Tag Archives: Holocaust survivor

Review: The Girl Who Sang by Estelle Nadel, Sammy Savos, and Bethany Strout

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The Girl Who Sang by Estelle Nadel shows a girl standing on a grassy hill with images of soldiers, yellow stars, and a partially obscured flag behind her.

The Girl Who Sang: A Holocaust Memoir of Hope and Survival
Estelle Nadel
Illustrated by Sammy Savos
Edited by Bethany Strout
Roaring Brook Press
Published January 23, 2024

Amazon | Bookshop | Goodreads

About The Girl Who Sang: A Holocaust Memoir of Hope and Survival

A heartrending graphic memoir about a young Jewish girl’s fight for survival in Nazi-occupied Poland, THE GIRL WHO SANG illustrates the power of a brother’s love, the kindness of strangers, and finding hope when facing the unimaginable.

Born to a Jewish family in a small Polish village, Estelle Nadel―then known as Enia Feld―was just seven years old when the Nazis invaded Poland in 1939. Once a vibrant child with a song for every occasion, Estelle would eventually lose her voice as, over the next five years, she would survive the deaths of their mother, father, their eldest brother and sister, and countless others.

A child at the mercy of her neighbors during a terrifying time in history, THE GIRL WHO SANG is an enthralling first-hand account of Estelle’s fight for survival during World War II. She would weather loss, betrayal, near-execution, and spend two years away from the warmth of the sun―all before the age of eleven. And once the war was over, Estelle would walk barefoot across European borders and find remnants of home in an Austrian displaced persons camp before finally crossing the Atlantic to arrive in New York City―a young woman carrying the unseen scars of war.

Beautifully rendered in bright hues with expressive, emotional characters, debut illustrator Sammy Savos masterfully brings Estelle’s story of survival during the Holocaust to a whole new generation of readers. THE GIRL WHO SANG is perfect for fans of MARCH, MAUS, and ANNE FRANK’S DIARY.

My Review

What a powerful first-hand account of survival during the Nazi occupation of Poland. In the opening pages, we meet Enia’s family and see the quiet life they live in their small town. Then, as the Nazis invade, things change. Her family must hide. Enia feels afraid. She loses so many people, but always, when she needs help, someone steps up to help her.

Some of the scenes in the book are pretty chilling. There’s one brief series of panels that shows, from a distance, soldiers lining people up against a building. In the next image, red smudges the wall of the building, and the people are shown collapsed on the ground. The viewer easily understands they’ve been shot to death.

Thinking about this tiny girl never speaking above a whisper or standing up while she was in hiding can’t help but break your heart. Thinking about her brother, who was only a few years older than she was, risking his life several times a week to look for food is also heartbreaking. I can’t begin to think about how I would process that anxiety– both from being the person going out and the person left behind. The resilience and devotedness of these siblings leaves me in awe.

I also love the decision to tell this story as a graphic memoir. Not only do the illustrations help to anchor the story in its setting, but they carefully lay out the story without needing to graphically describe some of the horrors Estelle and her family endured.

I think readers who were moved by THE LIBRARIAN OF AUSCHWITZ: THE GRAPHIC ADAPTATION or the graphic adaptations mentioned in the book description above will find this story equally moving and important.

Content Notes

Recommended for Ages 10 up.

Representation
Estelle (called Enia in the early pages of the book) and her family are Jewish and Polish.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Enia believes her older sister and her sister’s sweetheart will get married.

She describes how her family used public showers in town once per week as part of getting ready for the Sabbath. One image shows a vague representation from a distance of Enia and her mother readying for a shower.

Spiritual Content
Enia celebrates Shabbat and Passover with her family. She also learns to prepare food according to Jewish rules so that the food is kosher.

Violent Content
Soldiers ransack Enia’s house, looking for valuables.

There’s one brief series of panels that shows, from a distance, soldiers lining people up against a building. In the next image, red smudges the wall of the building, and the people are shown collapsed on the ground. The viewer easily understands they’ve been shot to death. Enia is told that her mother was beaten by soldiers and likely shot to death the next morning. She’s told that other family members were shot as well and later learns they were killed in a gas chamber.

At one point, Enia witnesses soldiers beating her brother and begs for them to stop. The panels show simplified images that hint at the violence without being gratuitous.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use, but which help support this blog. I received a free copy of THE GIRL WHO SANG in exchange for my honest review.

Review: Maus II: A Survivor’s Tale: And Here My Troubles Began by Art Spiegelman

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Maus II: A Survivor’s Tale: And Here My Troubles Began
Art Spiegelman
Pantheon Books
Published September 1992 (originally published in 1991)

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About Maus II: A Survivor’s Tale: And Here My Troubles Began

Acclaimed as a quiet triumph and a brutally moving work of art, the first volume of Art Spieglman’s MAUS introduced readers to Vladek Spiegleman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist trying to come to terms with his father, his father’s terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive.

This second volume, subtitled AND HERE MY TROUBLES BEGAN, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. MAUS ties together two powerful stories: Vladek’s harrowing tale of survival against all odds, delineating the paradox of daily life in the death camps, and the author’s account of his tortured relationship with his aging father. At every level this is the ultimate survivor’s tale – and that too of the children who somehow survive even the survivors.

My Review

I finished reading this book weeks ago, but I knew it was going to take some time to digest before I was ready to write up my review. MAUS covers a heavy topic, not only because the book introduces us to a man who survived the Holocaust and his son’s relationship with him, but also because at least one school district banned the book last year.

If you’ve followed my blog long, you probably already know my feelings about book banning— I’m generally against it. I read the article about the decision to ban MAUS and the comments by the decision-makers who decided to ban it. Mainly, they were concerned about nudity and violence.

So the nudity concern seems a bit wild to me because the characters are… mice. One page shows illustrations of naked characters. It’s because they are prisoners who’ve been stripped and forced to line up for uniforms. The drawings aren’t super detailed. There are basically U shapes for masculine private parts. Anyway.

In terms of the story– I’ve read other books about the Holocaust before. I’m not sure it ever gets less horrifying– nor should it. But there’s really something unique about reading a visual representation of the story and one that’s expressed with animal faces (mice for the Jews and cats for the Nazis). I couldn’t help but feel shocked and moved by the story.

Another thing that really impacted me was the juxtaposition of Vladek’s first-person narrative about his survival of the Holocaust next to the challenges his son Art faces in trying to navigate a relationship with him.

Should Maus Be Banned?

In terms of the violence portrayed in the book. So. I’m not a historical expert. But. The Holocaust was violent. Cruel. Shockingly awful. While I think, yeah, we don’t need to present every horror to kids in school learning the history, I don’t think it’s possible to learn about the Holocaust without some exposure to violence. MAUS II has scenes that I would categorize as violent. They’re brief. But they’re there. I didn’t read anything personally that left me feeling that readers ages twelve to fourteen should be banned from exposure to it.

I’m a little bit embarrassed that it took me so many years to read both volumes of MAUS. I am really glad I read them, though. I think they’re incredibly important stories and very well-told.

Content Notes

Content warning for genocide, brief nudity, and violence.

Recommended for Ages 12 up.

Representation
Major characters are Jewish. Vladek Spiegelman is a Holocaust survivor who recounts his experiences in Auschwitz and other camps.

Profanity/Crude Language Content
Strong profanity used very infrequently.

Romance/Sexual Content
Brief nudity in a scene that shows male prisoners after they’ve been forced to strip and line up to receive prison uniforms. The drawings are specific enough to indicate that prisoners are male without being overly precise.

Spiritual Content
None.

Violent Content
References to torture and abuse of prisoners. Reference to execution of prisoners in gas chambers or by burning or shooting them.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use, but which help support this blog.

Review: Boy from Buchenwald by Robbie Waisman

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Boy From Buchenwald
Robbie Waisman
with Susan McClelland
Bloomsbury Children’s Books
Published May 11, 2021

Amazon | Bookshop | Goodreads

About Boy from Buchenwald

It was 1945 and Romek Wajsman had just been liberated from Buchenwald, a brutal concentration camp where more than 60,000 people were killed. He was starving, tortured, and had no idea where his family was-let alone if they were alive. Along with 472 other boys, including Elie Wiesel, these teens were dubbed “The Buchenwald Boys.” They were angry at the world for their abuse, and turned to violence: stealing, fighting, and struggling for power. Everything changed for Romek and the other boys when Albert Einstein and Rabbi Herschel Schacter brought them to a home for rehabilitation.

Romek Wajsman, now Robbie Waisman, humanitarian and Canadian governor general award recipient, shares his remarkable story of transforming pain into resiliency and overcoming incredible loss to find incredible joy.

My Review

I feel like I’ve been sitting at my keyboard awhile struggling for the right words to review this book. It’s definitely one that left me speechless, in a good way. I’ve read NIGHT by Elie Wiesel, and a couple other accounts of surviving Nazi concentration camps, but it never gets easier to read about it. The horror and shock of it strikes me fresh every time, and it should.

I feel like this book does a really great job balancing the reality of what happened with an understanding of its audience as young readers. The authors give a frank account but seem to know when to zoom in or zoom out on the scene being described. There’s a gentleness to the way the story is told. Like it’s not only being told my someone who’s survived, but someone who understands and connects with other kids. I’m not doing a great job explaining this. I guess maybe what I’m trying to say is that it doesn’t surprise me at all that Waisman speaks to schools. It seems like he has a gift for it.

A lot of the story focuses on Romek’s recovery from imprisonment in Buchenwald. At first he has very few memories of his life before with his family, or of happiness. At the beginning of each (or most) chapters, he flashes back to a memory, sometimes difficult ones. As he has time to grieve and to heal, those flashbacks show his memories gradually returning. And the progression of them shows its own journey through trauma and anger and loss and until finally he’s able to remember happy moments from his childhood.

Conclusion

BOY FROM BUCHENWALD is an inspiring story about grief and healing. It’s about the way that we need each other. It’s about the worst ways in which we hurt one another and the best ways we help one another heal. I loved it, and I think it’d make a great addition to a classroom library or Holocaust study.

Content Notes for The Boy from Buchenwald

Recommended for Ages 12 up.

Representation
Most major characters are Jewish and Holocaust survivors.

Profanity/Crude Language Content
Two instances of mild profanity. One is a reference to a name for a ship carrying Jewish refugees that was turned away from other countries. Another refers to time spent in a concentration camp as being in hell.

Romance/Sexual Content
Reference to children being hidden by the women in the concentration camp brothels.

Spiritual Content
Some scenes describe Jewish services and celebrations. After being liberated from Buchenwald, some of the boys take refuge in faith while others can’t reconnect with faith at all.

Violent Content
Some brief descriptions of torture, starvation, and cruelty toward prisoners of the camps and Jews under Nazi occupation. The boys develop a reputation as angry and destructive.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use, but which help support running this blog. I received a free copy of BOY FROM BUCHENWALD in exchange for my honest review.