In this sparkling and heartfelt debut YA novel in verse, a young Black girl discovers first love, self-worth, and the power of a good skate. Perfect for fans of Elizabeth Acevedo and Joya Goffney.
Sixteen-year-old Jaelyn Coleman lives for Saturdays at WestSide Roll, the iconic neighborhood roller rink. On these magical nights, Jae can lose herself in the music of DJ Sunny, the smell of nachos from the concession, and the crowd of some of her favorite people—old heads, dance crews, and other regulars like herself. Here, Jae and other Black teens can fully be themselves.
One Saturday, as Jae skates away her worries, she crashes into the cutest boy she’s ever seen. Trey’s dimples, rich brown skin, and warm smile make it impossible for her to be mad at him though. Best of all, he can’t stop finding excuses to be around her. A nice change for once, in contrast with her best friend’s cold distance of late or her estranged father creeping back into her life.
Just as Jae thinks her summer might change for the better, devastating news hits: Westside Roll is shutting down. The gentrification rapidly taking over her predominantly Black Indianapolis neighborhood, filling it with luxury apartments and fancy boutiques, has come for her safe-haven. And this is just one trouble Jae can’t skate away from.
Debut author Arriel Vinson’s lyrical and contemplative story of young Black love and coming of age in Indianapolis ushers in an exciting new voice in YA literature.
My Review
The descriptions of the skating rink were so perfect. My memories of going skating and the sounds, smells, the stickiness in the air, all of that, came springing back to life in my head as I read this book. The descriptions of the music let you know what’s going on without ever slowing down the story. I felt like I was right there with Jae.
What’s really awesome, too, is that the story paints the picture of the skating rink as this hub for community. It’s a space where people gather and celebrate music, relationships, and the joy of roller skating. I loved every one of those scenes.
The story also makes space to explore the ways that relationships change. Sometimes things break, and we don’t know how to fix them. Sometimes people let us down. And sometimes people change. Figuring out when to fight or confront versus when to let things go is not easy, and Jae faces several complex choices in her relationships.
Jae also lives in a town that’s facing increasing gentrification. It’s no the theme of the story. This isn’t a book about mobilizing the community to stop what’s happening. It’s about figuring out how to be who you are in an ever-changing world, and how to hold onto the things that matter to you even when the world keeps changing. There are some great moments in which Jae calls out gentrification and acknowledges the harm it’s causing. So while it’s not a story that centers on saving the skating rink, it does address the impact of the closure on the community.
I was engaged from the first page to the last. The verse lines move quickly, drawing our attention to the perfect amount of detail and creating a rich emotional story. I cannot wait to see what the author writes next.
Content Notes
Recommended for Ages 14 up.
Profanity/Crude Language Content A few instances of strong profanity.
Romance/Sexual Content Kissing.
Spiritual Content None.
Violent Content Scenes show people falling while skating. References to racism and prejudice. Jae’s neighborhood faces increasing gentrification.
Drug Content None.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
Lesbian. Bisexual. Queer. Transgender. Straight. Curious. This book is for everyone, regardless of gender or sexual preference. This book is for anyone who’s ever dared to wonder. This book is for YOU.
There’s a long-running joke that, after “coming out,” a lesbian, gay guy, bisexual, or trans person should receive a membership card and instruction manual. THIS IS THAT INSTRUCTION MANUAL. You’re welcome.
Inside you’ll find the answers to all the questions you ever wanted to ask: from sex to politics, hooking up to stereotypes, coming out and more. This candid, funny, and uncensored exploration of sexuality and what it’s like to grow up LGBT also includes real stories from people across the gender and sexual spectrums, not to mention hilarious illustrations.
You will be entertained. You will be informed. But most importantly, you will know that however you identify (or don’t) and whomever you love, you are exceptional. You matter. And so does this book.
My Review
The conversational style of this book and the inclusion of testimonies from people with a spectrum of identities and genders make This Book is Gay a valuable resource for people beginning to pursue romantic and/or sexual relationships.
With books like this, I often find myself hoping there was a little more attention to asexual people or the ace spectrum. There are some mentions, but a lot of the book focuses on romantic relationships, with a fair amount of pages spent talking about sex. I would have liked to see a little more acknowledgment of ace identity and some exploration about how to find or craft the kinds of relationships that one would find satisfying.
Each section of the book features real stories by people reflecting on their relationships and experiences as LGBTQIA+ people. Some stories talk about coming out and what that was like for them. Others offer relationship advice or views on a particular issue. These stories reinforce the idea that relationships and identity are governed by individuals. How you identify is up to you. What kinds of relationships you pursue is up to you. Being gay doesn’t look the same for everyone.
Dawson writes in an upbeat, celebratory way that invites readers to have confidence in who they are and go forth into the world to find people who appreciate and respect them as well. The backmatter has a super fun section listing and defining gay icons that is a lot of fun to read, too.
This Book is Gay was One of the Most Frequently Challenged Books of 2023
This Book is Gay was one of the top ten most challenged books of 2023. Among the reasons I saw cited for the challenges and book bans were that it contains testimonies of LGBTQIA+ people, information about sex education, and sexually explicit content.
The book does have some information on sex between partners with a focus on safety. Obviously, it also contains information about partnerships between LGBTQIA+ people.
Content Notes
Recommended for Ages 14 up.
Profanity/Crude Language Content Some swearing is used infrequently.
Romance/Sexual Content One chapter offers tips for engaging in sexual intimacy. Dawson includes information such as how to have safe sex and the risks of sexually transmitted infections.
Spiritual Content None.
Violent Content References to homophobia or transphobia, for example, in a family member’s response to someone coming out.
Drug Content Brief, candid discussion about going to clubs or bars to meet people and use drugs or alcohol. Dawson acknowledges that this is something some adults prefer to do and offers tips on how to stay safe.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. All opinions are my own.
You might remember the short story, “The Lady or the Tiger” from your reading in school, but this YA author brings a fresh take on that concept. Lady or the Tiger author Heather M. Herrman is here via Q&A to talk about what inspired her to create this gritty, Wild West murder mystery.
We’ll talk about misconceptions about the Wild West time period and why we need stories beyond romance in YA. We’ll also discuss the importance of telling stories with complex heroines and challenging tropes. It’s awesome stuff!
Let’s get right into it, shall we? Here are some details about the book for some context before we get into the Q&A.
A twisty, darkly seductive murder mystery, starring a teenage killer whose trial in the Wild West is upended when her first victim, her husband, arrives alive with a story to tell.
When nineteen-year-old Belle King turns herself in for murder, the last thing she expects to see is her abusive husband standing outside her Dodge City jail cell. He was the first man she ever meant to kill (but certainly not the last!). Somehow, though, her husband is there, hale and hearty, and very much not dead. With his arrival her plans in jail are jeopardized, and she’ll be forced to resort to all the tricks in her arsenal to prevent him from ever being in control of her again. But as a girl in the 1880s Wild West, the last thing anyone will believe is a woman—even when she confesses to her own crimes.
This story—of how Alice Springer, a mountain girl from Kentucky, became the infamous Belle King, of how she found the tiger in her heart, becoming the wickedest woman in the Wild West—is a love story that cuts through time and patriarchal ties.
Q&A with Heather M. Herrman
1. Is there a particular idea that inspired you to write Lady or the Tiger?
First of all, thank you so much for including me on The Story Sanctuary. I really love and respect the important work you’re doing on your site. And thank you so much for reading Lady or the Tiger!
In terms of this particular story, I started with the germ of an idea about a possibly possessed young woman in the Wild West who cuts out men’s hearts and replaces them with stolen diamonds. But from there, the story grew to be more of a response to the current landscape of the Young Adult genre.
In the past few years, I’ve noticed a trend of YA becoming synonymous with Romance. I think some of this is due to the age of YA readers, with polls suggesting that over fifty percent of readers are actually adults. I love a great romance and am in awe of the incredible authors out there giving us spice. Teen readers, too, need romance as they begin to navigate their own relationships. But they also need other stories. Unlike adult readers who often read for escape, teen readers are still in the process of forming an identity. Romance by its very nature centers the pleasure—and in some ways value—of its female heroines on an external source instead of providing examples of girls who please themselves. I want to see more complicated girls and women in young adult stories who are allowed, even encouraged, to first fall in love with themselves—shadow and all—before worrying about someone else.
2. In both The Corpse Queen and Lady or the Tiger, you’ve written strong female characters who make difficult choices. I love that! Do you think female anti-heroes are underrepresented in teen fiction? And/or what do these stories bring to the genre that we need more of?
Absolutely. I think the world is still very uncomfortable with a woman choosing to do something that doesn’t serve other people but, instead, serves herself. This, coupled with the discomfort surrounding a woman’s sexual autonomy and desire, often gives us girls who can save the world but don’t know how to save themselves. This is why I’m so drawn to the antihero in fiction. These women are allowed to be exactly who they are without cowtowing to the demands the status quo places on them to be both helpful and beautiful. Including more female antiheroes in young adult books gives readers a chance to see the parts of themselves they’ve often been asked to discard—their shadow selves or “outlaw energies” as Jungian psychologist Lisa Marchiano dubbs them—being accepted and valued instead of ignored. Girls and women deserve to be whole. And only by accepting our shadows can we ever truly shine our light.
3. What’s your favorite thing about Belle King?
I love that she is completely unapologetic about being herself. As a trained people-pleaser, I personally often find that hard, and I know a lot of other girls and women do too. Our culture often teaches us to meet others’ needs before our own. I love that Belle is willing to consider what she wants first.
4. What made you choose the 1880s Wild West as a setting for Lady or the Tiger?
I think that the setting is an interesting one because we typically think of the “Wild West” as a white, straight, male-dominated space. This was absolutely not the case. But this misconception does show exactly what a woman was up against in that time period and by comparing and contrasting our current climate, it also reveals what she continues to face today. By pushing back on certain tropes prominent in typical westerns, I got a chance to challenge these ideas.
For example, the “damsel in distress” trope has always stood out to me—Western films and novels often revolve around cowboys rescuing beautiful women or, if not rescuing them, using their untimely deaths as backstory for the hero. Often, these women serve as justification for a hero’s violence. I wanted to subvert that convention by placing a woman at the heart of the story rather than on its margins. I also wanted to give her the same depth and moral complexity typically reserved for the rugged male outlaws and antiheroes that dominate the genre. I also tried to challenge the myth of a homogenous, cisgender American frontier by including diverse characters and historically grounded details that reflect the cultural richness that existed long before white settlers arrived and continues to exist today.
5. Is there a scene or character that was the most fun to write, or something in the book that you couldn’t stop thinking about, even after you finished the scene or draft?
I mean I loved the ending. That was really fun to write. But I think I also had a great time crafting the scene with Alice, Ama, and Dom on the riverbank. They really reveal themselves to each other there and admit things that other people would maybe judge them for because they know that it’s a safe, accepting space. That was a real moment of trust for the characters, and I think it brought back all the beautiful friendships I’ve been lucky enough to have over the years. I wanted Lady or the Tiger to be a love story, just not a traditional one. Because of this, I wanted it to also highlight some of the more important love stories that we maybe don’t always talk about. For me, my girlfriend growing up were life-changing, and I wouldn’t be who I am today without them.
6. What do you most hope that readers take away from your novel?
First and foremost, I hope they enjoy it. Creating Belle was a wild ride, and I’m so excited for readers to get to know her. Beyond that, I hope seeing her be exactly who she is without apology will maybe stick with them. That in some future moment, however small, they remember Belle and feel free to choose themselves instead of trying to please someone else.
7. What is your favorite question readers have asked you about your books?
I had a reader ask me which character from my books I’d most like to go to dinner with, which I thought was such a cool question. Not sure what it says about me, but I immediately chose the murderer.
Heather Herrman is the author of the adult horror novel, Consumption, and the Junior Library Guild selected Young Adult Novel, The Corpse Queen. The Lady or the Tiger, a new YA novel by Heather about a female serial killer in the Wild West will be available from Nancy Paulsen Books June 10, 2025.
Heather’s fiction seeks to explore the relationship between body and landscape, utilizing genre as a medium. She believes that American Horror Fiction provides a lens through which we can undress and view the timeless dis/ease of our society.
Heather holds an MFA from New Mexico State University. Her work has appeared or is forthcoming in various publications including the Dark Screams Anthology:Volume 10, Cemetery Dance, The Alaska Quarterly, South Carolina Review, and Snake Nation Review. Her fiction has earned the Frank Waters Prize, an Individual Artist Grant from the Nebraska Arts Council, and a scholarship to the Prague Summer Program for Writers.
She is represented by Barbara Poelle from the Word One Literary Agency.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
A poignant yet hopeful novel about a girl navigating grief, trauma, and friendship, from Ashley Herring Blake, the award-winning author of Ivy Aberdeen’s Letter to the World.
Hazel Bly used to live in the perfect house with the perfect family in sunny California. But when a kayaking trip goes horribly wrong, Mum is suddenly gone forever and Hazel is left with crippling anxiety and a jagged scar on her face. After Mum’s death, Hazel, her other mother, Mama, and her little sister, Peach, need a fresh start. So for the last two years, the Bly girls have lived all over the country, never settling anywhere for more than a few months.
When the family arrives in Rose Harbor, Maine, there’s a wildness to the small town that feels like magic. But when Mama runs into an old childhood friend—Claire—suddenly Hazel’s tight-knit world is infiltrated. To make it worse, she has a daughter Hazel’s age, Lemon, who can’t stop rambling on and on about the Rose Maid, a local 150-year-old mermaid myth.
Soon, Hazel finds herself just as obsessed with the Rose Maid as Lemon is—because what if magic were real? What if grief really could change you so much, you weren’t even yourself anymore? And what if instead you emerged from the darkness stronger than before?
My Review
This book has been on my reading list for a long time. I finally managed to read it in a book club with other KidLit reviewers, which was a super exciting experience. I get to talk about a book that I read with other humans who have read it! JOY!
Hazel Bly and the Deep Blue Sea is one of those books that has a lot going on in it, but the author manages the flow of information, character development, and pacing so well that I didn’t really notice just how much was going on until sitting down to write this review.
The book has a hair of magical realism in it, which I loved. It’s kind of there and up to you what you believe about what happened. It’s left open to interpretation, which I loved.
The characters were really nicely done. Hazel meets three kids who are all part of an Ocean Club summer program. One girl, Lemon, is so enthusiastic. I loved the way that her enthusiasm made her resilient and helped her bulldoze past some of Hazel’s grief-driven frostiness. I also loved Lemon’s two closest friends. They’re protective of Lemon in a way that makes so much sense as we learn about their lives and the history of their friendship.
Hazel’s relationship with Mama was such a tender part of this book, too. It was hard to read some of the earlier scenes with those two in them. It’s so clear they are not communicating and that Mama doesn’t grasp what’s going on with Hazel and the deep, unhealed grief and trauma she’s carrying. It feels like she thinks if she ignores Hazel’s anxiety, it’ll go away. That struck a chord for me.
I loved the overall message about how grief changes you and how we need each other as we grieve. I also loved how new relationships, while scary, can be healing, not only for ourselves. In new relationships, we find opportunities to bring healing to others, too.
Content Notes
Recommended for Ages 8 to 12.
Profanity/Crude Language Content None.
Romance/Sexual Content Some feelings of attraction between one character and another. Adults kissing.
Spiritual Content Hazel’s mom attends a Summer Solstice party.
Violent Content Hazel describes a kayaking accident that left her injured and her mum dead. References to a boat sinking and killing passengers a long time ago. Hazel experiences a panic attack.
Drug Content Hazel hears her mom agree to another glass of wine while on the phone with her.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. All opinions are my own.
From We Need Diverse Books comes a heart-warming middle-grade anthology that follows the loosely interconnected lives of multigenerational immigrant families inhabiting the Entrada apartment building. Edited by Ellen Oh, a founding member of WNDB.”The beauty of their shared home does not come from any single person, but instead from the sum of their experiences” -Meg Medina, National Ambassador for Young People’s Literature
12 Families. 12 Cultures. 1 Building.Welcome to the Entrada, home to these everyday Americans, includingthe new kid on the block, who is both homesick and curiousa Popsicle-bridge builder, a ghost hunter, and a lion dancer their families, friends, and neighbors from all around the world!
Published in partnership with We Need Diverse Books, this uplifting anthology features award-winning authors Tracey Baptiste, David Bowles, Adrianna Cuevas, Sayantani DasGupta, Debbi Michiko Florence, Adam Gidwitz, Erin Entrada Kelly, Minh Lê, Ellen Oh, Olugbemisola Rhuday-Perkovich, Andrea Wang, and Jasmine Warga.
These inspiring stories celebrate family, friendship, culture, and American immigrant life today.
My Review
I love how cleverly this story collection is put together. Each story is identified by the apartment number where the main character lives (or the story takes place… sometimes it’s a grandparents’ apartment) rather than a traditional title. The stories intersect and reference characters appearing in other stories, but each one could be read independently.
It was interesting reading the book and thinking about the location of each apartment in the building. I think it would have been really cool to have a table of contents or a kind of map that organized the stories visually, so that readers could note where each one takes place in relation to the others. A map of the overall building and surrounding area would have been fun, too. Maybe someone will make one online (or has already!).
Several of the stories center on immigrant families sharing traditional celebrations, food, and forming connections across cultural lines. The underlying message about community and neighborliness repeats in each story, sometimes subtly and other times more overtly.
As someone who grew up in a suburban neighborhood, I’m always fascinated with stories about apartment life. I imagine the same is true for other kids who grew up in similar ways.
Ellen Oh, CEO of We Need Diverse Books, edited the collection which features some well-known middle grade authors, and many that I’ve been meaning to read. The only author featured in the collection that I had read before is David Bowles. I will definitely read more by several of these authors.
I also own an e-book version of another collection edited by Ellen Oh, Flying Lessons and Other Stories, so I’m excited to read that now as well.
Content Notes
Recommended for Ages 8 to 12.
Profanity/Crude Language Content None.
Romance/Sexual Content References to a middle school student with a crush on someone.
Spiritual Content One character lights incense and prays to their ancestors.
Violent Content Reference to a child dying of pneumonia. (Happens off-scene.)
Drug Content None.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
In this beautifully written contemporary middle grade debut, an eighth grader’s study of asexuality in science class leads her to understand her own asexual identity as she embarks on a journey toward self-discovery and self-advocacy. For readers of Alex Gino and Ashley Herring Blake.
“There’s the part of me that doesn’t understand kissing or cuteness or attraction, and then there’s the part of me that feels so lonely. How do I make sense of those two parts? Maybe I’ll never make sense of them.”
What do you do when there’s a question inside you that feels so big, you don’t know how to put words to it? How do you even begin to ask it?
Fourteen-year-old Lizzie is experiencing a lot of change: Her family had to move after the incident with their neighbor, leaving behind not only her beloved apple tree but what feels like her childhood along with it. Lizzie’s brother is too busy for her in his first semester of college, and her friends are more interested in dating than dolls. It’s hard not to feel left behind, especially as she tries to explain the fact that she still has zero interest in boys, girls, or the baffling behavior known as “flirting.”
But just as Lizzie’s world feels like it’s closing in, a class lesson on asexual reproduction in plants piques her curiosity, leading her to look up whether people can be asexual too—and suddenly her world opens up. Lizzie finally finds an identity, a word for all her messy, unnamable feelings that feels like it fits, although she quickly realizes that a label isn’t enough if no one believes it’s real.
Accessible, moving, and compassionate, Just Lizzie effortlessly braids a nuanced individual journey of identity with the bittersweet angst of growing up, growing apart, and learning there are many ways to live and love.
My Review
I have zero surprise that this book was nominated for awards.
This is one of those books that has so much going on in it, but it’s paced so perfectly that the story never feels cluttered or too busy. It never feels like a thread is dropped only to awkwardly reappear later.
At the start of the story, Lizzie is in the midst of a lot of changes. Her family recently moved from a house she loved because of an incident with a neighbor. This incident left Lizzie and her mom traumatized. Lizzie’s best friend has also just started dating a boy from school. Dating and attraction don’t make sense to Lizzie, so she struggles to respond to her friend’s relationship troubles and questions about who she likes.
One really cool part of the book is that Lizzie takes a self-defense class on Saturdays. In the class, she learns about fight, flight, and freeze responses. Learning to defend herself makes her feel more empowered. She also builds surprising connections with a couple of mentors through the class.
Adults in Lizzie’s life don’t always respond to her in the ways she expects. She faces disappointments, but she also has experiences where adults she thought would brush her off take time to see her. I loved that.
I don’t think I went into this book expecting it to be a favorite, but this is a story I’m going to hold onto for a long time. Just Lizzie perfectly captures that middle school experience where so many changes happen so quickly that it’s hard to keep up. I loved the ace representation. It’s an incredible book, and I hope that a lot more people discover and read it.
Content Notes
Recommended for Ages 8 to 12.
Profanity/Crude Language Content Mild profanity used very rarely.
Romance/Sexual Content References to kissing and feelings of attraction. Boys show each other diagrams of the human body from their science textbooks, giggling and trying to make people uncomfortable. Vague references to making out or touching. (Nothing is described in the scene.)
Spiritual Content None.
Violent Content A neighbor pushed Lizzie’s front door open after being asked to leave, scaring Lizzie and injuring her mom. Lizzie takes a self-defense class and practices defensive maneuvers. A boy at school repeatedly kicks Lizzie’s chair and, at one point, shoves her.
Drug Content None.
Note: This post contains affiliate links, which do not cost you anything to use but help support this blog. I received a free copy of this book in exchange for my honest review. All opinions are my own.
Marvelous Middle-Grade Monday
I’m sharing this post as a part of a weekly round-up of middle-grade posts called Marvelous Middle-Grade Monday. Check out other blogs with posts about middle-grade books today on Marvelous Middle-Grade Mondays at Always in the Middle.
