Category Archives: Coming of Age

Banned Book Review: The Bluest Eye by Toni Morrison

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The Bluest Eye by Toni Morrison

The Bluest Eye
Toni Morrison
Vintage
Published June 24, 2007 (Orig. 1970)

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About The Bluest Eye

Nobel Prize winner Toni Morrison powerfully examines our obsession with beauty and conformity—and asks questions about race, class, and gender with her characteristic subtly and grace.
 
In Morrison’s bestselling first novel, Pecola Breedlove—an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others—prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment.

My Review

Parts of this book were a hard read for me. The writing is moving, fierce, and compassionate. The story explores not only Pecola’s wish to have the blue eyes she believes will make her beautiful but also the lives of the people around her. It follows two sisters, Frieda and Claudia, whose family takes Pecola in when social services remove her from her home. They forge a connection with her that opens and closes the story and offers some reflection on the events that take place.

We also watch what happened to each of Pecola’s parents before they met and after they were married. At one point, Pecola asks for help from a spiritual man who positions himself as having God’s power, and the story illuminates some of his background and past as well. By doing this, Morrison shows not only what happens to Pecola (often from the perspective of a perpetrator) but also why it happens.

It’s a hard read. I loved reading the author’s note at the end of the book in which Toni Morrison reflects on her intentions in telling the story and her evaluation of whether she achieved them. That added some context to the story that I think I needed to hear.

On the whole, I am glad I read this book. The writing is so powerful. I want to read more of Toni Morrison’s work, but already I feel like I see she’s made valuable contributions to literature and our ongoing conversations about race, class, and gender roles.

Discomfort in Literature

One of the things I’ve thought a lot about while reading The Bluest Eye and some of the other books I’ve read lately is the discomfort I experience while reading certain parts of the book. I remember in school really wrestling with stories that left me feeling uncomfortable for various reasons. I wish someone had been able to explain to me the purpose of that discomfort and that discomfort serves an important purpose.

Sometimes, discomfort is a warning sign of danger. It means we need to escape a situation quickly. At other times, though, discomfort is recognition of injustice or wrongdoing. Literature gives us a safe space to experience that discomfort without being in actual physical danger.

This doesn’t mean that reading about trauma can’t be triggering. Sometimes it can. There are certain things I can’t read.

But I’m learning that discomfort isn’t always an indicator that I’m experiencing danger or trauma. Sometimes discomfort means I’m experiencing the injustice or the sense of wrongness in someone else’s story. Sometimes sitting with that discomfort helps us develop empathy or understanding of someone else’s experience.

One of the Most Frequently Challenged Books of 2023

The Bluest Eye was one of the top ten most challenged books of 2023. It has some graphic content, though it’s limited to a few scenes. I definitely think this is a hard book to read, though its messages and perspective are deeply important.

Content Notes for The Bluest Eye

Content warning for graphic sexual assault of a child.

Recommended for Ages 16 up.

Representation
Major characters are Black.

Profanity/Crude Language Content
A few F-bombs and profanity used infrequently. The N-word appears a few times.

Romance/Sexual Content
References to sex and incest. (A girl is pregnant with her father’s baby.) References to nudity. One character befriends and visits three women who are sex workers. More than one scene shows two people having sex. In one, the description is detached and uncomfortable. Others show more pleasure.

In one scene, two white men stumble onto a Black couple having sex. They force the couple to continue while they watch.

One scene shows a man assaulting a child from the man’s perspective. Another passage relates a man’s preference and reasons for preying on girls. He describes some of the things he does.

Spiritual Content
References to prayer and reading the Bible.

Violent Content
References to domestic violence. A man and woman have a violent marriage in which they attack one another. During these episodes, their child wishes she was dead.

Drug Content
A man goes to bed drunk, as is his habit.

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Review: Gender Queer by Maia Kobabe

Book Review and Content, Coming of Age, Graphic Novel or Adaptation, Memoir, Nonfiction, , , , , , , ,

Gender Queer
Maia Kobabe
Lion Forge Comics
Published May 28, 2019

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About Gender Queer

In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, GENDER QUEER is here.

Maia’s intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, GENDER QUEER is more than a personal story: it is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere.

My Review

I think what’s really cool about this book is that the author takes time to give clear, well-explored explanations of key moments in eir life when eir identity came into focus. Maia Kobabe diligently and openly explains eir relationship with eir body as a child, an adolescent, and later as an adult. Why did female pronouns feel so wrong for em? Why do sexual fantasies feel so much more satisfying to em than experiences do?

Having these conversations plainly and openly offers solidarity to others having similar experiences. It shows people who have similar questions that they’re not alone. They’re not the first ones to feel a disconnect with their bodies. It also provides a roadmap for people who do not identify as genderqueer. Reading a book like this, a story that details someone’s personal experience, allows readers to bring questions to a safe space where there’s no judgment or intrusion. Reading about Maia’s experience allows us to listen and cultivate empathy for others who may have a different life experience than we do.

Banning Gender Queer

One of the reasons I opted to read this book is because I hear it discussed so often in the context of being banned in schools. If you’ve been on my blog awhile, you probably already know that I’m not a fan of book bans, and it’s not a position I came to lightly. The core of the decision really is this: as a parent, my job is to be part of the decision-making about books my child reads. It is not my job to decide which books are okay for someone else’s child to read.

With that said, I think GENDER QUEER brings some important topics to the table for discussion. It does address some mature topics, so I think it would generally be more appropriate to older readers.

Content Notes

Recommended for Ages 16 up.

Representation
Maia identifies as genderqueer and uses Spivak pronouns (e/em/eir), which are a set of gender-neutral, grammatically singular pronouns. Some other people appearing in the memoir are queer as well.

Profanity/Crude Language Content
Extreme profanity used very infrequently.

Romance/Sexual Content
References to gay pornography. References to sex. In one scene, Maia very briefly outlines with a partner the things e would not feel comfortable doing sexually. One line later states that e and eir partner have made out and had sex. In one scene, Maia lists a snippet of a sexually explicit conversation e had with eir partner and the divergence of eir feelings about the fantasy of the experience versus the actual experience.

Maia is also very open about eir personal experience with arousal and masturbation. E explains these feelings as part of a larger explanation of eir asexuality and/or gender dysphoria. It didn’t come across as something meant to be sexy. Instead, it appeared to be a thoughtful examination of how eir body reacts to touch and visual stimulation and how that might differ from others’ experiences.

There are a few panels that show some cartoon nudity. One panel shows two men kissing from their hips upward. One shows two men facing each other, referencing a fantasy Maia had based on Plato’s SYMPOSIUM. A couple show Maia from the side, sitting on a toilet, after e has discovered the start of eir period. One page shows Maia undressing for an examination with a gynecologist. One panel shows em naked from the front.

Spiritual Content
None.

Violent Content
Maia describes the pain of a gynecological exam as feeling like e has been stabbed through the abdomen. The illustration shows a torso without gender details with a blade stabbed through the abdomen. Another illustration shows a similar image, but from a side view.

Drug Content
None.

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Review: Gone Wolf by Amber McBride

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Gone Wolf
Amber McBride
Feiwel & Friends
Published October 3, 2023

Amazon | Bookshop | Goodreads

About Gone Wolf

Award-winning author Amber McBride lays bare the fears of being young and Black in America, in this middle-grade novel that has been compared to the work of Jordan Peele and praised as ” brilliantly inventive storytelling” by Publishers Weekly.

In the future, a Black girl known only as Inmate Eleven is kept confined — to be used as a biological match for the president’s son, should he fall ill. She is called a Blue — the color of sadness. She lives in a small-small room with her dog, who is going wolf more often – he’s pacing and imagining he’s free. Inmate Eleven wants to go wolf too―she wants to know why she feels so Blue and what is beyond her small-small room.

In the present, Imogen lives outside of Washington DC. The pandemic has distanced her from everyone but her mother and her therapist. Imogen has intense phobias and nightmares of confinement. Her two older brothers used to help her, but now she’s on her own, until a college student helps her see the difference between being Blue and sad, and Black and empowered.

In this symphony of a novel, award-winning author Amber McBride lays bare the fears of being young and Black in America, and empowers readers to remember their voices and stories are important, especially when they feel the need to go wolf.

My Review

The first book I read by Amber McBride was ME: MOTH, which is a novel in verse. I loved the twisty storytelling. It’s one of those books where you reach a point where everything changes, and you look back at everything you’ve read with a new perspective. I loved that about the book.

GONE WOLF is prose rather than poetry. It also has some twisty storytelling, and I felt like there was the same kind of turning-point moment where I looked back at everything through a different lens. (This is hinted at in the cover copy, so I don’t think I’m spoiling anything.)

The book definitely delves into some tough topics in a pretty unflinching way. The juxtaposition of the Civil Rights Movement, slavery, and a futuristic setting was really thought-provoking. It was interesting to see familiar pieces of history alongside dystopian elements. Somehow, it made them resonate more sharply, maybe because it had that awful ring of the worst kinds of history repeating themselves.

I found it easy to get lost in the story and in trying to figure out how the two narratives connected. Future Imogen’s horror at her discoveries about the world she lives in and the ways she tries to break out of that world hit hard. I rooted for her from the beginning to end.

On the whole, I found this to be a truly captivating story. It’s got a young narrator– I think Imogen is twelve– but I would not call this middle grade. I think it’s actually a coming-of-age story.

Content Notes

Recommended for Ages 12 up.

Representation
Imogen is Black.

Profanity/Crude Language Content
None.

Romance/Sexual Content
None.

Spiritual Content
None.

Violent Content
Some brief strong violence, including violence against an animal.

Imogen witnesses a woman being beaten. She sees someone execute a dog. Imogen and a friend offer ice to people who’ve been attacked as part of a Civil Rights protest.

Drug Content
None.

Note: This post contains affiliate links, which do not cost you anything but help support this blog. I received a free copy of GONE WOLF in exchange for my honest review.

Review: The Black Flamingo by Dean Atta

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The Black Flamingo
Dean Atta
Balzer + Bray
Published May 26, 2020 (orig. 2019)

Amazon | Bookshop | Goodreads

About The Black Flamingo

A fierce coming-of-age verse novel about identity and the power of drag, from acclaimed poet and performer Dean Atta. Perfect for fans of Elizabeth Acevedo, Jason Reynolds, and Kacen Callender.

Michael is a mixed-race gay teen growing up in London. All his life, he’s navigated what it means to be Greek-Cypriot and Jamaican—but never quite feeling Greek or Black enough.

As he gets older, Michael’s coming out is only the start of learning who he is and where he fits in. When he discovers the Drag Society, he finally finds where he belongs—and the Black Flamingo is born.

Told with raw honesty, insight, and lyricism, this debut explores the layers of identity that make us who we are—and allow us to shine.

My Review

Early on in the pandemic, I placed a couple of book orders with independent bookstores, and THE BLACK FLAMINGO is one of the books I ordered. Obviously it took me a while to read it, but I’m so glad I finally did.

One of my favorite things about this book is how personal Michael’s journey is. I think part of what makes that work is that he’s a poet himself, and the novel is written in verse, too. Some of the poems are meant to be his, things he has written and performs. I felt like that made the story a lot more intimate if that makes sense?

I also loved the characters, from Michael’s mom and sister, Anna, to his best friend Daisy, to Jack, the repressed construction worker. Even the characters who only appeared for a few moments seemed rich and knowable.

The story begins when Michael is a child and runs through his early time at college, so I think it’s more of a coming-of-age story than traditional young adult fiction. I liked having that long span of time to see different moments in Michael’s life and how they affected him at the time and upon reflection.

All in all, this is a powerful story about self-discovery and courage and learning how to be true to yourself. I think fans of Elizabeth Acevedo will love THE BLACK FLAMINGO.

Content Notes

Recommended for Ages 12 up.

Representation
Michael is Greek Cypriot and Jamaican and a citizen of the UK. He’s also gay.

Profanity/Crude Language Content
Mild profanity used infrequently.

Romance/Sexual Content
Kissing between two boys. References to sex between two boys (not shown).

Spiritual Content
A couple minor characters state their belief that being gay is a sin. (Later one person apologizes for this.)

Violent Content
Older boys bully Michael into fighting another boy. Someone leaves homophobic notes in Michael’s backpack. Girls say homophobic things to him.

Drug Content
Michael smokes pot and uses an inhalant with another boy in one scene. He smokes pot and drinks alcohol in several scenes.

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Review: The Sweetness at the Bottom of the Pie by Alan Bradley

Book Review and Content, Coming of Age, Historical, Mystery/Suspense/Thriller, , , , , , ,

The Sweetness at the Bottom of the Pie (Flavia de Luce #1)
Alan Bradley
Delacorte Press
Published April 24, 2009

Amazon | Barnes & Noble | Book Depository | Indiebound | Goodreads

About The Sweetness at the Bottom of the Pie

It is the summer of 1950–and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.

For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. “I wish I could say I was afraid, but I wasn’t. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.”

My Review

A long time ago, after I reviewed and enjoyed a mystery featuring a young narrator, someone suggested the Flavia de Luce series to me. I borrowed THE SWEETNESS AT THE BOTTOM OF THE PIE from the library but only got maybe halfway through before having to return it. I liked what I’d read, but got sidetracked by other things and didn’t pick it up again until now.

Flavia is spunky and whip-smart. She has an interesting relationship with her two older sisters which mostly consists of giving each other a hard time and playing tricks on one another. There’s an undercurrent of protectiveness and caring in there, too. Sort of the only-I-can-mess-with-my-sister type of thing. It was kind of sweet.

I thought Flavia cleverly followed the thread of the mystery, having her own child-like moments here and there between highly analytical research, experiments and deductions. I feel like it should have been harder to believe that she’s eleven years old, but for some reason, I wasn’t really bothered by that as I was reading.

One section shows her listening to a long recounting of her father’s life at school. It’s interesting because it’s some of the only real interaction we see between them, but it goes on for a long time and sort of shifts the focus of the story to be about him from there on out.

Another thing to note is that there are a couple of racially insensitive (at best) situations or comments in the story. I’ve listed them below in the contents. To be honest, these are the kinds of things I have the most trouble with as a reviewer. This book is set in the 1950s and published in 2009 (which isn’t that long ago). I feel like the face-painting and Flavia’s comment could have been easily left out. They may have been historically accurate representations of ideas at the time, but including them feels insensitive to me, and none of them were critical to the story.

I enjoyed the mystery elements, and felt like the characters are believable and interesting. I wish it hadn’t included those few references.

Content Notes

Recommended for Ages 12 up.

Representation
Takes place in England.

Flavia’s father and a friend had a performance routine in which they dressed up as a Chinese man using make-up and an unflattering accent. Flavia later makes an off-hand comment about colonization “civilizing” the indigenous people– though it’s unclear if she says this sarcastically. These things may have been historically accurate representations of feelings and behavior at the time the story takes place, but are at the least racially insensitive and prejudiced.

Profanity/Crude Language Content
Mild profanity used infrequently.

Romance/Sexual Content
Flavia sees a young man kiss a young woman.

Spiritual Content
None.

Violent Content – Trigger warning for bullying, suicide and murder.
Flavia is the youngest of three sisters, and her older sisters boss her around and bully her sometimes. Flavia also commits pranks against her sisters. She also learns of a student her father knew who was bullied.

Description of a man throwing himself from a rooftop. Flavia discovers the body of a stranger in the garden who appears to have been murdered.

Contains situations of peril. Two scenes show Flavia tied up and locked away.

Drug Content
Adults drink alcohol socially.

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Review: Starfish by Akemi Dawn Bowman

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Starfish
Akemi Dawn Bowman
Simon Pulse
Published September 26, 2017

Amazon | Barnes & Noble | Goodreads

About STARFISH

A half-Japanese teen grapples with social anxiety and her narcissist mother in the wake of a crushing rejection from art school in this debut novel.

Kiko Himura has always had a hard time saying exactly what she’s thinking. With a mother who makes her feel unremarkable and a half-Japanese heritage she doesn’t quite understand, Kiko prefers to keep her head down, certain that once she makes it into her dream art school, Prism, her real life will begin. 

But then Kiko doesn’t get into Prism, at the same time her abusive uncle moves back in with her family. So when she receives an invitation from her childhood friend to leave her small town and tour art schools on the west coast, Kiko jumps at the opportunity in spite of the anxieties and fears that attempt to hold her back. And now that she is finally free to be her own person outside the constricting walls of her home life, Kiko learns life-changing truths about herself, her past, and how to be brave.

From debut author Akemi Dawn Bowman comes a luminous, heartbreaking story of identity, family, and the beauty that emerges when we embrace our true selves.

A William C. Morris Award Finalist; A New York Public Library Best Book for Teens of 2017; A Junior Library Guild Selection

My Review

I’m a total sucker for books about an artist– and STARFISH absolutely scratched that itch for me. I loved the way descriptions of Kiko’s drawings ended every chapter, and the way the disconnect between her sketches and her paintings played such an important role in the story.

Mom issues are harder for me to read. Maybe because I am a mom? Maybe because they make me want to jump into a book and slap someone. Kiko’s relationship with her mom causes her a lot of self-hate and shame.

When Kiko goes to California, she finally begins looking at her life through eyes that aren’t her mom’s. She discovers connections with her Japanese heritage and begins to dismantle the shame she learned to feel about the way she looked. I loved the emotional journey of STARFISH. I couldn’t help falling in love with Kiko– sweet, insecure, talented Kiko– and kept rooting for her all the way through the last page.

Fans of E. Katherine Kotaras or SISTER PACT by Stacie Ramey will love the focus on and healing power of art in STARFISH.

Recommended for Ages 14 up.

Representation
Kiko and her siblings are half-Japanese. She meets a Japanese man and his family.

Language Content
Extreme profanity once.

Sexual Content – Sexual Abuse Trigger Warning (And Spoiler)
Kissing between a boy and girl.

Early in STARFISH, Kiko goes to a party and a boy leads her into a bedroom. He forcibly kisses her, which she does not want him to do, but she freezes up and feels unable to stop him. Later, he asks her not to tell anyone that it happened, so she doesn’t.

Kiko’s rotten experience with men doesn’t stop there, though. She battles memories of abuse by a family member who touched her lower leg while masturbating in her bedroom in the middle of the night. She pretended to be asleep but told her mom, who refused to believe her.

Spiritual Content
None.

Violence – Suicide Trigger Warning
One character in STARFISH makes a suicide attempt. It happens off-scene, and we don’t learn the details of how it happened. Just a warning for sensitive readers that it’s in there.

Drug Content
Kiko goes to a party where teens drink alcohol. She feels pressured to drink with them, but a friend gets her a soda instead.