Tag Archives: Death

Review: 49 Days by Agnes Lee

49 Days by Agnes Lee

49 Days
Agnes Lee
Levine Quierido
Published March 5, 2024

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About 49 Days

Day 1

Gotta get up. Gotta keep moving. This map – it says I have to cross over here. Wait, what’s that…?

And so begins a graphic novel story unlike any 49 Days. In Buddhist tradition, a person must travel for forty-nine days after they die, before they can fully cross over. Here in this book, readers travel with one Korean American girl, Kit, on her journey, while also spending time with her family and friends left behind.

Agnes Lee has captivated readers across the world for years with her illustrations for the New York Times Metropolitan Diary. Her debut graphic novel is an unforgettable story of death, grief, love, and how we keep moving forward.

My Review

One of the things I love about this book is how immersive it is. Kit wakes up on a beach and swears, so I knew things were not good. It took several pages for me to feel like I found my feet in the story, but I think that was the author’s intent. It emphasizes that Kit is in a new space, figuring things out on her own. As her experience triggers memories from her life, we see those memories play out in short scenes. We see her family light incense and pray as they grieve their loss. When the story shifts from those prayer scenes back to Kit on her journey, it seems the prayers have fortified her and helped move her forward on her journey.

The panels and scenes are often understated in muted grayscale with tan colors. The characters’ emotions also often seem understated. It’s clear Kit’s family misses her, but they seem somber at first. As the story progresses, they experience moments of intense grief that create powerful moments. I think I cried like three times reading this book.

Another wonderful thing about the book is the way that food connects the characters. As a girl raised in a big Italian family, this resonated with me so much. I love that making food together was a connection between Kit and her mom, and that it becomes a vehicle through which her family celebrates their love for her even after she has passed.

The author includes a note after the story concludes explaining her intent and her decision to keep Buddhist practices vague in the text to respect the different ways people practice faith. She names the rituals and practices represented in the book, too.

I actually heard about this book because I read a wild review by someone who I think didn’t get the book at all. It made me curious enough to track down a copy, and I’m really glad I did.

Content Notes

Recommended for Ages 14 up.

Representation
Kit and her family are Korean American.

Profanity/Crude Language Content
One F-bomb and a small number of other expletives.

Romance/Sexual Content
None.

Spiritual Content
Kit dies before the story begins, and the story follows her 49-day journey between life and rebirth, called bardo, as part of the Buddhist faith. Her family lights incense and prays, following funeral rites called cheondojae.

Violent Content
References to death, though we do not see how Kit died. In her 49-day journey, she has several moments where she resets following what would have been a fatal choice.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Me and Earl and the Dying Girl by Jesse Andrews

Me and Earl and the Dying Girl
Jesse Andrews
Amulet Books
Published March 1, 2012

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About Me and Earl and the Dying Girl

The New York Times bestselling novel that inspired the hit film!

This is the funniest book you’ll ever read about death.

It is a universally acknowledged truth that high school sucks. But on the first day of his senior year, Greg Gaines thinks he’s figured it out. The answer to the basic existential How is it possible to exist in a place that sucks so bad? His strategy: remain at the periphery at all times. Keep an insanely low profile. Make mediocre films with the one person who is even sort of his friend, Earl.

This plan works for exactly eight hours. Then Greg’s mom forces him to become friends with a girl who has cancer. This brings about the destruction of Greg’s entire life.

Fiercely funny, honest, heart-breaking—this is an unforgettable novel from a bright talent, now also a film that critics are calling “a touchstone for its generation” and “an instant classic.”

My Review

The opening chapters of the book were a little hard for me to read. The main character’s harsh judgments of other students, which lean heavily on stereotypes, are kind of off-putting.

As he tells the story, his unspoken grief is palpable, which drew me into the book. It helped me see some of the hurtful comments as a defense or distraction from the hurt this kid was feeling.

At some level, it’s clear to me reading the book that the author uses at least some of those statements on purpose to help readers understand the immaturity and inexperience of the main character. He’s not a great guy; even he will tell you this. (Especially if you try to say something nice about him.) He didn’t even begin either of his friendships for benevolent reasons.

But he cares how people feel and wants desperately to connect with them. He’s the epitome of an awkward teenage boy. Reading this book instantly transported me back to some of the experiences I had with boys in high school.

The story doesn’t romanticize cancer. It doesn’t even romanticize being a teenager. It scrapes away any tendency toward glorifying a teenager’s experience and looks at a simple, reluctant friendship between awkward kids who aren’t amazing at anything.

In fact, the book doesn’t even center the story of the girl with cancer. She’s not even named in the title. While I wish that the story made more space for Rachel’s experience, the narrative does wrestle with that loss. Greg realizes at one point that he barely knows anything about Rachel and that so much of his time has been spent thinking about himself and his own feelings rather than centering hers.

The story does fall prey to using a girl’s death as a vehicle through which the main character learns. It’s true. I wonder how the story would have been different if the author reversed the roles of Earl and Rachel so that Greg and Rachel made movies together and then befriended Earl after a cancer diagnosis. We’ll never know, as that’s a completely different story.

Misogyny in Young Adult Literature

One of the things I find really hard to read is literature in which boys objectify and dehumanize girls. I grew up in a purity culture world that normalized that kind of behavior, effectively considering girls temptresses and objects of lust. So, reading about boys talking that way can get under my skin really fast.

I don’t want us to treat it as an acceptable part of the teen experience. Girls don’t deserve that.

One of the powerful moments in the story comes from a moment in which Earl, Greg’s best friend, confronts him about the way he treats Rachel and the other people around him. He tells Greg to stop obsessing over people who don’t care about him and start thinking about the people who do. It’s a hard-hitting scene that, in at least some way, addresses Greg’s behavior and challenges him to be a better person. I really appreciated that scene and love that this push forward came from another guy his age.

One of the Most Frequently Challenged Books of 2023

Me and Earl and the Dying Girl was one of the top ten most challenged books of 2023. Among the reasons I saw cited for the challenges and book bans were that it contains profanity and some misogynistic commentary. Some have described it as “pornographic,” which is, frankly, hilarious since there is no nudity or sexual contact throughout the book. There is, admittedly, one very cringy scene in which the characters make jokes about oral sex. I can’t see how that meets the definition of pornography.

There is a lot of profanity in the book. It’s true. There’s a lot of profanity in a lot of young adult literature in general. While I have some personal feelings about this, I don’t think that a few parents get to decide what everyone else’s kids should be allowed to read. I think the author makes a great point in an article for Deadline that kids who haven’t found books that resonate with them may find that a book in which the characters talk the way they talk might help them connect to literature.

Conclusion

If you made it this far, you can tell I’ve got a lot of thoughts and feelings about this book. I liked it more than I expected, despite its flaws. It presents a powerful story of friendship and how human connection, no matter how mundane, makes a difference in our lives.

It’s weird that this book is among the top ten most challenged books of 2023. I can’t imagine that anyone who regularly reads young adult literature would consider the content of this book vastly different from that of many other books on the shelves for teenagers.

Content Notes for Me and Earl and the Dying Girl

Recommended for Ages 16 up.

Representation
Greg and Rachel are Jewish. Earl is Black.

Profanity/Crude Language Content
Lots of profanity. Some crude language.

Romance/Sexual Content
References to sex. Some explicit statements about sex. No sexual contact on scene.

Spiritual Content
Greg references attending Hebrew School with Rachel.

Violent Content
Greg and Earl repeatedly watch a violent movie, but the book doesn’t describe it in any detail. Greg makes some objectifying/misogynistic comments about girls. They’re usually brief. Greg makes some comments using racist stereotypes about other kids at his school. He and another boy make a racist comment about the contents of ethnic food.

Drug Content
Earl smokes cigarettes and is rumored to have used hard drugs before the story began. Greg and Earl accidentally get high when they eat some food they don’t realize has marijuana in it.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. All opinions are my own.

Review: The Worst Perfect Moment Shivaun Plozza

The Worst Perfect Moment
Shivaun Plozza
Holiday House
Published May 14, 2024

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About The Worst Perfect Moment

Equal parts tender and edgy, this inventive queer romance imagines what it might feel like to come of age in the afterlife.

Tegan Masters is dead.

She’s sixteen and she’s dead and she’s standing in the parking lot of the Marybelle Motor Lodge, the single most depressing motel in all of New Jersey and the place where Tegan spent what she remembers as the worst weekend of her life.

In the front office, she meets Zelda, a cute and sarcastic girl Tegan’s age who is, in fact, an angel (wings and all). According to Zelda, Tegan is officially in heaven, where every person inhabits an exact replica of their happiest memory. For Tegan, Zelda insists, that place is the Marybelle—creepy minigolf course, revolting breakfast buffet, broken TV, and all.

Tegan has a few complaints about this.

As Zelda takes Tegan on a whirlwind tour through Tegan’s past to help her understand what mattered most to her in life, the stakes couldn’t be higher. If Zelda fails to convince Tegan that the Marybelle was the site of Tegan’s perfect moment, both girls face eternal consequences too dire to consider. But if she succeeds…they just might get their happily-ever-afterlife.

Full of humor and heartbreak, The Worst Perfect Moment asks what it means to be truly happy.

My Review

First of all, what a fantastic opening line. I love it. This book starts off with a bang, for sure. I like Tegan, too. She’s sparky, but so wounded and vulnerable underneath, and even when she doesn’t mean to let readers into that, she does. Her character easily kept me reading the book.

Zelda, the angel who designed Tegan’s personal heaven, grew on me a little. She’s very Manic Pixie Dream Girl, which I love seeing in a female-female romance, but isn’t my favorite trope, so I struggled with that. She’s goofy and fun, but determinedly crude, which, again, is not my favorite. Too many “butt-face” comments for me.

The scenes that revisit Tegan’s past and show what actually happened, especially the moments she doesn’t want to remember, hit hard. They showed how complex trauma and grief can be. Each one built up emotionally so that by the time I hit the final flashback, it hit hard. That was so well done.

Readers looking for a new spin on the Manic Pixie trope and who enjoy no-holds-barred humor will probably enjoy this one a lot.

Content Notes

Recommended for Ages 14 up.

Representation
Tegan and a few other girl characters are romantically interested in girls..

Profanity/Crude Language Content
Lots of crude comments. Lots of swearing. A few f-bombs.

Romance/Sexual Content
Kissing between two girls.

Spiritual Content
Tegan wakes up in the afterlife, in which heaven is supposed to be living at the site of your best memory forever. Purgatory is for people who die with too much unresolved trauma, and means people watch memories of their lives and have the emotions they experienced painfully scrubbed away. Hell, of course, is eternal torture.

Angels are assigned different jobs. There are guardian angels and angels who design a heaven scenario for someone. Tegan visits a counselor, someone who helps her process her death.

Tegan attended Catholic school for a part of her education. There are some references to sins and Catholic doctrines like purgatory, but very little reference to God or faith practices.

Violent Content
References to a girl on a bike being hit by a car, which killed her.

Tegan remembers arguments between her parents, which seem scary and chaotic to her. She sees her dad lose it and kick a door repeatedly. The story deals with abandonment by a parent.

Drug Content
Tegan’s aunt gets drunk and tells her something cruel.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Death’s Country by R. M. Romero

Death’s Country
R. M. Romero
PeachTree Teen
Published May 7, 2024

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About Death’s Country

Hadestown meets “Orpheus and Eurydice” when two Miami teens travel to the underworld to retrieve their girlfriend’s soul.

Andres Santos of São Paulo was all swinging fists and firecracker fury, a foot soldier in the war between his parents. Until he drowned in the Tietê River… and made a bargain with Death for a new life. A year later, his parents have relocated the family to Miami, but their promises of a fresh start quickly dissolve in the summer heat. 

Instead of fists, Andres now uses music to escape his parents’ battles. While wandering Miami Beach, he meets two photographer Renee, a blaze of fire, and dancer Liora, a ray of sunshine. The three become a polyamorous triad, happy, despite how no one understands their relationship. But when a car accident leaves Liora in a coma, Andres and Renee are shattered. 

Then Renee proposes a radical She and Andres must go into the underworld to retrieve their girlfriend’s spirit and reunite it with her body—before it’s too late. Their search takes them to the City of the dead, where painters bleed color, songs grow flowers, and regretful souls will do anything to forget their lives on earth. But finding Liora’s spirit is only the first step in returning to the living world. Because when Andres drowned, he left a part of himself in the underworld—a part he’s in no hurry to meet again. But it is eager to be reunited with him… 

In verse as vibrant as the Miami skyline, critically acclaimed author R.M. Romero has crafted a masterpiece of magical realism and an openhearted ode to the nature of healing.

My Review

I’ve read two other novels in verse by R. M. Romero before, and I love the way she brings scenes to life with such spare, haunting words. The same powerful storytelling fills the pages of Death’s Country as well.

I felt like the story was a little slow to begin, maybe because so much of the beginning feels like a setup for the real conflict in the book. The story drew me in for sure, especially the descriptions of the City filled with the souls of the dead. I love the boy who calls himself Virgil whom Andres and Renee meet there.

The story centers around three people who are in a polyamorous romantic relationship. Andres joins the relationship that already exists between Liora and Renee, and the three discuss what it means to be in a relationship, explaining that love can’t be limited and offering each other the chance to try loving one another this way.

The story reminded me a lot of Never Look Back by Lilliam Rivera, which I really enjoyed. If you’re looking for another “Orpheus and Eurydice” story reimagined, I recommend that one as well.

Content Notes

Recommended for Ages 14 up.

Representation
Andres is Brazilian and Cuban. Renee and Liora are in a romantic relationship with each other and then with Andres.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Kissing between two girls. Kissing between a boy and girl. Representation of a polyamorous relationship.

Spiritual Content
Andres meets Death after drowning. She gives him his life back, removes his debilitating anger, and warns him that in fairness, because she took something he hates, she’ll return to take something he loves.

Renee and Andres journey to the Underworld hoping to find Liora and return her to the land of the living. They meet other departed souls.

Violent Content
Andres fights another boy, breaking his jaw.

Brief reference to a possible eating disorder.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Secrets We Tell the Sea by Martha Riva Palacio Obón, translated by Lourdes Heuer

Secrets We Tell the Sea
Martha Riva Palacio Obón
Translated by Lourdes Heuer
Bloomsbury USA Children’s
Published October 24, 2023

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About Secrets We Tell the Sea

The only good thing about Sofia’s mom sending her to live with her abuela is that finally Sofia and the sea will meet face-to-face.

The sea has always called to Sofia, even when she and her mom lived in a big city nowhere near its shore. That’s how Sofia always knew she was a mermaid–that, and the fact that the sea and its creatures are much easier to understand than people. Like her mother, who is sending Sofia away instead of her barracuda of a boyfriend; that’s a flying fish if Sofia’s ever seen one, spending so much time reaching for the sky she can’t see what’s going on below the surface. When Sofia meets her abuela, she knows she’s up against a sea fierce and guarded, but maybe not so bad when you’re the one she’s guarding. Still, Sofia longs to meet another mermaid, someone who understands her and the sea completely.

When Sofia meets Louisa, it seems like she’s found just that–until the sea betrays them both in one irreversible moment. Soon their town is overtaken by hurricanes and floods and emotions and questions so big Sofia doesn’t know what to do with them. Like, how do you catch a flying fish? How do you make friends with the sea again? And how do you calm the rough waters within yourself?

My Review

I loved the sound of this book and the beautiful cover, but I’ll confess that I wasn’t sure what to make of the back cover copy. Is Sofia truly a mermaid? Is it something she imagines? Does the sea actually speak to her?

The story has a very literary voice and really blurs the lines between what Sofia imagines and what is actually happening around her. Sometimes, it’s clear that things are in her mind. At other times, there are explanations for things that happen. For example, one night, she sees her grandmother walking on the beach and the sea and places where her grandmother’s steps are glowing. Sofia learns this is because of bioluminescence rather than some magic of her grandmother’s.

At other times, it seems like the magical/inexplicable things are supposed to be actually happening. For instance, a shell spurts water, vibrates, and changes color to express its thoughts/feelings.

I really liked the relationships between the characters in the story. I think all the major characters are female except one. There are some really heartbreaking dynamics between the three generations of women in Sofia’s family. I felt like the story read in an accessible way to kids, but it’s one where older kids or adults will pick up on a lot of things that happen between the lines, too.

This is a pretty short book. I think it’s less than 150 pages, so I read it in one sitting, and I really loved it.

I think readers who enjoy stories with strong female voices and especially stories about the sea or ocean will love this heartbreaking story of family bonds and the transformative power of friendship.

Content Notes

Recommended for Ages 10 to 14.

Representation
Characters are Brazilian and living in Brazil.

Profanity/Crude Language Content
None.

Romance/Sexual Content
A man signals sexual interest in Sofia by putting a hand on her arm. She avoids him as much as possible. Sofia believes that her mother is a nighttime circus performer after finding a photo of her in a “bathing suit” with her work friends. Later learns about her mother’s real job at a bar at night.

Spiritual Content
Sofia believes that humans start out as mermaids after she learns how a fetus grows in a liquid environment inside their mother.

Violent Content
See sexual content above. A woman tells her family she fell and was injured, but later it’s revealed that her partner hit her.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but which help support this blog. I received a free copy of SECRETS WE TELL THE SEA in exchange for my honest review.

Review: All the Dead Lie Down by Kyrie McCauley

All the Dead Lie Down
Kyrie McCauley
Katherine Tegen Books
Published May 16, 2023

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All the Dead Lie Down

The Haunting of Bly Manor meets House of Salt and Sorrows in award-winning author Kyrie McCauley’s contemporary YA gothic romance about a dark family lineage, the ghosts of grief, and the lines we’ll cross for love.

The Sleeping House was very much awake . . .

Days after a tragedy leaves Marin Blythe alone in the world, she receives a surprising invitation from Alice Lovelace—an acclaimed horror writer and childhood friend of Marin’s mother. Alice offers her a nanny position at Lovelace House, the family’s coastal Maine estate.

Marin accepts and soon finds herself minding Alice’s peculiar girls. Thea buries her dolls one by one, hosting a series of funerals, while Wren does everything in her power to drive Marin away. Then Alice’s eldest daughter returns home unexpectedly. Evie Hallowell is every bit as strange as her younger sisters, and yet Marin is quickly drawn in by Evie’s compelling behavior and ethereal grace.

But as Marin settles in, she can’t escape the anxiety that follows her like a shadow. Dead birds appear in Marin’s room. The children’s pranks escalate. Something dangerous lurks in the woods, leaving mutilated animals in its wake. All is not well at Lovelace House, and Marin must unravel its secrets before they consume her.

My Review

I completely fell in love with Kyrie McCauley’s writing in her book WE CAN BE HEROES, so when I saw she had a new book coming out, I didn’t even read what it was before requesting a copy for review. Ha.

The cover copy gave me some THE TURN OF THE SCREW vibes– a girl comes to an old estate to work as a nanny for two children who have some creepy habits. This isn’t a retelling of that play, though. The setup is similar, but the plot goes a whole lot of other places.

I liked the dark, endlessly creepy vibes. It definitely has that edge-of-your-seat, something-really-bad-is-about-to-happen kind of feeling all the way through the book.

The characters really hooked me into the story, too. It’s a very predominantly female cast. I think the only male named characters are the Lovelace girls’ father and a neighbor man who kind of looks out for danger in the woods. The younger sisters are mischievous and odd. It’s easy to tell they’re lonely and grieving, and that they’re keeping some kind of secret. I liked the push and pull feeling of the relationship between them and Marin, who feels drawn to them because of their sorrow and loneliness but wary because they can be capricious and cold.

As Marin tries to untangle the mystery around the Lovelace estate and the complicated history between her mother and Alice Lovelace, she also meets a girl her age, and a tenuous romance develops between them. I loved the sweetness of that love against the darkness of the rest of the story.

Conclusion

I feel like ALL THE DEAD LIE DOWN left me with a lot of questions. Not in the sense of the story seeming unfinished– I liked the end a lot. It just left me with a lot of questions about how to weigh out someone’s motives versus the outcomes of their choices.

Overall, I definitely recommend this book for readers looking for a romance with a really dark edge to it. I could see fans of WE WERE LIARS by E. Lockhart or IT LOOKS LIKE US by Alison Ames really liking this one.

Content Notes

Recommended for Ages 14 up.

Representation
Marin and a girl have a romantic relationship. Major characters are white. Marin has anxiety and panic attacks.

Profanity/Crude Language Content
Strong profanity used somewhat infrequently.

Romance/Sexual Content
Kissing between two girls. References to more than that. They sleep in the same bed overnight.

Spiritual Content
Marin sees animals who are critically, even fatally, injured limping around. At first she isn’t sure whether they’re dying or if something else is happening to them. Several birds in this state end up in her room.

See spoiler section at the end for more.

Violent Content
Situations of peril. See spoiler section.

Drug Content
Marin and Evie drink alcohol together one night.

Note: This post contains affiliate links, which do not cost you anything to use, but which help support this blog. I received a free copy of ALL THE DEAD LIE DOWN in exchange for my honest review.

Spoilers Below

Spiritual Content
Marin encounters creatures that are undead… they were dead but are somehow alive, even in their decayed state. Some descriptions of partially rotted or decrepit animals and people. She learns that someone has the ability to bring back the dead.

Violent Content
Sometimes the creatures who are reanimated come back “dark”, meaning they are bent on causing harm to people. Marin and her allies fight more than one undead creature intent on harming them.