Beth is Dead
Katie Bernet
Sarah Barley Books
Published January 6, 2026
Amazon | Bookshop | Goodreads
About Beth is Dead
Beth March’s sisters will stop at nothing to track down her killer—until they begin to suspect each other—in this debut thriller that’s also a bold, contemporary reimagining of the beloved classic Little Women.
When Beth March is found dead in the woods on New Year’s Day, her sisters vow to uncover her murderer.
Suspects abound. There’s the neighbor who has feelings for not one but two of the girls. Meg’s manipulative best friend. Amy’s flirtatious mentor. And Beth’s lionhearted first love. But it doesn’t take the surviving sisters much digging to uncover motives each one of the March girls had for doing the unthinkable.
Jo, an aspiring author with a huge following on social media, would do anything to hook readers. Would she kill her sister for the story? Amy dreams of studying art in Europe, but she’ll need money from her aunt—money that’s always been earmarked for Beth. And Meg wouldn’t dream of hurting her sister…but her boyfriend might have, and she’ll protect him at all costs.
Despite the growing suspicion within the family, it’s hard to know for sure if the crime was committed by someone close to home. After all, the March sisters were dragged into the spotlight months ago when their father published a controversial bestseller about his own daughters. Beth could have been killed by anyone.
Beth’s perspective, told in flashback, unfolds next to Meg, Jo, and Amy’s increasingly fraught investigation as the tragedy threatens to rip the Marches apart.
My Review
This is such an interesting way to reimagine this story. I’ve read the “Jane Austen Murder Mysteries” series by Tirzah Price, which reimagines some of Austen’s novels as murder mysteries set in the time period in which the originals took place. Beth is Dead takes that idea a step further by reimagining the story in a modern setting.
The story contains many subtle and overt nods to the original, as well as some elements that seemed to reference Alcott’s real life. (I haven’t seen the author state that as an intention, so it could be a coincidence.) As events unfolded and I connected the dots from this novel to the original, I found myself nodding along or celebrating the parallel’s inventiveness.
I will admit that the modern setting and the way that some components from the original story were stretched to heighten the suspicion about potential culprits challenged me a bit as a fan of the original. For instance, Laurie and Amy hooking up while Amy was fifteen was a lot for me. Yikes.
I will say that I appreciate a lot of how Bernet modernized the March sisters. Jo, in the original, is always getting in trouble for using slang, so it’s not hard for me to imagine her swearing today or posting personal essays online and cultivating a social media following. That feels like a reasonable parallel to the kinds of short stories she published in the original novel.
I have mixed feelings about the fact that, in this book, her dad has written a novel called Little Women. It’s a novel about the girls, which has started a lot of drama. The story does interrogate whether he had any right to novelize the girls’ lives without their permission. It certainly picks apart his choice to write Beth’s (fictional) death in his novel. I think I would have preferred the novel be written by Jo rather than draw to much focus and attention to her dad’s character and whether or not he’s a good person because of this choice. It felt like it drew the story away from the sisters a lot.
Conclusion
On the whole, I am really glad I read the book. I like the clever way that the original elements reappear here. For the most part, I appreciated the modernized versions of the characters, too. I think fans of Belittled Women by Amanda Sellet will not want to miss this clever reimagining of Little Women.
Content Notes
Recommended for Ages 16 up.
Profanity/Crude Language Content
Strong profanity used somewhat frequently.
Romance/Sexual Content
Reference to two people (a fifteen-year-old and a seventeen-year-old) who kissed, undressed, and got into bed together before stopping. Another couple makes out in a couple of scenes.
Spiritual Content
None.
Violent Content
Brief descriptions of a dead body.
Drug Content
Reference to teens drinking alcohol at a New Year’s Eve party. Several teens wake up with awful hangovers. A girl drinks alcohol at school and is suspended. She continues drinking at home, where an adult serves her another glass of wine.
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