Category Archives: Nonfiction

Review: Two Tribes by Emily Bowen Cohen

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Twi Tribes by Emily Bowen Cohen

Two Tribes
Emily Bowen Cohen
Heartdrum
Published August 15, 2023

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About Two Tribes

In her poignant debut graphic novel inspired by her own life, Emily Bowen Cohen embraces the complexity, meaning, and deep love that comes from being part of two vibrant tribes. Mia is still getting used to living with her mom and stepfather, and to the new role their Jewish identity plays in their home. Feeling out of place at home and at her Jewish day school, Mia finds herself thinking more and more about her Muscogee father, who lives with his new family in Oklahoma. Her mother doesn’t want to talk about him, but Mia can’t help but feel like she’s missing a part of herself without him in her life.

Soon, Mia makes a plan to use the gifts from her bat mitzvah to take a bus to Oklahoma—without telling her mom—to visit her dad and find the connection to her Muscogee side she knows is just as important as her Jewish side. This graphic novel by Muscogee-Jewish writer and artist Emily Bowen Cohen is perfect for fans of American Born Chinese by Gene Luen Yang. It is published by Heartdrum, an imprint that centers stories about contemporary Indigenous young people.

My Review

This is one of those books where I have to separate my feelings as a divorced parent from my thoughts about a kid reading this book. It was so easy to identify with Mia’s mom’s struggle with her relationship with her dad. Kids have a right to have relationship with both parents, but it can be really tricky to figure out how to do that safely. And to figure out the difference between safe for your kid and comfortable for you as the other parent. (Because there can be a huge difference.)

Mia’s mom definitely doesn’t do everything right (which she acknowledges). Her dad also has some mistakes to own up for. I liked how both parents are portrayed as imperfect and still learning. That’s pretty real, too.

Mia’s experiences also resonate as realistic. Her hunger to know both parts of her family history is palpable. As she’s able to fill in some of the gaps in her history and culture, she blossoms. It bolsters her confidence. I love that we can see the impact of both cultures on her life.

This book has been on my reading list for a while, but it wasn’t until I spotted it on the shelf at the library that I realized it was a graphic novel. I love seeing a story about Jewish and Muscogee heritage in graphic novel format. If you enjoy stories about family connections and culture, definitely pick this one up.

Content Notes

Recommended for Ages 8 to 12.

Profanity/Crude Language Content
None.

Romance/Sexual Content
None.

Spiritual Content
Mentions of Jewish holidays and traditions. Mia attends a powwow with her family. Mentions of Muscogee traditions and spiritual practices and beliefs. Mia’s cousin shares a Muscogee creation story with her. Mia studies Torah with the rabbi, learning about Jonah. Mia’s dad attends church.

Violent Content
None.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I borrowed a copy of this book from my local public library. All opinions are my own.

Review: Dead Ends!: Flukes, Flops & Failures That Sparked Medical Marvels by Lindsey Fitzharris and Adrian Teal

Book Review and Content, Middle Grade 8-12, Nonfiction, , , , ,

Dead Ends!: Flukes, Flops & Failures That Sparked Medical Marvels
Lindsey Fitzharris
Illustrated by Adrian Teal
Bloomsbury USA Children’s
Published October 14, 2025

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About Dead Ends!: Flukes, Flops & Failures That Sparked Medical Marvels

From New York Times bestselling author Lindsey Fitzharris, a riveting middle grade nonfiction book about medicine’s most fascinating failures and dead ends.

Beheadings! Bloodletting! Bodysnatching!Journey down a snaking road bristling with medicine’s most astonishing “dead ends.” Marvel at the diagnoses, experiments, and treatments that were frequently useless, and often harmful, but that sometimes led doctors to discoveries that changed the world for the better.

Enjoy a whirlwind tour of the human body-from brain, to heart, to limbs-during which New York Times bestselling author Lindsey Fitzharris and caricaturist Adrian Teal will guide you through centuries of medical mistakes, festooned with riveting facts, pitch-perfect humor, and vivid illustrations. Celebrate the flukes, flops, and failures that have given science a better understanding of our bodies and ways to treat them.

This fascinating book of foul-ups is sure to delight young readers, and inspire them to embrace their failures, too!

My Review

Squeamish readers will probably find this book gives too much information about icky medical mishaps, but those with a stronger stomach will find these facts fascinating. The book is broken up into sections containing stories about a particular body part or system, such as heart, lungs, etc. Each section is filled with wild stories about experiments that went wrong or accidents that led to new discoveries that ultimately paved the way for breakthroughs.

Readers might be familiar with some of the medical blunders, such as the practice of bleeding a patient to balance their humors. Others will probably be totally unknown, like early experiments in organ transplants.

The writing is energetic and fun, making this an easy read. It’s easy to see the author’s passion for these topics, and her enthusiasm is contagious. Give this to readers interested in medical history or with a passion for weird and wacky nonfiction.

Content Notes

Recommended for Ages 10 to 12.

Profanity/Crude Language Content
None.

Romance/Sexual Content
None.

Spiritual Content
None.

Violent Content
Reference to medical experimentation without consent, especially on remains of executed criminals. Very brief, graphic descriptions of medical procedures, experiments or accidents.

Drug Content
List.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: My Life: Growing Up Native in America edited by IllumiNative

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My Life: Growing Up Native in America
IllumiNative
MTV Books
Published October 1, 2024

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About My Life: Growing Up Native in America

A moving collection of twenty powerful essays, poems, and more that capture and celebrate the modern Native American experience, featuring entries by Angeline Boulley, Madison Hammond, Kara Roselle Smith, and many more.

With heart, pathos, humor, and insight, 20 renowned writers, performers, athletes, and activists explore what it means to be Native American today. Through a series of essays and poems, these luminaries give voice to their individual experiences while shedding light on the depth and complexity of modern Native American identity, resiliency, and joy.

The topics are as fascinating and diverse as the creators. From Mato Wayuhi, award-winning composer of Reservation Dogs, honoring a friend who believed in his talent to New York Times bestselling author Angeline Boulley exploring what it means to feel Native enough, these entries are not only an exploration of community, they are also a call for a more just and equitable world, and a road map toward a brighter future.

Edited by IllumiNative, an organization dedicated to amplifying contemporary Native voices, My Life: Growing Up Native in America features contributions from Angeline Boulley, Philip J. Deloria, Eric Gansworth, Kimberly Guerrero, Somah Haaland, Madison Hammond, Nasugraq Rainey Hopson, Trudie Jackson, Princess Daazhraii Johnson, Lady Shug, Ahsaki Baa LaFrance-Chachere, Taietsaró Leclaire, Cece Meadows, Sherri Mitchell, Charlie Amaya Scott, Kara Roselle Smith, Vera Starbard, Dash Turner, Crystal Wahpepah, and Mato Wayuhi.

My Review

This collection features everything from narrative essays recounting deeply formative experiences to poetry to advice for young readers on finding success and happiness. Some explore one’s relationship with oneself. Others unpack their experiences, examining internalized racism and prejudice directed at them.

Each piece differs in style, but the common theme running through them all is a love for Indigenous communities and hope and optimism about the future. The authors come from different tribes and geographical areas, and some share a snippet or two of history. This really highlights the differences in experiences that someone from one tribe may have from another, and yet simultaneously draws attention to the values and beliefs that run true across tribal lines.

I listened to this collection as an audiobook, and I really enjoyed it. I went back and reread some of the entries via the ebook version so that I could sit with the ideas a little more deeply in a few of the entries, especially the poetry.

While the intended audience of this book is young Indigenous readers, I would recommend that anyone read it. How often do we get a chance to listen to so many different Indigenous perspectives in one place? It’s a quick read and definitely worth checking out.

Content Notes

Recommended for Ages 12 up.

Profanity/Crude Language Content
Very few instances of profanity.

Romance/Sexual Content
References to a romantic relationship.

Spiritual Content
References to offerings and traditions, beliefs, and rituals.

Violent Content
References to racism and indian residential schools. One essay explores an instance in which someone was bullied for their appearance. One essay briefly mentions that the author attempted suicide at one point in life.

Drug Content
References to alcohol use.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I borrowed a copy of this book from the public library. All opinions are my own.

Review: Redbone: The True Story of a Native American Rock Band by Christian Staebler, Sonia Paoloni, and Thibault Balahy

Biography, Book Review and Content, Graphic Novel or Adaptation, Nonfiction, Young Adult/Teen 12-18, , , , ,

Redbone: The True Story of a Native American Rock Band
Christian Staebler and Sonia Paoloni
Illustrated by Thibault Balahy
IDW
Published October 28, 2020

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About book

Experience the riveting, powerful story of the Native American civil rights movement and the resulting struggle for identity told through the high-flying career of West Coast rock ‘n’ roll pioneers Redbone.

You’ve heard the hit song “Come and Get Your Love” in the movie Guardians of the Galaxy, but the story of the band behind it is one of cultural, political, and social importance.

Brothers Pat and Lolly Vegas were talented Native American rock musicians that took the 1960s Sunset Strip by storm. They influenced The Doors and jammed with Jimmy Hendrix before he was “Jimi,” and the idea of a band made up of all Native Americans soon followed. Determined to control their creative vision and maintain their cultural identity, they eventually signed a deal with Epic Records in 1969. But as the American Indian Movement gained momentum the band took a stand, choosing pride in their ancestry over continued commercial reward.

Created in cooperation of the Vegas family, authors Christian Staebler and Sonia Paoloni with artist Thibault Balahy take painstaking steps to ensure the historical accuracy of this important and often overlooked story of America’s past. Part biography and part research journalism, Redbone tells a vivid story about this neglected chapter of American history.

My Review

Reading this book was a spur-of-the-moment decision, but I’m so glad I did. The title and subtitle caught my eye. I hadn’t heard of Redbone, and the history surrounding this Native American rock band intrigued me.

The foreward gives some context, and I knew reading it that I would enjoy the book. The author’s enthusiasm for the band is infectious.

The book begins with a present-day scene that leads to an interview with Redbone band member Pat Vegas. From there, the narrative flashes back, showing scenes from the 1960s and 1970s. The scenes depict events in the lives of the band members.

To be honest, I have a LOT of catching up to do about Native American history in the US. This book helped identify some of the holes that still remain in my understanding. The text mentions Indian Boarding Schools (one band member grew up in one of these) which were in effect in some places until the 1970s. We think of these things as having happened so long ago, and that’s… really not so long ago.

I was also unfamiliar with the protest at Wounded Knee and its connection to Standing Rock. The book briefly explains the connection and the band’s decision to support the protest. I loved learning about Redbone’s history and especially the ways they stood up for Indigenous people.

This is a really fun book to read and a pretty quick one as well. There are a few pages with a lot of dialogue in one panel that were a little bit confusing at first. Overall, this is really well done. I think music fans and readers interested in learning more about Indigenous history will find lots to love in this book.

“We Were All Wounded at Wounded Knee”

The book talks about a song that the band wrote in support of the protest at Wounded Knee. Here is a link to a video of the song called “We Were All Wounded at Wounded Knee.”

Content Notes

Recommended for Ages 12 up.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Brief, vague reference that someone had sex. Nothing on scene.

Spiritual Content
None.

Violent Content
Reference to Indian Boarding Schools and the harm they caused. Reference to the battle at Wounded Knee. (Battle not shown.) References to racism against BIPOC, particularly Indigenous people.

Drug Content
Adult characters visit a bar and perform at nightclubs.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. All opinions are my own.

Review: I Wish I Didn’t Have to Tell You This by Eugene Yelchin

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I Wish I Didn’t Have to Tell You This
Eugene Yelchin
Candlewick Press
Published September 16, 2025

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About I Wish I Didn’t Have to Tell You This

In a stunning sequel to The Genius Under the Table, Eugene Yelchin’s graphic memoir depicts his harrowing journey from Leningrad’s underground art scene to a state-run Siberian asylum—and to eventual safety in the US.

No longer the creative little boy under his grandmother’s table, Yevgeny is now a young adult, pursuing his artistic dreams under the constant threat of the KGB’s stranglehold on Russia’s creative scene. When a chance encounter with an American woman opens him up to a world of romance and possibility, Yevgeny believes he has found his path to the future—and freedom overseas.

But the threat of being drafted into the military and sent to fight in Afghanistan changes everything in a terrible instant, and he takes drastic measures to decide his fate, leading to unthinkable consequences in a mental hospital.

With bold art bringing a vivid reality to life, National Book Award Finalist and Newbery Honoree Eugene Yelchin’s sequel to the acclaimed memoir The Genius Under the Table returns to Yevgeny’s saga, balancing the terror and oppression of Soviet Russia with the author’s signature charm and dark wit. I Wish I Didn’t Have to Tell You This shines a stark spotlight on history while offering a poignant, nuanced, and powerfully resonant look at growing up in—and ultimately leaving—Cold War Russia in the early 1980s.

My Review

I have not read The Genius Under the Table, so if there are references to that book in I Wish I Didn’t Have to Tell You This, then I missed them. Despite that, I followed the story just fine as I read this memoir. I don’t know that I realized it was a sequel as I was reading it.

The story can be grim, which won’t surprise anyone familiar with Russian history in the early 1980s. Yelchin does a wonderful job incorporating art, joy, and humor into the story, though. Yevgeny’s relationship with Libby is halting and sweet. I loved watching them figure out how to communicate with each other and the jokes they developed. For instance, they would ask each other if the other was “mixed up” about them, meaning did they have romantic feelings for one another.

It was easy to feel the tension Yevgeny felt as an artist. He knew he could be imprisoned, or worse, for making art. Late in the book, he is confined to a mental institution. At one point, a scene sort of fades to black, with Yevgeny in pretty dire straits. When the narrative resumes, we learn that he still carries the trauma of his experience, but has been freed.

Throughout the story, the narrative stays appropriate to the audience. The illustrations don’t show gratuitous violence, though the characters reference a murder that happens off-scene. The story also notes Russia’s invasion of Afganistan, and the high cost to human life the war creates.

At 432 pages, this graphic memoir is a little longer than other similar books, but it’s so worth reading. I loved the expressions on the characters’ faces. The illustrations are brilliant. Readers interested in European or Russian history will not want to miss this one.

Content Notes

Recommended for Ages 12 up.

Profanity/Crude Language Content
None.

Romance/Sexual Content
Kissing. Yevgeny’s grandmother inquires that he and his wife will not have privacy while they sleep if she moves in with the family.

Spiritual Content
None.

Violent Content
References to political assassination and bullying. References to antisemitism. At one point, Yevgeny is in a medical facility, and the scene sort of fades to black with a vague reference to torture and mistreatment.

Drug Content
Yevgeny goes to a party and possibly gets drunk? He falls down dancing and then walks home alone. It’s hard to tell if there was alcohol involved. If so, it’s not pictured. Characters smoke cigarettes in some scenes. Someone injects medication into a person’s arm without their consent.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.

Review: Trans History: From Ancient Times to the Present Day by Alex L. Combs and Andrew Eakett

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Trans History: From Ancient Times to the Present Day
Alex L. Combs and Andrew Eakett
Candlewick Press
Published May 13, 2025

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About Trans History: From Ancient Times to the Present Day

An essential introduction to trans history, from ancient times to the present day, in full-color graphic nonfiction format. Deeply researched, highly readable, and featuring a broad range of voices.

What does “trans” mean, and what does it mean to be trans? Diversity in human sex and gender is not a modern phenomenon, as readers will discover through illustrated stories and records that introduce historical figures ranging from the controversial Roman emperor Elagabalus to the swashbuckling seventeenth-century conquistador Antonio de Erauso to veterans of the Stonewall uprising Marsha P. Johnson and Sylvia Rivera.

In addition to these individual profiles, the book explores some of the societal roles played by trans people beginning in ancient times and shows how European ideas about gender were spread across the globe. It explains how the science of sexology and the growing acceptance of (and backlash to) gender nonconformity have helped to shape what it means to be trans today. Illustrated conversations with modern activists, scholars, and creatives highlight the breadth of current trans experiences and give readers a deeper sense of the diversity of trans people, a group numbering in the millions. Extensive source notes provide further resources.

Moving, funny, heartbreaking, and empowering, this remarkable compendium from trans creators Alex L. Combs and Andrew Eakett is packed with research on every dynamic page.

My Review

I’m so impressed with this book. The authors do a wonderful job presenting historical information and clarifying the trustworthiness (or lack of trustworthiness) of their sources. Each chapter ends with a few questions in thought bubbles that invite readers to further digest the content and/or add context. For example, at the end of the first chapter on the ancient world, one thought bubble poses the question, “Why do certain stories from history get repeated over and over, while others are not remembered at all?” At the end of chapter two, which explores information about gender nonconforming people in European history, a thought bubble asks, “Why are some people given more freedom to transgress gender norms while others are given less?”

Throughout the book, the authors carefully qualify and contextualize the biographical information they share. An authors’ note at the beginning of the book clarifies that neither of the authors is a historian, so they stuck to the most well-known and documented research. They are careful to note that the individuals profiled in the book may not have identified themselves as transgender, but they focus on highlighting the ways that these people subverted or defied the gender norms of their time. The life stories they highlight are extremely compelling. The book well-establishes the truth that people have existed outside a rigid gender binary throughout the world and all of human history.

It might be tempting to think that because this book uses a graphic novel format that the information is thin or scattered throughout the pages. Combs and Eakett do a fabulous job creating dynamic panels packed with information. I sometimes went back and read a section multiple times. The information was clear, but there was so much that I wanted to remember.

Conclusion

Whatever topic this team takes on next, I’m absolutely here for it. They’ve cracked the code on creating well-balanced, informative and entertaining nonfiction in a graphic novel format. The book will be extremely accessible to teens both because of the age-appropriate way the authors present the content and the compelling presentation.

Content Notes

Recommended for Ages 12 up.

Profanity/Crude Language Content
A few of the statements in the last chapter include swear words with an asterisk replacing some of the letters.

Romance/Sexual Content
References to romantic relationships. Reference to sex workers. Some information on the historical advancements of gender-affirming medical care.

Spiritual Content
References to a faith leader. References to spiritual beliefs.

Violent Content
References to political assassination. Reference to homophobia and police violence directed at LGBTQIA+ people. One interviewee in the last chapter makes a reference to murder (Specifically, reference to the fact that members of the trans community are more likely to experience violence/murder.). References to a person’s death by suicide. (Not shown in any way.)

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.