skips ahead to when they’re older. By the end they’re all adults.

Overall it’s a sweet story about the relationships between sisters and then their transitions to adulthood and marriage. There are some statements in the book that didn’t age so great– Alcott talks several times about a woman’s perfect place being a wife and in caring for her home. But in a scene in which Amy chastises Laurie for being idle, she also says that she disagrees with the idea that young men must act out and sew wild oats. She suggests that if we expected them to act more mature then many of them would meet those expectations– which sounds to me a lot like some of the things I’ve heard in conversations about consent and modesty.

I’m glad I read the book, finally. Considering my love for sister stories, I don’t know why it took me so long to read the classic novel that’s literally most widely known for that exact thing. Those scenes between the sisters were some of my favorite parts of the book.

Content Notes

Recommended for Ages 8 to 12.

Representation
Major characters are white.

Profanity/Crude Language Content
None.

Romance/Sexual Content
A girl sits on the knee of her fiancé and later her husband.

Spiritual Content
Jo and Marmee talk about how reading the Bible and praying can help Jo deal with feelings of anger. Some references to the girls taking time to read or pray.

Violent Content
None.

Drug Content
The March family does not believe in drinking alcohol except for medicinal purposes. When families give them wine to serve at Meg’s wedding, the family donate them to the veteran’s hospital instead.

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Review: Belittled Women by Amanda Sellet

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Belittled Women
Amanda Sellet
Clarion Books
Published November 29, 2022

Amazon | Bookshop | Goodreads

About Belittled Women

Sharp and subversive, this delightfully messy YA rom-com offers a sly wink to the classic LITTLE WOMEN, as teenage Jo Porter rebels against living in the shadow of her literary namesake.

Lit’s about to hit the fan. Jo Porter has had enough LITTLE WOMEN to last a lifetime. As if being named after the sappiest family in literature wasn’t sufficiently humiliating, Jo’s mom, ahem Marmee, leveled up her Alcott obsession by turning their rambling old house into a sad-sack tourist attraction.

Now Jo, along with her siblings, Meg and Bethamy (yes, that’s two March sisters in one), spends all summer acting out sentimental moments at Little Women Live!, where she can feel her soul slowly dying.

So when a famed photojournalist arrives to document the show, Jo seizes on the glimpse of another life: artsy, worldly, and fast-paced. It doesn’t hurt that the reporter’s teenage son is also eager to get up close and personal with Jo–to the annoyance of her best friend, aka the boy next door (who is definitely not called Laurie). All Jo wants is for someone to see the person behind the prickliness and pinafores.

But when she gets a little too real about her frustration with the family biz, Jo will have to make peace with kitsch and kin before their livelihood suffers a fate worse than Beth.

My Review

It seems like there’s been more focus lately on LITTLE WOMEN. At least, BELITTLED WOMEN is the second story inspired by the classic that I’ve read this year. Which is pretty cool. I enjoy seeing how authors reinterpret familiar tales. (The other one is GREAT OR NOTHING.)

My favorite part about this book is the banter. It pretty much never stops. Jo and Amy. Jo and Hudson. And my favorite, Jo and David. So much back and forth and hilarity. I laughed aloud more than once.

References to the Writing of Little Women

One thing I’ll say, though is I wish the author had chosen to include an author’s note in the book clarifying some of the story’s assertions about Louisa May Alcott’s life and the writing of LITTLE WOMEN. I poked around the internet for maybe half an hour, and stumbled onto an article in the ATLANTIC about LITTLE WOMEN and the evolving interpretation of it as we learn more about the author’s life. This article on Mental Floss might also be helpful if you aren’t familiar with the story. I also read the sample pages of the book MEG, JO, BETH, AND AMY: THE STORY OF LITTLE WOMEN AND WHY IT STILL MATTERS by Anne Boyd Rioux.

Admittedly, that’s a pretty scant amount of research on my part. It did help clarify some of the things said in the book. The characters in BELITTLED WOMEN mention some information about Louisa May Alcott’s life and her other writing. One character states that Alcott referred to LITTLE WOMEN as “The Pathetic Family” but doesn’t clarify that is the nickname by which Alcott referred to her own family or really explore the context. It’s kind of meant to show her disdain for the story, and it’s stated by a character who has some ulterior motives, so it makes sense that she would avoid context.

Anyway. I found the story itself wildly entertaining and packed with fun. The Porter family dynamics reminded me a lot of the dynamics in the family of the movie LITTLE MISS SUNSHINE. It’s lots of fun and also has a sweet romantic subplot to boot. I think fans of Emma Mills or Emma Lord will enjoy this one.

Content Notes

Recommended for Ages 14 up.

Representation
Major characters are white. One minor character is Black.

Profanity/Crude Language Content
Extreme profanity used somewhat infrequently.

Romance/Sexual Content
Kissing between boy and girl. In one scene, a girl discovers a boy has purchased condoms in hopeful anticipation of them having sex.

Spiritual Content
None.

Violent Content
Jo and her sister get into a fight during one scene of their show.

Drug Content
Teens drink beer at a party. One boy gets pretty drunk.

Note: This post contains affiliate links, which do not cost you anything to use, but which help support this blog. I received a free copy of BELITTLED WOMEN in exchange for my honest review.

Review: Great or Nothing by Joy McCullough, Caroline Tung Richmond, Tess Sharpe, and Jessica Spotswood

Book Review and Content, Historical, Romance, Young Adult/Teen 12-18, , , , , , , , , ,

Great or Nothing
Joy McCullough, Caroline Tung Richmond, Tess Sharpe, and Jessica Spotswood
Delacorte Press
Published March 8, 2022

Amazon | Bookshop | Goodreads

About Great or Nothing

In the spring of 1942, the United States is reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.

Under the strain of their grief, Beth’s remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Boston, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London–the same city where one Mr. Theodore Laurence is stationed as an army pilot.

Each March sister’s point of view is written by a separate author, three in prose and Beth’s in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one’s way in a world undergoing catastrophic change.

A reimagining of Little Women set in the spring of 1942, when the United States is suddenly embroiled in the second World War, this story, told from each March sister’s point of view, is one of grief, love, and self-discovery.

My Review

I think the idea of this book is really cool. It seemed (I have zero experience to back this up) pretty thoroughly researched– there were lots of descriptions of clothes, food, and common words or phrases that either fit with other things I knew about the 1940s or felt pretty on point for what I expected from a story set in that era. There were also lots of references to historical facts and events, from the attack at Pearl Harbor to women working in factories and flying planes (not in combat).

So all that made the story feel really immersed in the time period, and I liked that. What I struggled with, though, is that sometimes I felt like the atmosphere or the setting dominated the story. This happened to me especially with Amy’s character, I think, but not exclusively. Her way of thinking and speaking was so steeped in lingo from the period that sometimes I just felt like I didn’t connect with her.

I thought the decision to tell the story beginning after Beth’s death but still include her as an observer was really interesting. Her chapters are written in verse, and often they add something to what’s happening with her sisters. Sometimes they reveal more things about who she was and her own hopes and dreams. I liked those moments a lot.

One of my favorite things about the book is that in this story, Jo finds another writer, a woman who’s goal is to be a war correspondent. They bond over challenges in their relationships with their sisters, writing, and being dissatisfied with what they’re told are the conventional roles of women. I think seeing the connection between those two as writers and women finding where they belong in the world made for a powerful story to read.

On the whole, I’m not sorry I read the book as there are several things I really enjoyed. It wasn’t what I expected, though.

Content Notes

Recommended for Ages 12 up.

Representation
Jo and Charlie are lesbians. One minor character is Japanese American.

Profanity/Crude Language Content
Mild profanity used infrequently.

Romance/Sexual Content
Kissing between boy and girl. Kissing between two girls.

Spiritual Content
Joe, Meg, Amy, and Beth’s father is an Army Chaplain.

Violent Content
Some racist comments toward a Japanese American girl and about Japanese Americans. Some racist comments about Black soldiers. Two men get into a fight in a hotel ballroom.

Drug Content
Characters often drink champagne. Amy is underage at sixteen.

Note: This post contains affiliate links, which do not cost you anything to use, but which help support this blog. I received a free copy of GREAT OR NOTHING in exchange for my honest review.