Tag Archives: fairytales

Review: The Deathly Grimm by Kathryn Purdie

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The Deathly Grimm by Kathryn Purdie

The Deathly Grimm (The Forest Grimm #2)
Kathryn Purdie
Wednesday Books
Published March 25, 2025

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About The Deathly Grimm

The spellbinding sequel to Kathryn Purdie’s bestselling dark fairytale, where our main characters must return to the forest—and its monsters.

The story hasn’t ended yet.

After surviving the Forest Grimm and defeating the Wolf, Clara and Axel have made it back to their village, the one place they can be safe behind the forest’s borders. But when the forest itself begins luring in more villagers, it’s clear that Clara and Axel have only treated the symptoms of the forest’s curse, not the cause—and it’s getting worse.

Burdened with visions of the past and learning to navigate her fragile new relationship with Axel, Clara finds herself entering the forest with Axel yet again to discover the truth once and for all: the identity of the murderer who caused the curse. As they fight murderous woodsmen with incomprehensible riddles, ladies who will drag you into an eternal dance, and ghosts with the power to wield the forest against them, Clara and Axel realize the stakes are higher than ever. If they don’t survive the dark, deadly twists of the forest once more, not only will they never escape, they may also no longer have a home to escape to.

Romantic, eerie, and beautiful, The Deathly Grimm is the triumphant conclusion to Kathryn Purdie’s bestselling Forest Grimm duology.

My Review

More twisted fairytales! More Scary forest! And more romantic tension! This book delivered all of the things I wanted more of after reading the first one in the duology. One of my favorite things about the first book was the appearance of familiar fairytales twisted into something new and more like a curse rather than a sweet story that promises a happily-ever-after.

The only thing that I struggled with was the miscommunication between Axel and Clara. Like, I understood that his fixation with finding his dad didn’t mesh well with Clara’s mission to undo the curse on the village. I found it frustrating that the divergent goals went on for so much of the story. However, I can see how that tension worked to isolate Clara and make space for some of the story’s other elements.

I also appreciated the disability representation. Clara describes a spine issue that sounds a bit like scoliosis. She wears a lift in one shoe to make it easier to walk, and someone gives her a corset that operates like a back brace. I love Clara as a character, and I appreciate the representation even more after reading Disfigured: On Fairytales, Disability, and Making Space by Amanda LeDuc, which examines how disabled characters appear in classic fairytales.

Even despite the miscommunication between Clara and Axel, I devoured this book. I think I read two-thirds of it in one evening. It’s a wild ride of a story that cleverly weaves together scenes featuring familiar fairytales. The satisfying conclusion made me want to go back and start the duology all over again.

Content Notes

Recommended for Ages 13 up.

Profanity/Crude Language Content
Mild profanity used very infrequently.

Romance/Sexual Content
Kissing. The characters discuss having sex, but decide to wait.

Spiritual Content
A curse draws people into a dangerous magical forest, where they may die or become Lost. The Lost forget their identities and become fairytale characters, acting out twisted stories in a loop. Clara’s grandmother can use magic to appear as a powerful wolf. A spell book offered each villager one wish until a page was stolen.

Violent Content
Situations of peril. Brief battle violence. Scenes include brief descriptions of poisoning, manipulation, and torture.

Drug Content
A potion puts others under a spell that makes them act out of character.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: We Are All So Good at Smiling by Amber McBride

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We Are All So Good at Smiling
Amber McBride
Feiwel & Friends
Published January 10, 2023

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About We Are All So Good at Smiling

They Both Die at the End meets The Bell Jar in this haunting, beautiful young adult novel-in-verse about clinical depression and healing from trauma, from National Book Award Finalist Amber McBride.

Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.

They are both terrified of the forest at the end of Marsh Creek Lane.

The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for 11 years.

My Review

I don’t know if there’s anyone else in the world who writes quite like Amber McBride. We Are All So Good at Smiling came out at a time when I was bogged down with other reading projects, but it’s been high on my reading list since it was released, and my expectations were high.

They were met, if not exceeded. How often does that happen?

This is a weird book. It mixes fairytales and a magical landscape into a contemporary setting, almost like Rochelle Hassan does in “The Buried and the Bound” series. Somehow, telling the story in verse seems to make it even more ethereal. It reminded me a little bit of The Ghosts of Rose Hill by R. M. Romero.

Some of the references feel pretty on the nose, such as a fairy boy named Faerry. There are so many layers to the story, though, so don’t be tempted to take things too much at face value.

I loved the creepy forest and the way that Whimsy and Faerry’s journey unfolded in connection with it. The way the fairytale characters appeared and how they changed depending on what was happening was really fascinating. I also thought exploring fairytales alongside mental health made for an interesting juxtaposition. It made me think of some of the moments in the book Disfigured: On Fairytales, Disability, and Making Space by Amanda Leduc.

All that to say that I very much got swept away in this remarkable, immersive story. Amber McBride is quickly climbing my list of auto-buy authors because she always delivers such rich, thought-provoking stories. If you haven’t read any of her books, this is a great one to start with. If you like fairytales and/or novels in verse, definitely put this one on your list!

Content Notes

Depression, suicidal thoughts, loss of a close family member, bullying.

Recommended for Ages 14 up.

Representation
Whimsy and Faerry are Black and have depression.

Profanity/Crude Language Content
None.

Romance/Sexual Content
None.

Spiritual Content
Whimsy practices Hoodoo, as passed down to her by her grandmother. Her family are conjures. Faerry is a fairy with wings few people can see. The story contains magic as well as fairytale and folktale references and characters.

Violent Content
Situations of peril. Bullies call Whimsy names and hold her underwater. Other characters harm Whimsy and Faerry, causing cuts to open on their bodies. References to Whimsy being suicidal at the beginning of the story and in the past.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: The Hazel Wood by Melissa Albert

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The Hazel Wood (The Hazel Wood #1)
Melissa Albert
Flatiron Books
Published January 30, 2018

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About The Hazel Wood

Seventeen-year-old Alice and her mother have spent most of Alice’s life on the road, always a step ahead of the uncanny bad luck biting at their heels. But when Alice’s grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: her mother is stolen away-by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother’s stories are set. Alice’s only lead is the message her mother left behind: “Stay away from the Hazel Wood.”

Alice has long steered clear of her grandmother’s cultish fans. But now she has no choice but to ally with classmate Ellery Finch, a Hinterland superfan who may have his own reasons for wanting to help her. To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother’s tales began―and where she might find out how her own story went so wrong.

My Review

A friend gave me a copy of this book years ago, and I’ve been on the fence about reading it since then. I knew it was a popular title, but never really read a lot of reviews or saw specific coverage of it. I can’t believe it’s been six years since The Hazel Wood was published. That doesn’t feel possible. At any rate, my library has an audiobook version available, so I decided to listen to it while I was waiting for a book I had on hold.

For some reason, I expected the book to have more of an Irish or English folklore feel to it? More like Deep is the Fen by Lili Wilkinson or The Wren Hunt by Mary Watson. (It doesn’t.)

Some of the fairytales from Alice’s grandmother’s book are recorded in full in the text of the book. The narrative will introduce the story and then the next chapter tells the full tale. These fairytales are dark, grim tales of girls locked in a room to starve, or promised in marriage to men who plan to abuse them. They have a horror-esque feel to them.

The pacing of the book surprised me, too. I expected Alice to spend the majority of the book in the Hazel Wood, but she really only reaches it around the halfway point, I think.

One of the things I liked a lot is that this isn’t a romance. This story focuses on Alice, her identity, her connection with her grandmother’s stories, and her mission to rescue her mother from whoever has taken her. I loved that the author put together such a compelling tale that stands on those things.

As I read the book, I wasn’t sure how much I truly liked it, but as I think back on reading it, I think I like and appreciate it more each time I reflect. I looked up the second book, The Night Country, and based on the book description, I think I would read it. It’s hard for me to fit audiobooks in during the summer, but I’ll probably try to listen to it in the fall when school begins again.

Content Notes

Recommended for Ages 15 up.

Representation
Alice is white. Her friend Finch is biracial.

Profanity/Crude Language Content
Extreme profanity used somewhat frequently.

Romance/Sexual Content
References to sex.

Spiritual Content
Some characters have the ability to do a kind of magic. The magic in the book is very dangerous, usually used to harm someone. Some characters live in an alternate world.

Violent Content
Situations of peril. Some brief but gory descriptions of harm and death. References to suicide. Some chapters tell the fairytales included in Alice’s grandmother’s book. They have a horror-esque quality to them, with dark, dangerous magic and often brief graphic violence.

Someone pulls a gun on Alice. She remembers being kidnapped as a child. Someone demands that Alice take her own life. Alice witnesses someone cut the throat of another person.

Drug Content
Some characters drink alcohol. Some characters smoke cigarettes.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. All opinions are my own.

Review: Disfigured: On Fairytales, Disability, and Making Space by Amanda Leduc

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Disfigured: On Fairytales, Disability, and Making Space
Amanda Leduc
Coach House Books
Published March 3, 2020

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About Disfigured

In fairy tales, happy endings are the norm—as long as you’re beautiful and walk on two legs. After all, the ogre never gets the princess. And since fairy tales are the foundational myths of our culture, how can a girl with a disability ever think she’ll have a happy ending?

By examining the ways that fairy tales have shaped our expectations of disability, DISFIGURED will point the way toward a new world where disability is no longer a punishment or impediment but operates, instead, as a way of centering a protagonist and helping them to cement their own place in a story, and from there, the world. Through the book, Leduc ruminates on the connections we make between fairy tale archetypes—the beautiful princess, the glass slipper, the maiden with long hair lost in the tower—and tries to make sense of them through a twenty-first-century disablist lens.

From examinations of disability in tales from the Brothers Grimm and Hans Christian Andersen through to modern interpretations ranging from Disney to Angela Carter, and the fight for disabled representation in today’s media, Leduc connects the fight for disability justice to the growth of modern, magical stories, and argues for increased awareness and acceptance of that which is other—helping us to see and celebrate the magic inherent in different bodies.

My Review

I heard about this book years ago from booktuber Jesse on YouTube, who read and recommended it. Sadly, it took me a long time to actually read the book myself, but I finally have! And I’m so glad I did.

This book explores fairytales through the lens of what it’s like to read them as a person with disabilities. The author not only shares her own experience as a girl with cerebral palsy, but she also quotes and shares stories of other writers and activists with disabilities as they share their own experiences as well.

One of the things I found the most impactful about DISFIGURED was seeing different fairytale characters and stories from this perspective. There were many things I hadn’t considered or was unaware of. It helped to break things down into tropes and themes and look at what those ideas say about the value or morality of those characters and through the characters the people represented.

For example, the author talks about how often in fairytales, characters with disabilities fall into two categories. Either they are noble characters whose disabilities become reversed because they were pure of heart or brave or noble. Or the disability is supposed to be evidence of an internal evil that remains a static part of the character’s nature.

There’s also some commentary about the differences in the roles of women versus men in fairytales, too. I enjoyed that a lot.

All in all, DISFIGURED is a really thoughtful book that explores familiar fairytales, where they came from, and what they teach us about who we are and what society should be. And asks whether we agree with those lessons and, if not, what we will do about it.

Content Notes

Recommended for Ages 14 up.

Representation
The author has Cerebral Palsy. She quotes other disabled writers and activists.

Profanity/Crude Language Content
Very infrequent extreme profanity.

Romance/Sexual Content
References to fairytale romance/weddings. Leduc recounts an early version of what became the Sleeping Beauty fairytale in which a maiden pricks her finger on a flax seed and falls into a magical sleep. A traveling king sees her and is so overcome with lust that he rapes her (not described in any detail). The author points out that the story never addresses the king’s behavior as problematic, wrong, or illegal.

The author references an essay written by a man with disabilities who openly talks about hiring sex workers to meet his personal needs. (No details beyond this.)

Spiritual Content
Discusses the origins of the fairy godmother/fairies in fairytales. Examines the Christian (Calvinist, in the case of the Grimm Brothers) roots or edits to many fairytales in subsequent editions. Mentions of magic in stories.

In one tale, the devil tricks a man into promising his daughter to him. The girl thwarts the bargain several times.

Violent Content
References to some gory elements of especially early fairytales. Cinderella’s stepsisters mutilate their feet to fit into her shoe. The evil queen in Snow White is forced to dance in red-hot metal shoes until she dies at the tale’s end. See romantic content.

The author also discusses the changeling myths and how people would leave their babies or young children in the snow to die of exposure if they believed the baby was a changeling. She briefly tells a story about a man who burned his wife to death. He claimed she’d been replaced by a changeling after an illness.

Drug Content
Mentions of magical potions or poisoned fruit.

Note: This post contains affiliate links, which do not cost you anything but help support this blog.

Review: The Magic Fish by Trung le Nguyen

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The Magic Fish
Trung le Nguyen
Random House Graphic
Published October 13, 2020

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About The Magic Fish

Tiến loves his family and his friends…but Tiến has a secret he’s been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together.

Real life isn’t a fairytale.

But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It’s hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn’t even have the right words because his parents are struggling with their English. Is there a Vietnamese word for what he’s going through?

Is there a way to tell them he’s gay?

A beautifully illustrated story by Trung Le Nguyen that follows a young boy as he tries to navigate life through fairytales, an instant classic that shows us how we are all connected. The Magic Fish tackles tough subjects in a way that accessible with readers of all ages, and teaches us that no matter what—we can all have our own happy endings.

My Review

One of the things this book does so cleverly is clue the reader into the different threads of the story with the color of its panels. There are different timelines and stories all being told at the same time. In the present, Tiến is figuring out his feelings for a fellow classmate and how to tell his parents he’s gay.

His mom shares memories of her own life, and later, her journey back to Vietnam to visit her family. In the midst of these stories, in Tiến’s family, they share a lot of stories with one another. For example, in some scenes, he reads fairytales to his mom. In others, his mother listens while her aunt tells her a fairytale. Each of those threads– Tiến’s perspective, his mom’s perspective, and the fairytales are color-coded so that the background of the panels is one color.

That way when the story switches to a different thread, the panels change color. It’s pretty genius. This is the first time I’ve ever seen anything like that, and I have to say it made the story really easy to follow.

Another thing that I really liked is the fairytales themselves. I loved the choices the author made in terms of what the settings looked like for those stories– that’s something we kind of take for granted in reading fairytales in text, I think. But it’s really clear that the author made very purposeful, carefully considered choices about the clothes and backgrounds of each of the tales. I loved that.

The author’s note points up the fact that cultures all over the world have their own versions of tales like Cinderella. For some of those stories, like Cinderella, the western version wasn’t even the first version of the story. I loved that the author points this out in the note at the end of the book.

Conclusion

So I feel like I talked a lot about the setup and background of the story, but let me say that I also really enjoyed reading THE MAGIC FISH. They way Tiến wrestles with what to say to his family felt very real. I love the way his family used stories to bond with and communicate with each other.

There’s something really special about a story that can transcend genre and tell a transcendent story as well. I think THE MAGIC FISH does that beautifully.

Content Notes

Recommended for Ages 12 up.

Representation
Tiến is gay and Vietnamese American. His best friend Claire is Black.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Tiến has a crush on a boy.

Spiritual Content
A priest speaks to Tiến about his feelings. We only see the beginning of the conversation, but it’s clear he says some deeply homophobic things.

Fairytales contain magic and spirits. One is about the grandfather of the sea, a man who rides on the back of a skeleton and tries to claim a girl for his bride. Others contain mermaids. In one animals speak to humans.

Violent Content
Brief references to prison camps in Vietnam. Some of the fairytales have some dark themes or scenes. In one, a woman stabs another through her heart. A woman unknowingly consumes a meal made from her daughter. A tipped over container of the soup shows it contained human bones.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use, but which help support this blog.

Review: The Forest Grimm by Kathryn Purdie

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The Forest Grimm
Kathryn Purdie
Wednesday Books
Published September 19, 2023

Amazon | Bookshop | Goodreads

About The Forest Grimm

Where fairy tales come to life with dark, deadly twists…

“Tell me again, Grandmère, the story of how I die.”

The Midnight Forest. The Fanged Creature. Two fortune-telling cards that spell an untimely death for 17-year-old Clara. Despite the ever-present warning from her fortune-teller grandmother, Clara embarks on a dangerous journey into the deadly Forest Grimm to procure a magical book – Sortes Fortunae, the Book of Fortunes – with the power to reverse the curse on her village and save her mother.

Years ago, when the villagers whispered their deepest desires to the book, its pages revealed how to obtain them. All was well until someone used the book for an evil purpose―to kill another person. Afterward, the branches of the Forest Grimm snatched the book away, the well water in Grimm’s Hollow turned rancid, and the crops died from disease. The villagers tried to make amends with the forest, but every time someone crossed its border, they never returned.

Now, left with no alternative, Clara and her close friend, Axel―who is fated never to be with her―have set their minds to defying fate and daring to accomplish what no one else has been able to before. But the forest―alive with dark, deadly twists on some of our most well-known fairy tales―has a mind of its own.

My Review

One of the things that most intrigued me about this story was the idea of a magical forest filled with twisted versions of well-known fairy tales. I was just talking with someone the other day about how many of the versions we’re most familiar with are very different from the darker original versions. I liked the idea of including references to those darker stories in a new tale.

And that’s one of the elements I enjoyed most about reading this book. I really liked the forest, too. It felt old and dark and filled with deadly magic. The story centers around Clara and her developing relationship with Axel, a plotline that I also followed with interest. I think I would have enjoyed a little bit more focus on Henni’s relationship with Clara. The way the story ends left me hopeful that Henni would be a critical character in a follow-up tale. All I can say to that is, yes, please!

On the whole, I think readers who enjoy reimagined fairy tales or books like THE GREYMIST FAIR by Francesca Zappia will definitely want to give this one a read.

Content Notes

Recommended for Ages 12 up.

Representation
Clara describes a back problem as having an S-curve that makes her hips uneven. She wears a special insert in her shoe to help her walk more comfortably.

Profanity/Crude Language Content
Mild profanity used very infrequently.

Romance/Sexual Content
Kissing between boy and girl.

Spiritual Content
Clara’s Grandmère uses cards to predict someone’s future. A curse descends on Clara’s town, changing the forest into a dangerous place, isolating the village, and drawing certain villagers into it. In the forest, Clara encounters magic in the form of dark fairytales. She sees a ghost and monsters.

Violent Content
Situations of peril. Some battle situations between Clara and her allies and residents of the forest.

Drug Content
Hallucinogenic mushrooms cause Clara and her friends to see strange things. (They were tricked into eating them.)

Note: This post contains affiliate links, which do not cost you anything to use, but which help support this blog. I received a free copy of THE FOREST GRIMM in exchange for my honest review.